Hilary Mantel Book order

'I breathed in stories, as soon as I breathed in air. Sometimes I think I wasn't born, but I just came out of an ink blot.'As well as her celebrated career as a novelist, Hilary Mantel long contributed to newspapers and journals, unspooling stories from her own life and illuminating the world as she found it. This strand of her writing was an integral part of how she thought of herself. 'Ink is a generative fluid,' she explains. 'If you don't mean your words to breed consequences, don't write at all.' A Memoir of My Former Self collects the finest of this writing over four decades. Mantel's subjects are wide-ranging. She discusses nationalism and her own sense of belonging; our dream life flopping into our conscious life; the mythic legacy of Princess Diana; the many themes that feed into her novels - revolutionary France, psychics, Tudor England - and other novelists, from Jane Austen to V. S. Naipaul. She writes about her father and the man who replaced him; she writes fiercely and heartbreakingly about the battles with her health she endured as a young woman, and the stifling years she found herself living in Saudi Arabia. Here, too, is a selection of her film reviews - from When Harry Met Sally to RoboCop - and, published for the first time, her stunning Reith Lectures, which explore the process of art bringing history and the dead back to life.From her unique childhood to her all-consuming fascination with Thomas Cromwell that grew into the Wolf Hall Trilogy, A Memoir of My Former Self reveals the shape of Hilary Mantel's life in her own dazzling words, 'messages from people I used to be.' Compelling, often very funny, always luminous, it is essential reading from one of our greatest writers.'A smart, deft, meticulous, thoughtful writer, with such a grasp of the dark and spidery corners of human nature' Margaret Atwood

The magnificent final book from the bestselling author of the Wolf Hall Trilogy[Bokinfo].

King Billy is a gentleman -- Destroyed -- Curved is the line of beauty -- Learning to talk -- Third floor rising -- The clean slate -- Giving up the ghost.

A photography book that is a vital accompaniment to the many fans of Hilary Mantel's bestselling Wolf Hall Trilogy

From the twice Booker Prize winner and internationally bestselling Hilary Mantel, a collection of writing essays, book reviews, memoir from over thirty years contributing to the London Review of Books In 1987, when Hilary Mantel was first published in the London Review of Books, she wrote to the editor, Karl Miller, I have no critical training whatsoever, so I am forced to be more brisk and breezy than scholarly. This collection of twenty reviews, essays and pieces of memoir from the next three decades, tells the story of what happened next. Her subjects range far and wide: Robespierre and Danton, the Hite report, Saudi Arabia where she lived for four years in the 1980s, the Bulger case, John Osborne, the Virgin Mary as well as the pop icon Madonna, a brilliant examination of Helen Duncan, Britains last witch. There are essays about Jane Boleyn, Charles Brandon, Christopher Marlowe and Margaret Pole, which display the astonishing insight into the Tudor mind we are familiar with from the bestselling Wolf Hall Trilogy. Her famous lecture, Royal Bodies, which caused a media frenzy, explores the place of royal women in society and our imagination. Here too are some of her LRB diaries, including her first meeting with her stepfather and a confrontation with a circus strongman. Constantly illuminating, always penetrating and often very funny, interleaved with letters and other ephemera gathered from the archive, Mantel Pieces is an irresistible selection from one of our greatest living writers

With The Mirror & the Light, Hilary Mantel brings to a triumphant close the trilogy she began with her peerless, Booker Prize-winning novels, Wolf Hall and Bring Up the Bodies. She traces the final years of Thomas Cromwell, the boy from nowhere who climbs to the heights of power, offering a defining portrait of predator and prey, of a ferocious contest between present and past, between royal will and a common man's vision: of a modern nation making itself through conflict, passion and courage

Illuminates one of Holbein's most famous portraits with a combination of scholarly scrutiny and fictional narrative.

'Like Lorna Sage's Bad Blood ... A masterpiece.' Rachel Cusk Giving Up the Ghost is the shocking and beautiful memoir, from the author of Wolf Hall, Bring Up the Bodies and The Mirror & the Light 'Giving up the Ghost' is award-winning novelist Hilary Mantel's uniquely unusual five-part autobiography. Opening in 1995 with 'A Second Home', Mantel describes the death of her stepfather which leaves her deeply troubled by the unresolved events of her childhood. In 'Now Geoffrey Don't Torment Her' Mantel takes the reader into the muffled consciousness of her early childhood, culminating in the birth of a younger brother and the strange candlelight ceremony of her mother's 'churching'. In 'Smile', an account of teenage perplexity, Mantel describes a household where the keeping of secrets has become a way of life. Finally, at the memoir's conclusion, Mantel explains how through a series of medical misunderstandings and neglect she came to be childless and how the ghosts of the unborn like chances missed or pages unturned, have come to haunt her life as a writer.

From one of Britain's most accomplished, acclaimed, and garlanded writers, Hilary Mantel delivers a brilliant collection of contemporary short stories that demonstrate what modern England has becomeIn The Assassination of Margaret Thatcher, Hilary Mantel's trademark gifts of penetrating characterization, unsparing eye, and rascally intelligence are once again fully on display.Her classic wicked humor in each story--which range from a ghost story to a vampire story to near-memoir to mini-sagas of family and social fracture--brilliantly unsettles the reader in that unmistakably Mantel way. Mantel brutally and acutely writes about gender, marriage, class, family, and sex, cutting to the core of human experience. Unpredictable, diverse, and even shockingly unexpected, each story grabs you by the throat within a couple of sentences. The Assassination of Margaret Thatcher displays a magnificent writer at the peak of her powers.

The New York Times bestselling collection, from the Man Booker prize-winner for Wolf Hall and Bring Up the Bodies, that has been called "scintillating" (New York Times Books Review), "breathtaking" (NPR), "exquisite" (The Chicago Tribune) and "otherworldly" (Washington Post). "A new Hilary Mantel book is an Event with a 'capital 'E.'"-NPR "A book of her short stories is like a little sweet treat."-USA Today (4 stars) "[Mantel is at] the top of her game."-Salon "Genius."-The Seattle Times One of the most accomplished, acclaimed, and garlanded writers, Hilary Mantel delivers a brilliant collection of contemporary stories In The Assassination of Margaret Thatcher, Hilary Mantel's trademark gifts of penetrating characterization, unsparing eye, and rascally intelligence are once again fully on display. Stories of dislocation and family fracture, of whimsical infidelities and sudden deaths with sinister causes, brilliantly unsettle the reader in that unmistakably Mantel way. Cutting to the core of human experience, Mantel brutally and acutely writes about marriage, class, family, and sex. Unpredictable, diverse, and sometimes shocking, The Assassination of Margaret Thatcher displays a magnificent writer at the peak of her powers.