Painter, Marxist activist, and husband of Frida Kahlo, Diego Rivera is renowned as much for his active politics as for his monumental mural paintings. This introduction explores his unique and visionary renderings of a modern Mexico, combining communist passion, pre-Columbian heritage, and the influences of European modernism.
The Mexican artist Frida Kahlo (1907-1954) is one of the most important 20th century painters, and one of the few Latin American artists to have achieved a global reputation. In 1983 her work was declared the property of the Mexican state. Kahlo was one of the daughters of an immigrant German photographer and a Mexican woman of Indian origin.
Diego Rivera - A revolutionary and troublemaker It was as a revolutionary and troublemaker that Picasso, Dalí and André Breton described the husband of Frida Kahlo, Diego Rivera, but he was also responsible for creating a public art that was both highly advanced and profoundly accessible. From 1910 Rivera lived in Europe where he absorbed the influence of Cubism. After the Mexican revolution, however, he returned to his homeland and harnessed the lessons of the European avant-garde to the needs of the Mexican people. His own murals, and those of the Mexican Muralists who followed his example, presented a utopian vision of a post-revolutionary Mexico. Rivera’s historical paintings expressed his interpretation of the revolution and its ideals, in a style that showed him returning to the pre-Columbian roots of Mexican culture, re-inventing a colourfully realistic visual idiom that could appeal directly to a largely illiterate people. This is the first study which, independently of the exhibition circuit, coherently presents the work of this extraordinary artist. About the Each book in TASCHEN’s Basic Art series
A brief illustrated study of the life and career of Mexican artist Frida Kahlo.
A Revolutionary Spirit in Modern Art
This volume presents an illustrated survey of Rivera's work. It shows how the artist was viewed by contemporaries like Picasso and Dali as a troublemaker, complete with revolver and bandolier. Rivera is seen as having brought to art a distinctive understanding of its public role and history.