Ron Moy Books

Kate Bush is widely respected as one of the most unique solo female performers to have ever emerged in the field of popular music. She has achieved that rare combination of great commercial success and critical acclaim, with Hounds of Love considered widely to be her masterpiece. The album regularly features in 'best album' lists, and in the 2004 Observer poll was the highest placed work by a solo female artist. The album allows the author, Ron Moy, the critical opportunity to explore a wide range of issues relating to technology, production, authorship, grain of the voice, iconography, critical and commercial impact, collaboration, gender, sexuality, narrative, and social and cultural context.

Focusing on various popular music genres, this book offers a structured exploration of their histories, visual aesthetics, and socio-political contexts. Each chapter features a textual analysis of significant examples from genres like soul, punk rock, and heavy metal. Readers will uncover the intricate connections between music and cultural history, economics, politics, and technology, providing a comprehensive understanding of popular music's impact and evolution.

Exploring the intersection of auteur theory and popular music, this book delves into the complexities of authorship by examining production and creativity through various lenses, including gender, race, and technology. It raises critical questions about authenticity, value, and cultural constructs within the music industry. With diverse case studies covering studio work, composition, DJing, and performance, it serves as a vital resource for students and scholars interested in the debates surrounding authorship in popular music.