Julia Blackburn delves into fascinating, often overlooked aspects of the human experience. Her literary style is marked by deep empathy and a penetrating insight into the psychology of her characters. The author focuses on themes of memory, identity, and the complex relationships between people and their environments. Her works invite readers to contemplate the invisible forces that shape our lives.
The narrative explores Julia Blackburn's journey to the Karoo region of South Africa, where she investigates the ancestral lands of the persecuted /Xam people. In the 19th century, facing cultural extinction, they contributed to the Bleek-Lloyd Archive, a collection of 60,000 pages capturing their language, dreams, and traumas. This archive serves as a vital record of their worldview, emphasizing their belief that "all things were once people," offering a profound insight into a nearly lost way of life.
SHORTLISTED FOR THE WAINWRIGHT GOLDEN BEER BOOK PRIZE 2019 Julia Blackburn has
always collected things that hold stories about the past, especially the very
distant past: mammoth bones, little shells that happen to be two million years
old, a flint shaped as a weapon long ago.
Winner of the East Anglian Book of the Year 2015 Winner of the New Angle Book
Prize 2017John Craske, a Norfok fisherman, was born in 1881 and in 1917, when
he had just turned thirty-six, he fell seriously ill. So - as with all her
books - Julia Blackburn's account of his life is far from a conventional
biography.
Shortlisted for the 2011 Costa Biography Award and the 2012 Royal Society of
Literature Ondaatje Prize Julia Blackburn and her husband moved to a little
house in the mountains of northern Italy in 1999.
Ackerley Award This is the story of three people: Julia Blackburn, her father
Thomas and her mother Rosalie. After her parents were divorced, Julia's mother
took in lodgers, always men, on the understanding that each should become her
lover. When one of the lodgers started an affair with Julia, Rosalie was
devastated;
The oral history of Billie Holiday is revealed through the voices of those who knew her intimately, including musicians, dancers, and critics. Their stories paint a complex portrait of a woman who defied the myths surrounding her, showcasing her desires and values. Julia Blackburn skillfully compiles these narratives, offering a unique perspective on the life of this iconic jazz singer, highlighting her contradictions and the depth of her character.
Julia Blackburn's brilliant and haunting book is a life of Billie Holiday told
in the voices of those who knew her. Kuehl died in 1978 and her book never
came out, but her recordings survived to provide the raw material for this
extraordinary account of the life of America's First Lady of Jazz.
In 1792, when he was forty-seven, the Spanish painter Francisco de Goya contracted a serious illness that left him stone deaf. In this extraordinary book, Julia Blackburn follows Goya through the remaining thirty-five years of his life. It was a time of political turmoil, of war, violence, and confusion, and Goya transformed what he saw around him into visionary paintings, drawings, and etchings. These were also years of tenderness for Goya, of intimate relationships with the Duchess of Alba and with Leocadia, his mistress, who accompanied him to the end. Blackburn’s singular distinction as a biographer is her uncanny ability to create a kaleidoscope of biography, memoir, history, and meditation—to think herself into another world. In Goya she has found the perfect subject. Visiting the towns Goya frequented, reading the revelatory letters that he wrote for years to a boyhood friend, investigating the subjects he portrayed, Julia Blackburn writes about the elderly painter with the intimacy of an old friend, seeing through his eyes and sharing the silence in his head. With unprecedented immediacy and illumination, Old Man Goya gives us an unparalleled portrait of the artist.