A villainous heroine finds herself plunged into a seductive world of power, politics and murder in the court of the vampire king in this bloodthirsty debut from an unmissable new voice in fantasy romance.
Anne Enright Books
Anne Enright's work delves into the complexities of human relationships and familial bonds, often set against an Irish landscape. Her writing is characterized by its penetrating insight into character psychology and an exploration of hidden emotions. Through her literary endeavors, she seeks to uncover truths about experience and memory. Her novels are celebrated for their stylistic sophistication and depth.







Making Babies
- 208 pages
- 8 hours of reading
Anne Enright, one of Ireland's most remarkable writers, has just had two babies: a girl and a boy. An antidote to the high-minded, polemical 'How-to' baby manuals, Making Babies also bears a visceral and dreamlike witness to the first years of parenthood.
Carmel had been alone all her life. The baby knew this. They looked at each other, and all of time was there. The baby knew how vast her mother's loneliness had been.A contemporary novel of daughterhood and motherhood, from the Booker Prize-winning Irish author'A magnificent novel'SALLY ROONEY, author of NORMAL PEOPLE'Might just be her best yet'LOUISE KENNEDY, author of TRESPASSES'Gem-packed language... A must-read'MARGARET ATWOOD, author of THE HANDMAID'S TALE (via Twitter)Nell - funny, brave and so much loved - is a young woman with adventure on her mind. As she sets out into the world, she finds her family history hard to escape. For her mother, Carmel, Nell's leaving home opens a space in her heart, where the turmoil of a lifetime begins to churn. And across the generations falls the long shadow of Carmel's famous father, an Irish poet of beautiful words and brutal actions.This is a meditation on love: spiritual, romantic, darkly sexual or genetic. A multigenerational novel that traces the inheritance not just of trauma but also of wonder, it is a testament to the glorious resilience of women in the face of promises false and true. Above all, it is an exploration of the love between mother and daughter - sometimes fierce, often painful, but always transcendent.'One of our greatest living novelists'THE TIMES
Carmel had been alone all her life. The baby knew this. They looked at each other, and all of time was there. The baby knew how vast her mother's loneliness had been. 'A magnificent novel' SALLY ROONEY, author of Normal People Nell - funny, brave and so much loved - is a young woman with adventure on her mind. As she sets out into the world, she finds her family history hard to escape. For her mother, Carmel, Nell's leaving home opens a space in her heart, where the turmoil of a lifetime begins to churn. And across the generations falls the long shadow of Carmel's famous father, an Irish poet of beautiful words and brutal actions. This is a meditation on love- spiritual, romantic, darkly sexual or genetic. A multigenerational novel that traces the inheritance not just of trauma but also of wonder, it is a testament to the glorious resilience of women in the face of promises false and true. Above all, it is an exploration of the love between mother and daughter - sometimes fierce, often painful, but always transcendent. ***A THE TIMES, SUNDAY TIMES, GUARDIAN, NEW STATESMAN AND TLS BOOK OF THE YEAR 2023*** ***ONE OF THE BBC'S '25 BEST BOOKS OF THE YEAR 2023'*** 'One of our greatest living novelists' THE TIMES 'Might just be her best yet' LOUISE KENNEDY, author of Trespasses 'Gem-packed language... A must-read' MARGARET ATWOOD (via Twitter)
Finbar's hotel
- 273 pages
- 10 hours of reading
The hotel has stood on Dublin's quays since the 1920s, but its glory days are over. Most of the guests and staff we meet are escaping from something. Their stories are told in different chapters by seven Irish writers, including Roddy Doyle, Anne Enright and Colm Toibin.
The Green Road
- 309 pages
- 11 hours of reading
A darkly glinting novel set on Irelandâe(tm)s Atlantic coast, The Green Road is a story of fracture and family, selfishness and compassion âe" a book about the gaps in the human heart and how we learn to fill them. The children of Rosaleen Madigan leave the west of Ireland for lives they never could have imagined in Dublin, New York and various third-world towns. In her early old age their difficult, wonderful mother announces that sheâe(tm)s decided to sell the house and divide the proceeds. Her adult children come back for a last Christmas, with the feeling that their childhoods are being erased, their personal history bought and sold. Anne Enright is addicted to the truth of things. Sentence by sentence, there are few writers alive who can invest the language with such torque and gleam, such wit and longing âe" who can write dialogue that speaks itself aloud, who can show us the million splinters of her charactersâe(tm) lives then pull them back up together again, into a perfect glass.
Yesterday's Weather
- 308 pages
- 11 hours of reading
Enright deals beautifully with the modern world ... blood, guts, and heart- stopping beauty Independent
Forgotten Waltz
- 229 pages
- 9 hours of reading
The Forgotten Waltz is a memory of desire: a recollection of the bewildering speed of attraction, the irreparable slip into longing. In Terenure, a pleasant suburb of Dublin, in the winter of 2009,it has snowed. Gina Moynihan, girl about town, recalls the trail of lust and happenstance that brought her to fall for 'the love of her life', Se�n Vallely. As the city outside comes to a halt, Gina remembers the days of their affair in one hotel room or another: long afternoons made blank by bliss and denial. Now, as the silent streets and the stillness and vertigo of the falling snow make the day luminous and full of possibility, Gina waits the arrival on her doorstep of Se�n's fragile, twelve-year-old daughter, Evie - the complication, and gravity, of this second life. In this extraordinary novel, this opening book of secrets, Anne Enright speaks directly to the readers she won with the success of The Gathering. Here, again, is the sudden, momentous drama of everyday life, the volatile connections between people; that fresh eye for each flinch and gesture; the wry, accurate take on families, marriage, brittle middle age. The same verve and humour and breathtaking control are evident; the ability to merge the ordinary and the beautiful. With The Forgotten Waltz Enright turns her attention fully to love - you might even call it romance - as she follows another flawed and unforgettable heroine on a journey of the heart. Writing at the height of her powers, this is Anne Enright's tour de force, a novel of intelligence, passion and real distinction.
Actress
- 272 pages
- 10 hours of reading
*LONGLISTED FOR THE WOMEN'S PRIZE 2020* From the Booker-winning Irish author, a brilliant and moving novel about fame, sexual power, and a daughter's search to understand her mother's hidden truths. This is the story of Irish theatre legend Katherine O'Dell, as told by her daughter Norah. It tells of early stardom in Hollywood, of highs and lows on the stages of Dublin and London's West End. Katherine's life is a grand performance, with young Norah watching from the wings. But this romance between mother and daughter cannot survive Katherine's past, or the world's damage. As Norah uncovers her mother's secrets, she acquires a few of her own. Then, fame turns to infamy when Katherine decides to commit a bizarre crime. Actress is about a daughter's search for the truth: the dark secret in the bright star, and what drove Katherine finally mad. Brilliantly capturing the glamour of post-war America and the shabbiness of 1970s Dublin, Actress is an intensely moving, disturbing novel about mothers and daughters and the men in their lives. A scintillating examination of the corrosive nature of celebrity, it is also a sad and triumphant tale of freedom from bad love, and from the avid gaze of the crowd. **A SUNDAY TIMES BOOK TO WATCH OUT FOR IN 2020**
The Forgotten Waltz. Anatomie einer Affäre, englische Ausgabe
- 229 pages
- 9 hours of reading
If it hadn't been for the child then none of this might have happened. She saw me kissing her father. She saw her father kissing me. The fact that a child got mixed up in it all made us feel that it mattered, that there was no going back. [4e de couv.]



