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Juraj Lexmann

    Juraj Lexmann
    Theory of Film Music
    Audiovisual Media and Music Culture
    • 2008

      Audiovisual Media and Music Culture

      Translated from Slovak by Barbora Patočková

      • 101 pages
      • 4 hours of reading

      In the present time electronic media are the most powerful factory that influence music culture. They change social functions of music, they affect musical behavior, music taste and aesthetic ideals of the society. The power of film, television and other media is based on the fact that the media trigger complex audiovisual perceptions or they determine the ways of how music evokes extra-musical imaginations. Audiovisual Media and Music Culture struggles to systematize and classify the basic categories of audiovisual communication, it explains music in media as a category of space and time, reveals the laws of the music culture development, the advantages and disadvantages of civilization trends and it also separates value constants from transition episodes.

      Audiovisual Media and Music Culture
    • 2006

      Theory of Film Music

      • 194 pages
      • 7 hours of reading

      Exploring the intricate relationship between film and music, this book delves into how soundtracks enhance storytelling and emotional impact in cinema. It examines various theoretical frameworks and practical applications of music in film, highlighting the role of composers and the evolution of film scores. Through case studies and critical analysis, it reveals the significance of musical elements in shaping viewer experience and interpreting narratives, making it an essential read for filmmakers, musicians, and film enthusiasts alike.

      Theory of Film Music