Explore the latest books of this year!
Bookbot

Richard Taylor

    Richard Taylor crafts poetry and prose that often delves into the history and soul of Kentucky. His work is recognized for its distinctive voice and profound exploration of the human condition. As a former Kentucky poet laureate, Taylor imbues his writing with rich language and vivid imagery. Readers appreciate his ability to capture the essence of place and heritage.

    Armoured Warfare in the British Army, 1914-1939
    English Radicalism in the Twentieth Century
    Te Ika A Maui; Or, New Zealand And Its Inhabitants; Illustrating The Origin, Manners, Customs, Mythology, Religion, Rites, Songs, Proverbs, Fables And
    Watercolour Landscapes
    The Joys of Beekeeping
    Out For Blood
    • This book is the perfect companion for the watercolour landscape painter. Packed full of detailed annotations and step-by-step demonstrations, Richard Taylor guides you through each element of landscape painting.

      Watercolour Landscapes
    • English radicalism has been a persistent and important, though minority, strand in English political culture since at least the English Civil War. This book explores, in historical context, the nature of this radicalism - its beliefs, practice and importance - in the twentieth century. -- .

      English Radicalism in the Twentieth Century
    • Exploring the political history of Soviet cinema in the 1920s, this book delves into the unique interplay between film and the socio-political landscape of the time. It highlights how cinema served as a tool for propaganda and cultural expression, reflecting the revolutionary spirit and challenges of the era. Through detailed analysis, the narrative uncovers the artistic innovations and ideological conflicts that shaped the development of Soviet filmmaking during this transformative decade.

      The Politics of the Soviet Cinema 1917 1929
    • Girty

      • 149 pages
      • 6 hours of reading

      In this classic work, Richard Taylor artfully assembles a collage of passages from diaries, travel accounts, and biographies to tell part of the notorious villain's story. Taylor uses the voice of Girty himself to unfold the rest of the narrative through a series of interior monologues, which take the form of both prose and poetry.

      Girty