Michel Faber Book order (chronological)

Eine aufschlussreiche und wunderbar humorvolle Erkundung darüber, wie und warum wir Musik hören, vom preisgekrönten britischen Bestsellerautor Michel Faber »Dieses Buch will dir nicht das vermitteln, was dir andere Musikbücher vermitteln. Es wird dir nicht dabei helfen, mit deinen Lieblingskünstler*innen und -genres eine noch tiefere Beziehung einzugehen […] Dafür wirst du aber vielleicht besser verstehen, warum du liebst, was du liebst – und eine plausible Erklärung dafür bekommen, dass du andere Musik aus ganzem Herzen hasst.« Es gibt unzählige Bücher uber Musik, in denen Musiker*innen, Bands, Epochen und Genres ausfuhrlich analysiert werden. Aber selten beschaftigt sich ein Buch damit, was in uns vorgeht, wenn wir Musik hören. Michel Faber erforscht zwei große Fragen: wie wir Musik hören und warum wir Musik hören. Um diese Fragen zu erörtern, berücksichtigt er Themen wie Biologie, Alter, Krankheiten, »Coolness«, kommerzielle Hintergrunde, die Dichotomie zwischen »gutem« und »schlechtem« Geschmack und findet durch Interviews mit Musikerinnen und Musikern allerhand überraschende Antworten. Dieses erhellende Buch des preisgekrönten Romanautors spiegelt Michel Fabers lebenslange Besessenheit für Musik jeglicher Art wider. Hör zu! wird Ihre Beziehung zur gehörten Welt verändern.

'Outstandingly weird and memorable' GUARDIAN 'Deliciously creepy' NEW SCIENTIST Fear never dies... Featuring stories from Susan Barker, J K Chukwu, Bridget Collins, Mariana Enríquez, Michel Faber, Lewis Hancox, Emilia Hart, Ainslie Hogarth, Robert Lautner, Adorah Nworah, Irenosen Okojie, Lucy Rose, Lionel Shriver, James Smythe, Lavie Tidhar, Francine Toon, Evie Wyld and Louisa Young. These stories from eighteen master storytellers will curdle your blood, haunt your dreams and redefine terror. From a hungry young woman who is not what she seems, to a boy who has taken his mother's advice a little too seriously; from disfigured girls willing to pay any price to fit in, to an immigrant who cannot escape his tormentor in his new home country; from a new home with a sinister secret, to the discovery that a long-dead parent's corpse is perfectly preserved decades later; this collection plumbs the depths of the psyche and dredges up some very modern horrors. READERS ARE OBSESSED 'Stunning' 'Well-plotted and horrifying' 'Visceral, creepy, gory... stays in your head long after reading them' 'It's so satisfying to turn to the next story in an anthology like this and be pretty confident it's going to be a banger... bravo' 'Spine-tingling... I was gripped and it kept me up at night as I just wanted to read one more story' 'Often unusual, always unique... a wildly eclectic cornucopia of horror'

An enlightening, thoughtful and witty exploration into how and why we listen to music, from the award-winning author Michel Faber

Dhikilo se narodila v zemi, která formálně neexistuje, ale snaží se cítit jako doma v Cawberon-Sands, městečku na pobřeží Anglie. Své rodiče viděla naposledy jako úplně malé dítě a to není jediné, čím se odlišuje od svých spolužáků ve škole. Vše zvládá až do dne, kdy z jazyka zmizí písmeno D. Prostě se vytratí z každého slova, které ho předtím obsahovalo – akorát si toho všimne jedině Dhikilo. Jeen by si myslel, že ztráta jenoho malého písmena nebue v kažoenním životě přestavovat takový rozíl. Jenže ono to ělá potíže, až je nakonec situace oopravy ocela zoufalá. Naštěstí se Dhikilo dá dohromady se záhadným profesorem a společně se vypraví písmeno D zachránit. Dokáže diktátorovi Gampovi zabránit ve zničení celého jazyka? A povede se jí odhalit, kdo je a kam vlastně patří? D je mnohem víc než oslava 150. výročí smrti Charlese Dickense. Umožňuje mladým čtenářům pochopit politiku 21. století i změny ve společnosti, je to inspirující příběh o dívce, která se nenechá zdeptat temnými silami, a zbrusu nové dobrodružství v tradici Narnie. D je Faberův první román pro teenagery.

"It all starts on the morning the letter D disappears from the language. First, it vanishes from her parents' conversation at breakfast, then from the road signs outside. Soon the local dentist and the neighbour's Dalmatian are missing, and even the Donkey Derby has been called off. Though she doesn't know why, Dhikilo is summoned to the home of her old history teacher Professor Dodderfield and his faithful Labrador, Nelly Robinson. And this is where our story begins. Set between England and the wintry land of Liminus, a world enslaved by the monstrous Gamp and populated by fearsome, enchanting creatures, D (Tale of Two Worlds) is a mesmerising tale of friendship and bravery in an uncertain world."--Publisher

Michel Faber je bytostný prozaik, básním se věnoval jen okrajově a sám vtipkoval, že tímhle tempem bude mít dost materiálu na první sbírku někdy ve svých devadesáti letech. Pak ale po dvaceti letech manželství Faberova žena Eva onemocněla nevyléčitelnou rakovinou kostní dřeně (mnohočetným myelomem, abychom byli přesní) a Faber se vrátil ke své původní profesi, totiž ošetřovatelství. A právě v pokoji londýnské nemocnice, kde Eva strávila poslední měsíce svého života, vznikly první básně z předkládaného cyklu (je jich nakonec něco přes 70, na cca 140 tiskových stranách.) Tematicky se básně omezují na průběh nemoci, Evinu smrt a Faberův žal. Je to poezie nekompromisně upřímná, emocionálně intenzivní, místy protkaná šibeničním humorem. Drtivá většina básní je psaná volným veršem a rýmovaná sporadicky, což je paradoxně její výhoda: je mnohem přístupnější, než poezie obvykle bývá, a účinek je bezprostřednější. V těchto básních, jež ocenily i takové těžké literární váhy jako Ian McEwan, přišel Michel Faber na něco obecně sdělného: co to znamená najít životní lásku a pak ji takhle krutým způsobem ztratit. Dal hlas lidem, kteří o rakovině kvůli přetrvávajícímu tabu neumí mluvit, nemocným, kteří si své pocity nechávají pro sebe.

