Hilary Mantel Book order

'I breathed in stories, as soon as I breathed in air. Sometimes I think I wasn't born, but I just came out of an ink blot.' Hilary Mantel, celebrated novelist and insightful journalist, reflects on her life and writing in this collection spanning four decades. Her belief that 'ink is a generative fluid' underscores her commitment to storytelling, as she explores a range of subjects. Mantel delves into nationalism and belonging, the interplay between dreams and reality, and the enduring legacy of figures like Princess Diana. She examines themes that inform her novels—revolutionary France, psychics, Tudor England—and discusses fellow writers from Jane Austen to V. S. Naipaul. Her personal narrative includes poignant reflections on her father, her struggles with health in her youth, and the challenges of living in Saudi Arabia. This collection also features her film reviews, from classics like When Harry Met Sally to RoboCop, alongside her powerful Reith Lectures, which illuminate how art resurrects history. Through her unique lens, Mantel offers a vivid portrayal of her life, filled with humor and insight, making this an essential read from one of literature's greatest voices. 'A smart, deft, meticulous, thoughtful writer, with such a grasp of the dark and spidery corners of human nature' - Margaret Atwood.

The magnificent final book from the bestselling author of the Wolf Hall Trilogy[Bokinfo].

In ›Sprechen lernen‹ folgen wir Hilary Mantels Figuren ins England der Fünfziger- und Sechzigerjahre, betreten abgelegene Dörfer und Schrottplätze, besuchen altmodische Kaufhäuser und Klosterschulen. Es sind diese unscheinbaren, »von rauen Winden und derben Klatschmäulern geplagten Orte«, die zum Schauplatz eben jener Momente werden, die den jungen Protagonisten und Protagonistinnen noch lange in Erinnerung bleiben. Momente, die ihr Leben für immer prägen werden: das Verschwinden des leiblichen Vaters, die neue Identität der Mutter, das plötzliche Verlorengehen und das mühsame Sprechenlernen. Leicht, aber voller Hintersinn und mit gnadenlosem Witz gewährt uns die zweifache Booker-Preisträgerin einen erzählerischen Einblick in die Rätsel ihrer Kindheit und Jugend, ohne sie je in Gänze aufzulösen. »Diese Erzählungen bergen Welten, die so groß sind wie die der längsten Romane Mantels.« THE NEW YORK TIMES BOOK REVIEW

King Billy is a gentleman -- Destroyed -- Curved is the line of beauty -- Learning to talk -- Third floor rising -- The clean slate -- Giving up the ghost.

A photography book that is a vital accompaniment to the many fans of Hilary Mantel's bestselling Wolf Hall Trilogy

From the twice Booker Prize winner and internationally bestselling author, this collection features essays, book reviews, and memoirs spanning over thirty years of contributions to the London Review of Books. Beginning in 1987, Hilary Mantel candidly admitted to her lack of critical training, prompting a style that is both brisk and engaging. This anthology includes twenty pieces that reflect her diverse interests, covering topics such as Robespierre, the Hite report, her time in Saudi Arabia during the 1980s, the Bulger case, and cultural icons like the Virgin Mary and Madonna. Mantel also delves into historical figures like Jane Boleyn and Christopher Marlowe, showcasing her profound understanding of the Tudor era, reminiscent of her acclaimed Wolf Hall Trilogy. Notably, her lecture "Royal Bodies" sparked media attention as it examined the societal roles of royal women. The collection also features excerpts from her LRB diaries, including memorable encounters with her stepfather and a circus strongman. With its blend of insight, humor, and personal reflection, this selection offers a captivating glimpse into the mind of one of today's most celebrated writers.

With The Mirror & the Light, Hilary Mantel brings to a triumphant close the trilogy she began with her peerless, Booker Prize-winning novels, Wolf Hall and Bring Up the Bodies. She traces the final years of Thomas Cromwell, the boy from nowhere who climbs to the heights of power, offering a defining portrait of predator and prey, of a ferocious contest between present and past, between royal will and a common man's vision: of a modern nation making itself through conflict, passion and courage

L’Idéal Trois jeunes avocats ambitieux sont venus à Paris dans l’intention d’y faire carrière. Criblé de dettes, Jacques Danton rêve de gloire et de fortune. Maximilien de Robespierre est un jeune homme brillant. Sensible et épris de liberté, il souhaite ardemment changer le système inégalitaire de la France. Camille Desmoulins est un pamphlétaire de génie, fantasque et charmeur. Ces trois amis vont bientôt se retrouver au cœur de la Révolution. Après avoir goûté l’ivresse du pouvoir, que restera-t-il de leurs idéaux ? Et de leur amitié ? Les Désordres 1791. La Révolution a fait voler en éclats la société. Tout a changé : le régime, les lois, les dirigeants… Après avoir œuvré pour la Révolution et occupé le devant de la scène, Danton et Camille Desmoulins voient Robespierre devenu le chef de file du Comité de salut public qui a instauré la Terreur. Pourront-ils le ramener à la raison ? Inéluctablement, les révolutionnaires vont devenir les victimes de la terrifiante machine qu’ils ont eux-mêmes créée.

De nadagen van het victoriaanse Engeland en de eerste onzekere jaren na het einde van de oorlog vormen de achtergrond van de vierdelige 'Cazalet-kronieken' van Elizabeth Jane Howard, die de periode 1937-1947 omspannen. Deel 1, 'Lichte jaren', begint eind jaren dertig, in de laatste gouden jaren voor het uitbreken van de Tweede Wereldoorlog. In de zomermaanden komen drie generaties van de familie Cazalet bij elkaar op hun familielandgoed vlak buiten Londen. Ze vullen hun dagen met kinderspelletjes in het bos, picknicken op het strand, gin-tonics in de tuin, feestmalen in de eetkamer. Het is een zonovergoten, onbekommerde tijd - maar onder de idyllische oppervlakte broeien er affaires en gefnuikte ambities; en de oorlog werpt zijn schaduw vooruit.