" L'anglais de l'immobilier " regroupe les termes généraux et techniques, ainsi que les expressions et notions indispensables du monde de l'immobilier. Destiné aux étudiants et aux professionnels, cet ouvrage est pratique et simple d'utilisation : le vocabulaire, classe par thèmes et par ordre alphabétique, est listé dans les deux langues, français/anglais et anglais/français.
A producer. A novelist. An actress.It is summer in 1968, the year of the assassinations of Martin Luther King and Robert Kennedy. While the world is reeling our trio is involved in making a rackety Swingin' Sixties British movie in sunny Brighton. All are leading secret lives.As the film is shot, with its usual drastic ups and downs, so does our trio's private, secret world begin to take over their public one. Pressures build inexorably - someone's going to crack. Or maybe they all will.From one of Britain's bestselling writers comes an exhilarating, tender novel that asks the vital questions- what makes life worth living? And what do you do if you find it isn't?
Le Carré's Panama—the young country of 2.5 million souls which, on December 31, 1999, will gain full control of the Panama Canal—is a Casablanca without heroes, a hotbed of drugs, laundered money and corruption.Seldom has the weight of global politics descended so heavily on such a tiny and unprepared nation. And seldom has the hidden eye of British Intelligence selected such an unlikely champion as Harry Pendel—a charmer, a dreamer, an evader, a fabulist and presiding genius of the house of Pendel & Braithwaite Co. Limitada, Tailors to Royalty, formerly of London and presently of Panama City.Yet there is a logic to the spies' choice. Everybody who is anybody in Central America passes through Pendel's doors. He dresses politicos and crooks and conmen. His fitting room hears more confidences than a priest's confessional. And when Harry Pendel doesn't hear things as such—well, he hears them anyway, by other means.For what is a tailor for, if not to disduise reality with appearance? What is truth if not the plaything of the artist? And what are spies and politicians and journalists if not themselves selectors and manipulators of the truth for their own ends?In a thrilling, hilarious novel, le Carré has provided us with a satire about the fate of truth in modern times. Once again, he has effortlessly expanded the borders of the spy story to bring us a magnificent entertainment straight out of the pages of tomorrow's history.JOHN LE CARRÉ was born in 1931. After attending the universities of Bern and Oxford, he taught at Eton and spent five years in the British Foreign Service. His third novel, The Spy Who Came In from the Cold, secured him a worldwide reputation, which was solidified by the acclaim for his trilogy, Tinker, Tailor, Soldier, Spy, The Honourable Schoolboy and Smiley's People. His mostly autobiographical novel, A Perfect Spy, wa followed by The Russia House, The Night Manager and Our Game. The Tailor of Panama is his sixteenth novel.John le Carré lives in Cornwall, England.
Printemps 2009. Sur l’île d’Antigua. Un oligarque russe, menacé par des rivaux avec l’appui du Kremlin, décide de livrer sa connaissance intime des circuits internationaux du recyclage de l’argent mafieux en échange de la protection des services secrets de sa Majesté et de la possibilité d’être accueilli avec sa famille en Angleterre. L’oligarque, dépeint d’une manière qui lui attire, au moins en partie, la sympathie du lecteur, mobilise à cet effet un jeune couple britannique en vacances sur l’île et destiné à le mettre en contact avec les dits services. La passion du tennis les a rapprochés. De l’île caribéenne à la finale Federer / Söderling à Roland Garros, en passant par les recoins feutrés des banques suisses et les paysages romantiques de l’Oberland bernois, la trame narrative permet à l’auteur d’exposer avec une rage contenue, à la fois l’étendue des enjeux économiques en question et la duplicité des acteurs dont le cynisme ne semble avoir d’égal que la cupidité ou la soif de pouvoir. «La parole a été donnée aux hommes pour dissimuler leurs pensées,» disait Talleyrand. L’usage de la parole crée une aliénation chez les personnages. Il engendre une lutte entre les naïfs qui subissent cette aliénation et les cyniques qui l’exploitent à leur profit. La guerre est là au commencement et à la fin. Et toujours, elle broie les plus faibles.
'Out of the secret world I once knew, I have tried to make a theatre for the larger worlds we inhabit. First comes the imagining, then the search for reality. Then back to the imagining, and to the desk where I'm sitting now.' The Pigeon Tunnel, John le Carré's memoir and his first work of nonfiction, is a thrilling journey into the worlds of his 'secret sharers' - the men and women who inspired some of his most enthralling novels - and a testament to the author's extraordinary engagement with the last half century. The listener is swept along not just by the chilling winds of the Cold War or by the author's frightening journeys into places of terrible violence but, most importantly, by the author's inimitable voice. In this astonishing work, we see our world, both public and private, through the eyes of one of this country's greatest writers.