Michel Faber's first novel in twelve years. Soon to be Amazon original series Oasis in 2017

When Theo Griepenkerl happens upon the fifth Gospel in a war-torn Iraqi museum, he can't believe his luck. Driven by greed and a lust for fame, he capitalises on his find by publishing it. His book is a sensation. But he can hardly imagine the incendiary consequences his discovery will have for Christians, Arabs, homicidal maniacs and Amazon customers alike.The Fire Gospel is a brilliant piece of storytelling, dazzlingly outrageous and utterly gripping.

Find out what became of Sophie.Michel Faber revisits the world of his bestselling novel The Crimson Petal and the White, conjuring tantalising glimpses of its characters, their lives before we first met them and their intriguing futures. You'll be desperate for more by the time you reluctantly re-emerge into the twenty-first century.

Nella Londra del 1875, Sugar, una prostituta di diciannove anni, la più desiderata in città, cerca la via per sottrarre il proprio corpo e l'anima al fango delle strade. Dai vicoli luridi e malfamati, Michel Faber ci guida seguendo la scalata di Sugar, fino allo splendore delle classi alte della società vittoriana, dove violiamo l'intimità di personaggi terribili e fragili, comunque indimenticabili. Come Rackam, il giovane erede di una grande fortuna che diverrà l'amante di Sugar, e sua moglie, l'angelica e infelice Agnes.

An acclaimed collection of stories from the internationally bestselling author of The Crimson Petal and the White

The Courage Consort, possibly the seventh best-known a cappella vocal ensemble in Britain, are given two weeks in a Belgian chateau to rehearse their latest commission, the monstrously complicated Partitum Mutante.

Sono in cinque, e cantano. Reclusi in un castello. Sono il celebre coro Courage. Ma è Catherine che dovrà arrivare alla nota piú difficile, alla fine di un brano al limite delle possibilità umane. Catherine, che non sa vivere come gli altri, che il marito protegge come una bimba. Ma chi può proteggerla questa volta dal proprio desiderio erotico, e dalle grida che solo lei sente, nella notte, nel bosco? Cinque artisti, cinque cantanti, «a voce nuda». La voce è il loro strumento, la loro ragione di esistere. Sono in clausura nello Château de Luth, in Belgio, per provare una composizione di un musicista italiano, forse un genio, forse un cialtrone. Due settimane in cui devono condividere tutto. E sono cosí diversi l'uno dall'altro. Credono di conoscersi. Rinchiusi insieme, nel calore dell'estate, scoprono però di avere anche un corpo oltre la voce. E non sanno che li aspettano le due settimane piú sconvolgenti della loro vita. Un breve libro di misteriose armonie, di dissonanze e tensioni occulte, un gioiello paragonabile a Giro di vite di Henry James. Un romanzo breve che conferma tutta la classe di Michel Faber: lo stile misurato e la grande sapienza nel delineare i personaggi, fanno di quest'opera un libro di forma pressoché perfetta.

Twee novellen

Yearning to escape her life of prostitution in 1870s London, Sugar finds her fate entangled in the complicated family life of patron William, an egotistical perfume magnate.

Equal parts historical thriller, romance and ghost story, this is an ingenious literary page-turner and is completely unforgettable.

Isserley picks up hitchhikers with big muscles. She, herself, is tiny-like a kid peering up over the steering wheel. She has a remarkable face and wears the thickest corrective lenses anyone has ever seen. Her posture is suggestive of some spinal problem. Her breasts are perfect; perhaps implants. She is strangely erotic yet somehow grotesque, vulnerable yet threatening. Her hitchhikers are a mixed bunch of men-trailer trash and travelling postgrads, thugs and philosophers. But Isserley is only interested in whether they have families and whether they have muscles. Then, it's only a question of how long she can endure her pain--physical and spiritual--and their conversation. Michel Faber's work has been described as a combination of Roald Dahl and Franz Kafka, as Somerset Maugham shacking up with Ian McEwan. At once humane and horrifying, Under the Skin takes us on a heart-thumping ride through dangerous territory-our own moral instincts and the boundaries of compassion.

Michel Faber's short stories are markedly diverse-the voice of each is so distinct that the book reads like an anthology of different writers. But Faber's radically inventive style fastens all fifteen stories into a compelling collection deserving of the high praise it garnered in the United Kingdom. One surreal story, "Fish," projects a futuristic world populated with fish swimming in the air. As sharks hover in abandoned corners and human zealots of the Church of the Armageddon loose their fanaticism on the innocent, it's a mother's full-time job to protect her young daughter. The title story, ""Some Rain Must Fall, "" tells of a substitute schoolteacher called on in a crisis, and as she encourages her pupils to express their feelings, we learn the source of the class's a devastating act that resonates with contemporary America. As Garth Morris wrote in the Mail on Sunday (London), "these are well-crafted pieces of quiet forlorn intensity in a very real world."