When beautiful Scarlett O'Hara learns that Ashley Wilkes, the man she loves, is going to marry another woman, her broken heart seems far worse than the tragedies of the Civil War. However, one man knows her secret, and he wants her for himself.
Mark Sway is eleven and he knows a terrible secret. He knows where a body is hidden. Some secrets are so dangerous that it's better not to tell. But it's just as dangerous if you don't. So Mark needs help fast - because there isn't much time.
Count Dracula is a vampire. He drinks people's blood. He lives in a lonely castle in the mountains of Transylvania. But then he comes to England and strange things start happening. People change. People become ill. Professor Van Helsing knows about vampires, but can he stop Count Dracula?
Jeffrey Archer is at his captivating best in this, his first novel, an intricate tale of deceit, dishonor, and sweet revenge. What can an Oxford don, a respected society physician, a chic French art dealer, and a charming English lord have in common? Very little, except they've all been swindled out of every cent they had by Harvey Metcalfe, the man who wrote the book on international stock fraud. They haven't a prayer of ever seeing their money again. Or have they?
"This revised Norton Critical Edition, like its predecessor, is the only edition available that includes both the 1890 Lippincott's and the 1891 book version of The Picture of Dorian Gray. Under the editorial guidance of Wilde scholar Michael Patrick Gillespie, students have the opportunity to read comparatively both published versions of this controversial novel." ""Backgrounds" and "Reviews and Reactions" allow readers to gauge The Picture of Dorian Gray's sensational reception when the 1890 version appeared and to consider the heated public debate over art and morality that followed its publication. Joris-Karl Huysmans, Walter Pater, and Oscar Wilde offer a sense of the diverse opinions on these topics. Eight contemporary reviews and comments on the novel are reprinted, among them four opinions from the St. James's Gazette immediately after publication in 1890, each followed by Oscar Wilde's vehement reply." ""Criticism" includes seven new essays on the novel that reflect key changes in interpretive theory in recent years and reveal the broad range of perspectives associated with Wilde and The Picture of Dorian Gray. Simon Joyce, Donald L. Lawler, Sheldon W. Liebman, Maureen O'Connor, Ellie Ragland-Sullivan, John Paul Riquelme, and Michael Patrick Gillespie provide their varied assessments. A Chronology and a Selected Bibliography are also included."--BOOK JACKET.
"The people on this island don't even like archaeologists," the woman on the ferry says. You only want to study the 4,500 year-old Irish megalithic stones, but very soon strange things begin to happen to you. Can you solve the mystery in time?
"Thirty people join an Italian evening class. All have their own reasons. Connie needs to escape from an unhappy home life ; Lou has criminal intentions. Aidan and Signora have organized the classes. All their lives are changed forever." - back cover.
At 6'6 and 240lbs, Forrest Gump is difficult to ignore. This satire follows him from the football dynasties of Bear Bryant to Vietnam, and from encounters with Presidents Johnson and Nixon to pow-wows with Chairman Mao. It also takes in Harvard University, a Hollywood set, and a NASA mission.