The Kingdom Over the Sea
- 336 pages
- 12 hours of reading
When twelve-year-old Yara finds a strange set of instructions left behind by her deceased mother, she starts on a journey to discover the truth about her mother's past and her true identity.






When twelve-year-old Yara finds a strange set of instructions left behind by her deceased mother, she starts on a journey to discover the truth about her mother's past and her true identity.
Old enemies awaken as Camp Half-Blood's new arrivals prepare for war. When Jason, Piper and Leo crash land at Camp Half-Blood, they have no idea what to expect. Apparently this is the only safe place for children of the Greek Gods - despite the monsters roaming the woods and demigods practising archery with flaming arrows and explosives. But rumours of a terrible curse - and a missing hero - are flying around camp. It seems Jason, Piper and Leo are the chosen ones to embark on a terrifying new quest, which they must complete by the winter solstice. In just four days time. Can the trio succeed on this deadly mission - and what must they sacrifice in order to survive?
Loki the trickster god is free from his chains. Now he's readying Naglfar, the Ship of the Dead, armed with a host of giants and zombies, to sail against the Norse gods and begin the final battle of Ragnarok. It's up to Magnus Chase and his friends to stop Loki's plans, but to do so they will have to sail across the oceans of Midgard, Jotunheim and Niflheim in a desperate race to reach Naglfarbefore it's ready to sail on Midsummer's Day. Along the way, they will face angry sea gods, hostile giants, and an evil fire-breathing dragon who happens to be a former acquaintance. But Magnus's biggest challenge will be facing his own inner demons. To defeat Loki, Magnus will need to use words, not force. This will require finding a magical elixir so deadly that it will either make Magnus Chase powerful enough to out-talk the silver-tongued Loki, or destroy Magnus utterly.
"How do you punish an immortal? My name is Apollo. I used to be a god. But what was before I was cast down from Olympus (a terrible misunderstanding) and woke up in a New York dumpster. I persuaded Percy Jackson to give me a lift to Camp Half-Blood. But the place is in chaos. Demigods are going missing and the all-seeing Oracles have fallen to a mysterious enemy known only as 'the Beast'. I figured that regaining Zeu's favour would involve a series of harrowing trials, and I was right (I usually am). My first task? Protect the final Oracle, hidden away for millennia. If I fail, the Beast will control the future, but worse - I'll be stuck as a teenage boy, forever . . ."
A Young Iranian Woman Destined to Be Stoned to Death - A Doctor Who Risks His Own Life to Save Her
In fundamentalist Iran, new life sometimes means certain death. When Leila comes to see Doctor Karimi, both are in danger. Born in a slum to a Muslim father and a Jewish mother, Kooshyar Karimi has transformed himself into a successful doctor, an award-winning writer, and an adoring father. His could be a comfortable life but his conscience won't permit it: he is incapable of turning away the unmarried women who beg him to save their lives by ending the pregnancies that, if discovered, would see them stoned to death. One of those women is 22-year-old Leila. Beautiful, intelligent, passionate, she yearns to go to university but her strictly traditional family forbids it. Returning home from the library one day – among the few trips she's allowed out of the house – she meets a handsome shopkeeper, and her fate is sealed. Kooshyar has rescued countless women, but Leila seeks his help for a different reason, one that will haunt him for years afterwards and inspire an impossible quest from faraway Australia. Spellbinding and heartbreaking. Leila's Secret shows us everyday life for women in a country where it can be a crime to fall in love. But for all its tragedy, this unforgettable book is paradoxically uplifting, told from the heart of Kooshyar's immense sympathy, in the hope that each of us – and the stories we tell – can make a difference.
The second book in this number one, bestselling series from the creator of Percy Jackson. Thor's hammer is missing again. The thunder god has a habit of misplacing his weapon - which happens to be the mightiest force in the Nine Worlds. But this time the hammer isn't just lost, it has fallen into enemy hands. Magnus Chase and his friends must find it, fast. If they don't, the mortal worlds will be defenceless against an onslaught of giants, and the Nine Worlds will burn. But the only person who can help them is the gods' worst enemy, Loki - and the price he wants is very high.
Praise for gripping, atmosphere Fiona Griffiths crime thriller series: Chilling, atmospheric and so gripping it hurts. You won't read a better crime novel this year MARK EDWARDS
Annabelle e Grant sono la coppia modello: Grant è l’uomo solido, idealista, buono e fedele che tutte le donne vorrebbero accanto. Certo, ultimamente passa tutto il tempo sul libro che sta scrivendo e dedica al sesso solo il mercoledì mattina. E a volte sembra proprio non accorgersi di niente. Annabelle si sente così sola che un giorno, al reparto surgelati del supermercato, scoppia in un pianto dirotto. Ma, come confesserà alla sua analista, le ragioni di quel pianto hanno radici lontane. Quando tutto era lì, a un passo, anche la travolgente passione per Jeremiah. Una passione mai finita… Una meravigliosa storia d’amore ironica e profonda. Una commedia incantevole e intelligente.
Le Operette morali è una raccolta di ventiquattro componimenti in prosa, tra dialoghi e novelle dallo stile medio e ironico, scritti tra il 1824 e il 1832 da Giacomo Leopardi. Pubblicate definitivamente a Napoli nel 1835, sono l'approdo letterario di quasi tutto lo Zibaldone. I temi affrontati includono il rapporto dell'uomo con la storia, con i suoi simili e con la Natura, che Leopardi esplora attraverso una personale visione filosofica. Si confrontano i valori del passato con la situazione attuale, evidenziando la potenza delle illusioni, la gloria e la noia. Queste tematiche riflettono un cambiamento radicale nel pensiero dello scrittore: la ragione diventa l'unico strumento per sfuggire alla disperazione. A differenza dei Canti, le Operette sono state concepite interamente nel 1824. Le varie edizioni mostrano integrazioni e aggiustamenti del messaggio finale. Spesso confuse con un progetto parallelo del padre Monaldo, Giacomo si trovava in imbarazzo per il riconoscimento errato. Argomenti come quelli del Dialogo della Moda e della Morte e del Dialogo di Tristano e di un amico saranno ripresi da Carlo Michelstaedter ne La persuasione e la rettorica, come un corollario della filosofia leopardiana.