Robert Frank Book order

"From New York Times bestselling author and economics columnist Robert Frank, a revelatory look at the power and potential of social context. As psychologists have long understood, social environments profoundly shape our behavior, sometimes for the better, but often for the worse. Less widely noted is that social influence is a two-way street: Our environments are in large part themselves a product of the choices we make. Society embraces regulations that limit physical harm to others, as when smoking restrictions are defended as protecting bystanders from secondhand smoke. But we have been slower to endorse parallel steps that discourage harmful social environments, as when regulators fail to note that the far greater harm caused when someone becomes a smoker is to make others more likely to smoke. In Under the Influence, Robert Frank attributes this regulatory asymmetry to the laudable belief that individuals should accept responsibility for their own behavior. Yet that belief, he argues, is fully compatible with public policies that encourage supportive social environments. Most parents hope, for example, that their children won't grow up to become smokers, bullies, tax cheats, sexual predators, or problem drinkers. But each of these hopes is less likely to be realized whenever such behaviors become more common. Such injuries are hard to measure, Frank acknowledges, but that's no reason for policymakers to ignore them. The good news is that a variety of simple policy measures could foster more supportive social environments without ushering in the dreaded nanny state or demanding painful sacrifices from anyone"-- Provided by publisher

Microeconomics and Behaviour, third edition, is an accessible yet intellectually challenging and engaging textbook for students. It develops core analytical and technical tools and embeds them in a collection of real-world examples and applications to illuminate the power and versatility of the economic way of thinking. With this approach, students develop economic intuition and are stimulated to think more deeply about the technical tools they learn, and to find more interesting ways to apply them. This enables students to not just understand microeconomics, but to think like economists themselves, and to develop a lasting interest in the discipline. Key Features * Fully updated chapters, including new and expanded material on international labour markets, the gig economy, behavioural game theory and nudge theory. * Extensive pedagogical features such as examples, key terms and definitions, in-chapter exercises, chapter summaries, and review questions and problems. * Economic Naturalist examples that show how economic principles can be used to explain experiences and observations of everyday life. New examples include: "Why do firms benefit from the gig economy?", "Why is self-checkout becoming the norm in shops?", and "Why do online retailers have flagship stores?"

Discover the secret to a healthy and happy life with Shorinji Kempo's unique philosophy. This modern Japanese martial art and spiritual discipline, founded by the Zen Buddhist monk and soldier Doshin So in 1947, teaches how true strength and happiness can be achieved through a combination of physical and mental practice. Stressing the importance of a balance between robust self-reliance and compassionate interaction with others, it is the true heir to the ancient Shaolin temple tradition of the pursuit of enlightenment through martial arts training. This book contains practical advice for students of the art as well as more universal teachings concerning the value of self-discipline, the indissoluble link between body and mind and how helping others and improving yourself are the key to a happy life, lessons that will resonate with practitioners and the general reader alike. With a foundation in Zen Buddhism but drawing on sources from the ancient Greek philosophers to modern psychology, Shorinji Kempo Philosophy shows how the unique combination of tough but enjoyable training in self-defence techniques, combined with an ongoing philosophical and spiritual enquiry into the true nature of reality, can make and keep you strong, flexible, self-reliant and joyful in both mind and body.

In this, Robert Frank’s newest book, he both acknowledges and moves beyond his acclaimed visual diaries (2010–17), which juxtapose iconic photos from throughout his career with the more personal pictures he makes today and suggestive, often autobiographical text fragments. In Good days quiet Frank’s focus is life inside and outside his beloved weather-beaten wooden house in Mabou, where he has spent summers for decades with his wife June Leaf. Among portraits of Leaf, Allen Ginsberg and Frank’s son, are images of the house’s simple interior with its wood-fuelled iron stove, humble furniture and bare light bulbs, as well as views of the land and sea by the house: snow-covered, windswept, stormy or lit by the dying sun. Frank’s Polaroids scanned for the book show various deliberate states of deterioration and manipulation at his hands, including texts that move from the merely descriptive (“watching the crows”) to the emotive (“memories,” “grey sea—old house / can you hear the music”). As always in Frank’s books, his message lies primarily in the photos’ lyrical sequence, an influential approach to the photobook pioneered by and today well at home in his 93-year-old hands.

Im Rahmen von acht spannend zu lesenden Kapiteln erfährt man mehr darüber, was alles unseren Werdegang beeinflusst und wieso nicht wenige Menschen die Bedeutung von glücklichen Zufällen oft unterschätzen aber auch, weshalb diese Wahrnehmung sich letztlich nachteilig auswirkt. Helga König, 17.01.2018

The most striking of Frank's arguments is a computer-simulated proof of luck's importance, even in very nearly meritocratic situations.--Tim Smith-Laing, Daily Telegraph

Leon of Juda is the sixth book in Robert Frank’s acclaimed series of visual diaries, which combine iconic photos from throughout his career with the more personal pictures he makes today. Here still lifes taken in Frank’s home in Bleecker Street, New York, and landscapes around his house in Mabou, Nova Scotia, jostle alongside spontaneous portraits of friends, colleagues and his wife artist June Leaf, as well as vintage postcards. With these images Frank creates a seemingly casual layout that recalls the look and spirit of a private album or scrapbook. Equally humble and ambitious, Leon of Juda shows how the past tempers Frank’s present and how his life is not only documented in but shaped by bookmaking.

After The Americans, The Lines of My Hand is arguably Robert Frank’s most important book and without doubt the publication that established his autobiographical, sometimes confessional, approach to bookmaking. The book was originally published by Yugensha in Tokyo in 1972, and this new Steidl edition, made in close collaboration with Robert Frank, follows and updates the first US edition by Lustrum Press of 1972. The Lines of My Hand is structured chronologically and presents selections from every stage of Frank’s work until 1972—from early photos in Switzerland in 1945–46, to images of his travels in Peru, Paris, Valencia, London and Wales, and to contact sheets from his 1955–56 journey through the US that resulted in The Americans and made him famous. Here too are intimate photos of Frank’s young family, later photo-collages and stills from films including Pull My Daisy (1959) and About Me: A Musical (1971). This structure itself mirrors the rhythm of Frank’s life but it is his short personal texts, like diary entries, that fully bring his voice into the book. In its original combination of text and image, its fearless self-reflection, and its insistence on photography and film as equal though different aspects of the artist’s visual language, The Lines of My Hand has become an inspiration for many photographers—not least Robert Frank himself, who continues and expands this approach in the visual diaries he makes today.

Catalog of the exhibition "Robert Frank: books and films, 1947-2016" (New York, 2016) in the form of a special edition of the Süddeutsche Zeitung (in original format and typography).