Cathy Malkasian Books

Cathy Malkasian has made the jump from animation to the printed page with a graceful, delicate leap. She deftly uses her pencil to create thick, expressive characters moving through the twilight of a shadowy Orwellian world. Humorous and bewitching at the same time, Percy Gloom is a unique gem of a story. The story begins with our hero bravely striking out on his own for the first time, leaving his mother's house to apply for his dream job as a cautionary writer for the Safely-Now Corporation. In the process, he uncovers an unreal world of secret societies, benevolent families, and bureaucratic security. Lazy-eyed Percy Gloom fights to overcome the loss of his wife, Lila, to a truth-pointing, lotharian cult leader. Approached by his doctor to help protect some special people and given advice by some talking goats, Percy comes to terms with his place in the gloomy world and finds himself reaching enlightenment (literally). Percy Gloom is an absurd but hopeful fable for these strange times we live in.2008 Eisner Award winner: Russ Manning Most Promising Newcomer Award and 2008 Eisner Award Nominee: Best New Graphic Album.

Once, the world lived in harmony. People trusted and aided each other, dreamed freely, and communed with their ancestors. And then one day the eggs appeared. One thousand black eggs, heavy as pure lead, which by some mystical property, provoked greed and violence in all who came in contact with them. A family of brutish men managed to hoard the eggs and build a misogynistic dynasty that held all of the land in an iron grip. Years later, Arna, an orphaned young woman immune to the beguiling power of the eggs, is charged with a monumental mission: hunt down these formidable men, pilfer their eggs, and release the bright from the heavy. Along the way, she falls for the enchanting Sela, who shows her how beautiful the world can be. In The Heavy Bright, masterful cartoonist and animator Cathy Malkasian propels the reader into a lushly watercolor, Ghibli-esque fantasy world tinged with equal parts whimsy and menace. Her characters are vulnerable and relatable, made real through deep, psychological underpinnings. Perhaps Malkasian's most ambitious and impactful work to date, The Heavy Bright is an allegorical graphic novel that grapples with the themes of greed, corruption, ignorance and bigotry, toxic masculinity, female empowerment, gender and queerness, love, death, and the urgent necessity for all to come together to heal our ailing world.

The story features an immortal little man with a light-up head, returning in a new graphic novel by Cathy Malkasian. Readers can enjoy it as a sequel or a standalone tale, promising a blend of whimsical storytelling and unique visuals that explore themes of immortality and identity.

Malkasian’s stunning landscapes and depictions of nature, gestural character nuance, and sophisticated storytelling are on display in her latest graphic novel. For a thousand years, the unfinished dreams―sex fantasies, murder plots, wishful thinking―from the City Across the Sea came to Echo Fjord to find sanctuary. Emerging from the soil, they took bodily form and wandered the land, gently guided by the fjord folk. But recently they've stopped coming, and Eartha wants solve the mystery. Without thought or hesitation―the city isn’t on any map, or in anyone’s memory―she ventures into the limitless waters, hoping to find the City.

In this middle grade graphic novel from the acclaimed animator/cartoonist, Greta and her friend (and pet tortoise!) have to solve the mystery of Friendlytown. Greta is a handful, until her pet turtle, Nobody, teaches her to soften her ways. The two team up with her new friend, Gabby, to discover why the kind-hearted people of Friendlytown have turned so mean. Equal parts high-flying adventure and deeply felt inquiry into essential goodness of human nature, Greta Grump features tech-whiz cats, ornery gopher librarians, and gangs of squirrels in matching sweater vests. The warmhearted allegory of this graphic novel makes it perfectly calibrated to the present moment, when the need for us to look after one another is stronger than ever.

This issue of the award-winning magazine of comics interviews, news, and criticism focuses on the relationship between animation and comics. Gary Groth interviews this issue’s cover artist Cathy Malkasian (Eartha), the PBS/Nickelodeon animation director (Curious George, The Wild Thornberrys) turned graphic novelist, about her first middle-grade GN, NoBody Likes You, Greta Grump. In addition to this issue’s featured interview with Cathy Malkasian, MLK graphic biographer Ho Che Anderson shares his animation storyboards, and Anya Davidson talks to Sally Cruikshank about how the underground comics movement influenced the latter’s aesthetic in a career that encompasses indie shorts and Flash animation, as well as work for feature film credits and Sesame Street. Other features include: an unpublished Ben Sears (Midnight Gospel) comic, and Jem and the Holograms cartoon creator Christy Marx talks about the behind-the-scenes advantages and disadvantages of both art forms. Plus! Sketchbook art by Vanesa Del Rey (Black Widow), an interview with Amazon warehouse worker-turned-cartoonist Ness Garza, Paul Karasik’s essay on an unseen gem, and much more. For more than 45 years, no magazine has chronicled the continuum of the comic arts with more rigor and passion than The Comics Journal.