Jane Gardam is a celebrated British author whose works for both children and adults offer profound insights into the human condition. Her writing masterfully explores themes of growing up, loss, and the search for identity, often set against the backdrop of evocative English landscapes. Gardam's prose is remarkably sensitive and poetic, capturing complex emotions and the nuances of relationships with striking precision. She focuses on delving into the inner lives of her characters, examining how their experiences and environments shape them.
The flag that is shown, literally and metaphorically, by these characters is
always the Union Jack. Gardam's stories are acutely observed social
commentaries on Englishness, its weaknesses and its illusions.
Filth (Failed in London, try Hong Kong) is a successful lawyer when he marries Elisabeth in Hong Kong soon after the War. Reserved, immaculate and courteous, Filth finds it hard to demonstrate his emotions. But Elisabeth is different - a free spirit. She was brought up in the Japanese Internment Camps, which killed both her parents but left her with a lust for survival and an affinity with the Far East. No wonder she is attracted to Filth's hated rival at the Bar - the brash, forceful Veneering. Veneering has a Chinese wife and an adored son - and no difficulty whatsoever in demonstrating his emotions ...How Elisabeth turns into Betty and whether she remains loyal to stolid Filth or is swept up by caddish Veneering, makes for a page-turning plot in a perfect novel which is full of surprises and revelations, as well as the humour and eccentricites for which Jane Gardam's writing is famous.
Throughout her career, prize-winning novelist Jane Gardam has been writing glorious short stories, each one hallmarked with all the originality, poignancy, wry comedy and narrative brilliance of her longer fiction. Passion and longing, metamorphosis and enchantment are Gardam's themes, and like a magician she plucks them from the quietest of corners: from Wimbledon gardens and cold churches, from London buses and industrial backstreets. A mother watching her children on the beach dreams of a long-lost lover, an abandoned army wife sees a ghost at a moorland gate, a translator adrift in Geneva is haunted by the unspeakable manifestation of her own fears, and a colonial servant wreaks a delicious revenge on her monstrous masters. Gardam's cast is wide and wonderful, saints and mystics, trollops and curmudgeons, yearning mothers and lost children, beloved figures such as Old Filth and less familiar - but equally unforgettable - characters like Signor Settimo, the sad-eyed provincial photographer marooned in Shipley or Florrie Ironside, the ferocious matron he seduces. With a mischievous ear for dialogue, a glittering eye for detail and a capacious understanding of the vagaries of the human heart, Jane Gardam's stories will captivate, sadden and delight.
Old Filth was a "child of the raj". His earliest memories are of his amah, a teenage Malay girl. But soon he is torn away from the only person who loves him and sent to be educated at "home", where he is boarded out with strangers. What is the terrible secret the children shared? What happened at the farmhouse in the Lake District?
'I ought to tell you at the beginning that I am not quite normal having had a violent experience at the age of nine' Jessica Vye's 'violent experience' colours her schooldays and her reaction to the world around her- a confining world of Order Marks, wartime restrictions, viyella dresses, nicely-restrained essays and dusty tea shops. For Jessica she has been told that she is 'beyond all possible doubt', a born writer. With her inability to conform, her absolute compulsion to tell the truth and her dedication to accurately noting her experiences, she knows this anyway. But what she doesn't know is that the experiences that sustain and enrich her burgeoning talent will one day lead to a new- and entirely unexpected- reality.
Raised by her aunts after her father's death, Polly Flint spends the rest of her life in their home, emotionally shipwrecked like her hero, Robinson Crusoe.
Old Filth and The Man in the Wooden Hat told with bristling tenderness and black humour the stories of that Titan of the Hong Kong law courts, Old Filth QC, and his clever, misunderstood wife Betty. Last Friends, the final volume of this trilogy, picks up with Terence Veneering, Filth's great rival in work and - though it was never spoken of - in love. Veneering's were not the usual beginnings of an establishment silk: the son of a Russian acrobat marooned in northeast England and a devoted local girl, he escapes the war to emerge in the Far East as a man of panache, success and fame. But, always, at the stuffy English Bar he is treated with suspicion: where did this blond, louche, brilliant Slav come from? Veneering, Filth and their friends tell a tale of love, friendship, grace, the bittersweet experiences of a now-forgotten Empire and the disappointments and consolations of age
When sweet, healthy hearty Holly Fox dies suddenly in childbirth, the Surrey village whose pearl she was reverberates with shock. She leaves behind her a helpless, silent husband, and a tiny daughter, Faith. Everyone assumes Holly's loving and capable mother Thomasina will look after Faith, but when she unaccountably deserts her newborn grandchild, the baby must be packed off to her father's peculiar family in the North - 'the very strangest people you ever saw my dear'. With wisdom, generosity, and understanding, Jane Gardam takes as her subject the English heart in all its eccentric variety. FAITH FOX sheds a clear, true light on the pain of bereavement whilst always offering the joyous possibility of a new beginning.