John Escott crafts compelling narratives, often delving into the crime and mystery thriller genres. His works, whether original creations or adaptations, are designed to engage readers of all ages, particularly students. With a distinctive style, Escott focuses on building immersive plots that satisfy a reader's appetite for suspense and intrigue.
When beautiful Scarlett O'Hara learns that Ashley Wilkes, the man she loves, is going to marry another woman, her broken heart seems far worse than the tragedies of the Civil War. However, one man knows her secret, and he wants her for himself.
The Jackal. A tall, blond Englishman with opaque, gray eyes. A killer at the top of his profession. A man unknown to any secret service in the world. An assassin with a contract to kill the world's most heavily guarded man. One man with a rifle who can change the course of history. One man whose mission is so secretive not even his employers know his name. And as the minutes count down to the final act of execution, it seems that there is no power on earth that can stop the Jackal.
Developed in consultation with Alison Kelly, who is a senior lecturer in education and an early reading specialist from Roehampton University. There are over 250 Young Reading titles; view them at our website: www.usborne.com.
When Christmas comes for the four March girls, there is no money for expensive presents & they give away their Christmas breakfast to a poor family. But there are no happier girls than Meg, Jo, Beth & Amy. They miss their father, who is away at the Civil War, but they try hard to be good so that he will be proud of his 'little women'.
Matilda applies her untapped mental powers to rid the school of the evil, child-hating headmistress, Miss Trunchbull, and restore her nice teacher, Miss Honey, to financial security.
Classics, modern fiction, non-fiction and more. Written for secondary and adult students the Oxford Bookworms Library has seven reading levels from A1-C1 of the CEFR. It is more than forty years since the Great Train Robbery. But what happened to the rest of the money that was taken? Two million pounds has never been found. Perhaps some of the robbers would like to know the answer to this question too...Many great crimes end in a question. Who really killed President Kennedy? What happened to Shergar? Who knows the truth about Azaria Chamberlain? Not all the answers are known. Join the world's detectives and discover the love, death, hate, money, and mystery held in the stories of these great crimes. CEFR B1/B2 Word count 15,747
Young Tess Durbeyfield attempts to restore her family's fortunes by claiming their connection with the aristocratic d'Urbervilles. But Alec d'Urberville is a rich wastrel who seduces her and makes her life miserable. When Tess meets Angel Clare, she is offered true love and happiness, buther past catches up with her and she faces an agonizing moral choice.Hardy's indictment of society's double standards, and his depiction of Tess as "a pure woman," caused controversy in his day and has held the imagination of readers ever since. Hardy thought it his finest novel, and Tess the most deeply felt character he ever created. This unique critical textis taken from the authoritative Clarendon edition, which is based on the manuscript collated with all Hardy's subsequent revisions.
Original / American English Ricardo and Gisela are going home to Rio. Gisela likes reading and quiet people. Ricardo likes noise ... and he likes Gisela. In Rio, a thief takes Gisela's bag. What can Ricardo do?
A level 2 Oxford Bookworms Library graded reader. Retold for Learners of English by John Escott.Everybody has bad dreams. Horrible things move towards you in the dark, things you can hear but not see. Then you wake up, in your own warm bed, and turn over to go back to sleep. But imagine that you wake up on a hard floor, in a darkness blacker than the blackest night. You listen to the silence, and smell a wet dead smell. Death is all around you, waiting . . . In these stories by Edgar Allan Poe, death whispers at you from every dark corner, and fear can send you mad . . .
