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Helen Garner

    November 7, 1942

    Helen Garner is an acclaimed Australian author who masterfully blends fiction and non-fiction. Her writing is distinguished by its penetrating accuracy of observation, intensity of passion, and subtle humor. Garner has a remarkable ability to capture the essence of human experience, revealing hidden meanings in gestures and dialogue that consistently compel the reader's attention. Her distinctive prose, praised for its exceptional sentence construction, solidifies her place as a significant literary voice.

    Helen Garner
    Joe Cinque's consolation
    This House of Grief
    Yellow Notebook: Diaries Volume One 1978 - 1987
    One Day I'll Remember This
    True Stories
    Last Days Of Chez Nous & Two Friends
    • 2025

      How to End a Story

      Collected Diaries, 1978-1998

      • 848 pages
      • 30 hours of reading

      For the first time ever, collected here are all three volumes of the diaries of Helen Garner, inviting readers into the world behind the novels and nonfiction of a literary force. The name Helen Garner commands near-universal acclaim. A master of many literary forms, Garner is best known for her frank, unsparing, and intricate portraits of "ordinary people in difficult times" (New York Times). But the inspiration for it all was her extensive collection of diaries—fastidiously kept, intricately written, and delightfully dishy, unspooling the inner lives of her insular world in bohemian Melbourne. Now, for the first time, all three volumes of Garner's inimitable diaries are collected into one book. Spanning more than two decades, each finely etched volume reveals Garner like never before: a fledgling author publishing her lightning-rod debut novel in the late 70s; in the throes of a consuming affair in the late 80s; and clinging to a disintegrating marriage in the late 90s. And all the while, they bear witness to one of the world's great writers hard at work. Devastatingly honest and disarmingly funny, How to End a Story is a portrait of loss, betrayal, and the sheer force of a woman’s anger—but also of resilience, quotidian moments of joy, the immutable ties of motherhood, and the regenerative power of a room of one’s own.

      How to End a Story
    • 2020

      One Day I'll Remember Diaries 1987–1995 is the second volume of diaries which charts a tumultuous stage in Helen Garner’s life. Beginning in 1987, as she embarks on an affair that she knows will be all-consuming, and ending in 1995 with the publication of The First Stone and the furore that followed it, Garner reveals the inner life of a woman in love and a great writer at work. With devastating honesty and sparkling humour, she grapples with what it means for her sense of self to be so entwined with another – how to survive as an artist in a partnership that is both enthralling and uncompromising. And through it all we see the elevating, and grounding, power of work and the enduring value of friendship. 'Garner is scrupulous, painstaking, and detailed, with sharp eyes and ears. She is everywhere at once, watching and listening, a recording angel at life’s secular apocalypses ... her unillusioned eye makes her clarity compulsive.'The New Yorker 'On the page, Garner is uncommonly fierce, though this usually has the effect on me of making her seem all the more likeable. I relish her fractious, contrarian streak – she wears it as a chef would a bloody apron – even as I worry about what it would be like to have to face it down.'Guardian

      One Day I'll Remember This
    • 2019
    • 2018

      'A jewel of a novel about a perfect family falling apart'DAVID NICHOLLS'The Children's Bach is Garner's masterpiece'PUBLIC BOOKS'A perfect novel. I was so stunned that I wanted to run around the block'RUMAAN ALAMAthena and Dexter Fox are happy. They love each other. They are friends.They live with their young sons in a sparsely furnished house near the Merri Creek: its walls cracking, its floors sloping and its doors hanging loosely in their frames. There is a piano in their kitchen.But then, one day - years after their lives have taken different directions - Dexter runs into Elizabeth, an old friend from his university days. She brings into his world her loose-living musician boyfriend, Philip, and her seventeen-year-old sister, Vicki. And all at once, the bonds that hold the Fox family together begin to fray.Helen Garner's perfectly formed novels embody Melbourne's tumultuous 1970s and 1980s. Drawn on a small canvas and with a subtle musical backdrop, The Children's Bach is a beloved work that weighs the burdens of commitment against the costs of liberation.A W&N; Essential

      The Children´s Bach
    • 2018

      Honour & Other People's Children

      • 240 pages
      • 9 hours of reading
      3.4(20)Add rating

      Two novellas about the deep connections we forge with the people we love, and the pain of breaking those connections. In Honour, Kathleen and Frank are amicably separated, in contact through shared parenting of their young daughter, Flo. But when Frank finds a new partner and wants a divorce, Kathleen is hurt. And Flo can’t understand why they all can’t live together. In Other People’s Children, Ruth and Scotty live in a big share house that’s breaking up. Scotty is trying to hold on, remembering the early days of telling life stories and laughter and singing—and when the kids were everyone’s kids. But now the bitterness has crept in and their friendship is broken. Ruth is ready to move on—and she’ll take her kids with her.

