Eka Kurniawan Book order

De geliefde prostituee Dewi Ayu staat na eenentwintig jaar plotseling op uit haar graf, terwijl haar vier dochters - drie beeldschoon en één buitengewoon lelijk - in al die jaren door het leven zijn getekend. Aan de hand van hun familiegeschiedenis vertelt Eka Kurniawan op wervelende wijze het verhaal van de onderdrukking van Indonesië: van de wrede overheersing door Nederland tijdens de koloniale periode en vervolgens door Japan tijdens de Tweede Wereldoorlog; van het uitroepen van de onafhankelijkheid in augustus 1945 en de daaropvolgende politionele acties tot de massamoord op ten minste een half miljoen communisten in de jaren 1965-'66. Schoonheid is een vloek combineert geschiedenis, satire, folklore, humor en romantiek in een zinderende vertelling.

An unforgettable tale of literary magical realism from a critically acclaimed Indonesian writer who has been compared to Salman Rushdie, Gabriel Garcia Marquez, and Mark Twain Longlisted for the International Man Booker, this “supernatural tale of murder and desire fascinatingly subverts the crime fiction genre” as it tells the story of a half-man, half-magical female white tiger (Huffington Post). A wry, affecting tale set in a small town on the Indonesian coast, Man Tiger tells the story of two interlinked and tormented families and of Margio, a young man ordinary in all particulars except that he conceals within himself a supernatural female white tiger. The inequities and betrayals of family life coalesce around and torment this magical being. An explosive act of violence follows, and its mysterious cause is unraveled as events progress toward a heartbreaking revelation. Lyrical and bawdy, experimental and political, this extraordinary novel announces the arrival of a powerful new voice on the global literary stage.

The epic novel Beauty Is a Wound combines history, satire, family tragedy, legend, humor, and romance in a sweeping polyphony. The beautiful Indo prostitute Dewi Ayu and her four daughters are beset by incest, murder, bestiality, rape, insanity, monstrosity, and the often vengeful undead. Kurniawan's gleefully grotesque hyperbole functions as a scathing critique of his young nation's troubled past: the rapacious offhand greed of colonialism; the chaotic struggle for independence; the 1965 mass murders of perhaps a million "Communists," followed by three decades of Suharto's despotic rule. Beauty Is a Wound astonishes from its opening line: "One afternoon on a weekend in May, Dewi Ayu rose from her grave after being dead for twenty-one years…" Drawing on local sources—folk tales and the all-night shadow puppet plays, with their bawdy wit and epic scope—and inspired by Melville and Gogol, Kurniawan's distinctive voice brings something luscious yet astringent to contemporary literature.