When beautiful Scarlett O'Hara learns that Ashley Wilkes, the man she loves, is going to marry another woman, her broken heart seems far worse than the tragedies of the Civil War. However, one man knows her secret, and he wants her for himself.
The conned: an Oxford don, a revered society physician, a chic French art dealer, and a charming English lord. They have one thing in common. Overnight, each novice investor lost his life's fortune to one man. The con: Harvey Metcalfe. A brilliant, self-made guru of deceit. A very dangerous individual. And now, a hunted man. With nothing left to lose four strangers are about to come together--each expert in their own field. Their plan: find Harvey, shadow him, trap him, and penny-for-penny, destroy him. From the luxurious casinos of Monte Carlo to the high-stakes windows at Ascot to the bustling streets of Wall Street to fashionable London galleries, their own ingenious game has begun. It's called revenge--and they were taught by a master. Jeffrey Archer is at his captivating best in "Not a Penny More, Not a Penny Less."
"This revised Norton Critical Edition, like its predecessor, is the only edition available that includes both the 1890 Lippincott's and the 1891 book version of The Picture of Dorian Gray. Under the editorial guidance of Wilde scholar Michael Patrick Gillespie, students have the opportunity to read comparatively both published versions of this controversial novel." ""Backgrounds" and "Reviews and Reactions" allow readers to gauge The Picture of Dorian Gray's sensational reception when the 1890 version appeared and to consider the heated public debate over art and morality that followed its publication. Joris-Karl Huysmans, Walter Pater, and Oscar Wilde offer a sense of the diverse opinions on these topics. Eight contemporary reviews and comments on the novel are reprinted, among them four opinions from the St. James's Gazette immediately after publication in 1890, each followed by Oscar Wilde's vehement reply." ""Criticism" includes seven new essays on the novel that reflect key changes in interpretive theory in recent years and reveal the broad range of perspectives associated with Wilde and The Picture of Dorian Gray. Simon Joyce, Donald L. Lawler, Sheldon W. Liebman, Maureen O'Connor, Ellie Ragland-Sullivan, John Paul Riquelme, and Michael Patrick Gillespie provide their varied assessments. A Chronology and a Selected Bibliography are also included."--BOOK JACKET.
Classic / British English Are you brave enough to read four of Poe's famous horror stories? Edgar Allan Poe wrote strange stories about terrible people and evil crimes. Don't read this book late at night!
"The people on this island don't even like archaeologists," the woman on the ferry says. You only want to study the 4,500 year-old Irish megalithic stones, but very soon strange things begin to happen to you. Can you solve the mystery in time?
Mark Sway is 11 and knows where a body has been hidden. If the FBI can find the body, then they can prove that it was a Mafia murder, but Mark is too scared to tell the truth, so he hires a lawyer who must protect him both from the law and from the killers.
Among the many evening classes starting all over Dublin is an 'Introduction to Italian'. On the surface it could be just one of hundreds in which some students will succeed and others will fall by the wayside. But the Italian class at Mountainview School has its own special quality, and the hopes and dreams of so many people are tied up in the twice-weekly lessons. The students learn far more than they ever bargained for, and by the time they are ready to set off on the promised trip to Italy at the end of the year, everyone's destiny has changed utterly.
At 6'6 and 240lbs, Forrest Gump is difficult to ignore. This satire follows him from the football dynasties of Bear Bryant to Vietnam, and from encounters with Presidents Johnson and Nixon to pow-wows with Chairman Mao. It also takes in Harvard University, a Hollywood set, and a NASA mission.