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Karel Appel

    April 25, 1921 – May 3, 2006

    This artist was a founder of the avant-garde Cobra movement, renowned for his paintings, sculptures, and poetry. His early work, influenced by his studies at the Amsterdam Rijksakademie, is characterized by expressive power and raw energy. His pieces often explore themes of human existence with a playful yet penetrating gaze. His artistic legacy lies in his unconventional approach to form and color.

    Itinéraire
    Galerie Ulysses
    Karel Appel, a gesture of color
    Karel Appel
    • Karel Appel

      • 144 pages
      • 6 hours of reading

      No discussion of postwar Dutch art--or postwar European art--is complete without mentioning Karel Appel, whom many consider Holland's most important painter. Appel attended the Academy of Arts in Amsterdam from 1940 to 1943, and then bided his time painting landscapes and portraits in an era when artists were forbidden to buy materials or exhibit unless they joined the German "Chamber of Culture." After the liberation, as reproductions of works by Picasso and others began to find their way to Holland, Appel rebelled against his studio training, founded several avant garde groups (including Cobra), and then moved to Paris. Years of travel and experimentation with subjects, colors and materials, left him with a close relationship to the American art community and studios all over the world. Appel is a sculptor and a ceramist, too, but he is above all an expressionist, a man of passion led by spontaneity, who has conversely made a lasting mark.

      Karel Appel
    • Karel Appel, a gesture of color

      • 79 pages
      • 3 hours of reading

      Karel Appel (1921–2006) is perhaps the most renowned Dutch artist of the latter half of the twentieth century and one of founding members of the avant-garde Cobra group. Marking the tenth anniversary of the artist’s death, this survey of twenty-two paintings and sculptures provides a fresh look at an oeuvre that goes beyond the 1950s, spanning more than sixty years. A Gesture of Color revisits Appel’s early interest in children’s art, his stylistic experiments, and his highly personal — and sometimes almost abstract — interpretation of traditional subjects like the nude, the portrait, and the urban or rural landscape.

      Karel Appel, a gesture of color