      Honour & Other People's Children
    • 2017

      True Stories

      • 800 pages
      • 28 hours of reading
      4.4(251)Add rating

      • To celebrate Helen Garner's 75th birthday, we are proud to publish this collection of almost fifty years of her short non-fiction • True Stories is presented in an elegant hardback edition • This edition brings together the essays, stories and diary entries of True Stories, The Feel of Steel and Everywhere I Look as well as later work • This is a must-have for long-time Garner fans and the perfect gift for the many readers who continue to discover her work • With the critical and commercial success of Everywhere I Look, the prestigious US Windham–Campbell Award and her burgeoning international recognition, Helen Garner has consolidated her status as a fundamental part of Australia's literary pantheon • Published earlier this year, Bernadette Brennan's bestselling literary portrait—A Writing Life—has drawn enthusiastic praise and cemented Garner as a writer whose work will be read and studied for decades to come • James Wood wrote in the New Yorker: 'She is everywhere at once, watching and listening, a recording angel at life's secular apocalypses...her unillusioned eye makes her clarity compulsive.' • To be supported by a high-profile marketing and publicity campaign • Helen Garner lives in Melbourne

      True Stories
    • 2017

      Stories: Collected Short Fiction

      • 208 pages
      • 8 hours of reading
      3.7(709)Add rating

      These stories - that delve into the complexities of love and longing, of the pain, darkness and joy of life - are all told with her characteristic sharpness of observation, honesty and humour. Each one a perfect piece, together they showcase Garner's mastery of the form

      Stories: Collected Short Fiction
    • 2016

      Last Days Of Chez Nous & Two Friends

      • 272 pages
      • 10 hours of reading

      The Last Days of Chez Nous & Two Friends showcases the range of one of Australia’s greatest writers. These two scripts for films—The Last Days of Chez Nous was directed by Gillian Armstrong in 1991, and Two Friends by Jane Campion in 1986—are funny, sharp observations of relationships and friendships that are as intimate and engrossing as Helen Garner’s acclaimed novels. This edition comes with a new introduction by the internationally renowned screenwriter Laura Jones, winner of the inaugural Australian Writers’ Guild Lifetime Achievement Award in 2016.

      Last Days Of Chez Nous & Two Friends
    • 2016

      Everywhere I Look

      • 229 pages
      • 9 hours of reading

      I pedal over to Kensington just after dark. As I roll along the lane towards the railway underpass, a young Asian woman on her way home from the station walks out of the tunnel towards me. After she passes there’s a stillness, a moment of silent freshness that feels like spring. Helen Garner is one of Australia’s greatest writers. Her short non-fiction has enormous range. Spanning fifteen years of work, Everywhere I Look is a book full of unexpected moments, sudden shafts of light, piercing intuition, flashes of anger and incidental humour. It takes us from backstage at the ballet to the trial of a woman for the murder of her newborn baby. It moves effortlessly from the significance of moving house to the pleasure of re-reading Pride and Prejudice. Everywhere I Look includes Garner’s famous and controversial essay on the insults of age, her deeply moving tribute to her mother and extracts from her diaries, which have been part of her working life for as long as she has been a writer. Everywhere I Look glows with insight. It is filled with the wisdom of life.

      Everywhere I Look
    • 2016

      ONE OF THE GUARDIAN'S 100 BEST BOOKS OF THE 21ST CENTURY'This House of Grief, in its restraint and control, bears comparison with In Cold Blood' KATE ATKINSON 'It grabbed me by the throat in the same way that the podcast series Serial did' GILLIAN ANDERSON'Utterly gripping' MARK HADDONFather's Day, 2005. Just after nightfall, a discarded husband drove his three young sons back to their mother, his ex-wife.On that dark country road, barely five minutes from the children's home, the old white car swerved off the highway and plunged into a dam. The father freed himself and swam to the bank, but the car sank to the bottom, and all the children drowned.The court case that followed became Helen Garner's obsession, one that would take over her life until its final verdict. The resulting book is a true-crime classic and literary masterpiece, which examines just what we are capable of and how fiercely we hide it from ourselves.A W&N; Essential with an introduction by Rachel Cooke

      This House of Grief