Carl Emil Schorske was an American cultural historian whose work delves into the intellectual history of Europe. His writing is distinguished by profound insights into the intricate connections between politics and culture, particularly during the fin-de-siècle period. Schorske's analyses illuminate how art and thought shaped societal transformations, and his approach to historical writing has influenced generations of scholars. His scholarship is lauded for its depth and its capacity to render complex historical phenomena accessible.
The book explores the evolution of historical thought in the context of modernity, contrasting the historicism of the nineteenth century with the detachment from history seen in twentieth-century European and American culture. Schorske argues that while modern art, architecture, music, and science emerged as autonomous fields, they still reflect attempts to grapple with the challenges of modernity. This interplay between historical awareness and modernist detachment reveals different strategies for understanding and shaping European civilization amid industrial capitalism and mass politics.
Explores how four disciplines in the social sciences and humanities - political science, economics, philosophy, and literary studies - have been transformed. This book places academic developments in their intellectual and socio-political contexts, revealing the internal dynamics of disciplinary change.
Jane Kallir's comprehensive work not only charts the rise, flowering and decay of the Wiener Werkstatte, but assesses its extraordinary artistic achievements in every branch of design. In doing so, the author analyzes for the first time the dense web of connections―institutional and educational, intellectual and social―that enabled the imaginative leaders of the Werkstatte to impress upon the Austrian elite and the world beyond their visual ideals and stylistic idiom. ―Carl E. Schorske At the turn of the twentieth century, Vienna emerged as a great cultural centre that stood at the forefront of developments in music, psychology, and the natural sciences. Equally influential, and still tremendously popular today, are the designs of the Wiener Werkstatte, or Vienna Workshop, a group that was at the heart of the city's cultural scene and whose collaborators included such luminaries as the architect Josef Hoffman, the designer Koloman Moser, and the painters Gustav Klimt, Oskar Kokoschka, and Egon Schiele. This guide to the arts and crafts of fin-de-siecle Vienna is an excellent introduction to their work in all media - from architecture, furniture, ceramics, and glass, to silver, fashion, and textiles, bookbinding, toys, painting, and the graphic arts - as well as a survey of the cultural development of this pivotal period. 55 color plates and 195 black & white illustrations
A landmark book from one of the original scholars of our time: a magnificent revelation of turn-of-the-century Vienna where out of a crisis of political & social disintegration so much of modern art & thought was born.This edition contains:IllustrationsAcknowledgmentsIntroductionPolitics & the psyche: Schnitzler & HoffmannsthalThe Ringstrasse, its critics & the birth of urban modernismPolitics in a new key: an Austrian trioPolitics & patricide in Freud's Interpretation of dreamsGustav Klimt: painting & the crisis of the liberal egoThe transformation of the garden Explosion in the garden: Kokoschka & SchoenbergIndex
No political parties of present-day Germany are separated by a wider gulf than the two parties of labor, one democratic and reformist, the other totalitarian and socialist-revolutionary. Social Democrats and Communists today face each other as bitter political enemies across the front lines of the Cold War; yet they share a common origin in the Social Democratic Party of Imperial Germany. How did they come to go separate ways? By what process did the old party break apart? How did the prewar party prepare the ground for the dissolution of the labor movement in World War I, and for the subsequent extension of Leninism into Germany? To answer these questions is the purpose of Carl Schorske's study.
