A beautifully atmospheric magical adventure for readers age 9+, perfect for fans of Tamzin Merchant's The Hatmakers, Kiran Millwood Hargrave's The Girl of Ink and Stars, Sophie Anderson's The Girl Who Speaks Bear and Eva Ibbotson's Journey to the River Sea
When Jason, Piper and Leo crash land at Camp Half-Blood, they have no idea what to expect. Apparently this is the only safe place for children of the Greek Gods - despite the monsters roaming the woods and demigods practising archery with flaming arrows and explosives.
Loki the trickster god is free from his chains. Now he's readying Naglfar, the Ship of the Dead, armed with a host of giants and zombies, to sail against the Norse gods and begin the final battle of Ragnarok. It's up to Magnus Chase and his friends to stop Loki's plans, but to do so they will have to sail across the oceans of Midgard, Jotunheim and Niflheim in a desperate race to reach Naglfarbefore it's ready to sail on Midsummer's Day. Along the way, they will face angry sea gods, hostile giants, and an evil fire-breathing dragon who happens to be a former acquaintance. But Magnus's biggest challenge will be facing his own inner demons. To defeat Loki, Magnus will need to use words, not force. This will require finding a magical elixir so deadly that it will either make Magnus Chase powerful enough to out-talk the silver-tongued Loki, or destroy Magnus utterly.
After angering his father Zeus, the god Apollo is cast down from Olympus. He must learn to survive in the modern world until he can somehow find a way to regain Zeus's favor
A Young Iranian Woman Destined to Be Stoned to Death - A Doctor Who Risks His Own Life to Save Her
In fundamentalist Iran, new life sometimes means certain death. When Leila comes to see Doctor Karimi, both are in danger. Born in a slum to a Muslim father and a Jewish mother, Kooshyar Karimi has transformed himself into a successful doctor, an award-winning writer, and an adoring father. His could be a comfortable life but his conscience won't permit it: he is incapable of turning away the unmarried women who beg him to save their lives by ending the pregnancies that, if discovered, would see them stoned to death. One of those women is 22-year-old Leila. Beautiful, intelligent, passionate, she yearns to go to university but her strictly traditional family forbids it. Returning home from the library one day – among the few trips she's allowed out of the house – she meets a handsome shopkeeper, and her fate is sealed. Kooshyar has rescued countless women, but Leila seeks his help for a different reason, one that will haunt him for years afterwards and inspire an impossible quest from faraway Australia. Spellbinding and heartbreaking. Leila's Secret shows us everyday life for women in a country where it can be a crime to fall in love. But for all its tragedy, this unforgettable book is paradoxically uplifting, told from the heart of Kooshyar's immense sympathy, in the hope that each of us – and the stories we tell – can make a difference.
"My name is Magnus Chase. Two months ago I died fighting a Fire Giant and woke up in Hotel Valhalla as one of Odin's warriors. Time for a rest? I wish. When I meet Otis, an informant with a lead on Thor's missing hammer, all I get is the name 'Provincetown' before a wolf-masked assassin takes him out and warns me to stay away. Someone really doesn't want me to find the hammer, and even if I could it's rumoured to be underground, guarded by powerful magic. But the giant armies are on the move, preparing to invade. If I don't find it, they'll ravage the Nine Worlds, starting with the streets of Boston. There's just one person who could help. Someone who demands a very high price- the gods' worst enemy, Loki."
Praise for gripping, atmosphere Fiona Griffiths crime thriller series: Chilling, atmospheric and so gripping it hurts. You won't read a better crime novel this year MARK EDWARDS
Annabelle e Grant sono la coppia modello: Grant è l’uomo solido, idealista, buono e fedele che tutte le donne vorrebbero accanto. Certo, ultimamente passa tutto il tempo sul libro che sta scrivendo e dedica al sesso solo il mercoledì mattina. E a volte sembra proprio non accorgersi di niente. Annabelle si sente così sola che un giorno, al reparto surgelati del supermercato, scoppia in un pianto dirotto. Ma, come confesserà alla sua analista, le ragioni di quel pianto hanno radici lontane. Quando tutto era lì, a un passo, anche la travolgente passione per Jeremiah. Una passione mai finita… Una meravigliosa storia d’amore ironica e profonda. Una commedia incantevole e intelligente.
Jessica Wild isn’t big on commitment. But after inheriting millions from Grace, a sweet old lady she met in her grandmother’s nursing home, the situation seems to have changed. To put an end to the many questions about her nonexistent love life, Jess had led Grace to believe she had a boyfriend-turned-fiancé-turned-husband: her glamorous boss, Anthony Milton. But Jess’s fantasy to keep Grace happy has backfired–Grace has passed away and left her fortune not to Jessica Wild but to Mrs. Jessica Milton.Having weighed all legal options, Jess realizes that there’s only one thing she can do: get Anthony to fall in love with her and pop the question for real. With help from her feisty best friend, Helen, Jess reluctantly learns the art of flirting, seduction, and playing hard to get. But just when it appears that Anthony is about to ask the (literal) million-dollar question, Jess finds herself wondering if it’s right to say “I do” for all the wrong reasons.The first novel in Gemma Townley’s exciting new Wild trilogy, The Importance of Being Married introduces an irresistible heroine caught up in a scheme that could change her life forever.
"Libro dei sogni poetici, d'invenzione e di capricci malinconici" le aveva definite scherzosamente il Leopardi, consegnando invece a queste pagine la dialettica drammatica del suo pensiero e della sua stessa vita. Opera filosofica, libro di poetica, sincera passione laica, le Operette morali rappresentano - scrive Paolo Ruffilli nell'introduzione - il testo limite della nostra letteratura non soltanto ottocentesca: luogo di coincidenza di poesia e di prosa, di fantasia e di ragionamento, di invenzione e di lucida analisi del reale.
