Amy Tan Books

Encompassing two generations and a rich blend of Chinese and American history, the story of four struggling, strong women also reveals their daughters' memories and feelings

"THE WISEST AND MOST CAPTIVATING NOVEL TAN HAS WRITTEN."--The Boston Sunday Globe "TRULY MAGICAL . . . UNFORGETTABLE . . . The first-person narrator is Olivia Laguni, and her unrelenting nemesis from childhood on is her half-sister, Kwan Li. . . . It is Kwan's haunting predictions, her implementation of the secret senses, and her linking of the present with the past that cause this novel to shimmer with meaning--and to leave it in the readers mind when the book has long been finished." --The San Diego Tribune "HER MOST POLISHED WORK . . . Tan is a wonderful storyteller, and the story's many strands--Olivia's childhood, her courtship and marriage, Kwan's ghost stories and village tales--propel the work to its climactic but bittersweet end." --USA Today "TAN HAS ONCE MORE PRODUCED A NOVEL WONDERFULLY LIKE A HOLOGRAM: turn it this way and find Chinese-Americans shopping and arguing in San Francisco; turn it that way and the Chinese of Changmian village in 1864 are fleeing into the hills to hide from the rampaging Manchus. . . . THE HUNDRED SECRET SENSES doesn't simply return to a world but burrows more deeply into it, following new trails to fresh revelations. --Newsweek

This story takes readers back to Shanghai in the 1920s, through World War II, and the harrowing events that lead to Winnie's arrival in America in 1949.

Stunning reissue of an international bestseller, from the author of The Joy Luck Club' and The Bonesetter's Daughter'.

'The Hakawati' - or, 'The Storyteller' - is a sweeping, wildly imaginative feast of a novel, bursting with the myths of the Middle East. At its emotional core is the reunion of a long-standing Beiruti family, whose patriarch is dying and visited on his deathbed by his children and by memories of his ancestors. Rabih Alameddine tells their stories - of crusades and battles; chicanery, betrayal and sex; family rivalry, family disunity and family life - and spins them together with the historical stories of the region, but with a twist. Born in Beirut, living in San Francisco, and writing in English, Alameddine not only spans both Western and Middle-Eastern culture, but does so as one of the most mischievous and inventive writers at work.

The fascination with mother-daughter relationships that captivated readers in Tan’s debut novel continues in her latest, an even more polished and provocative work. Compulsively readable and beautifully structured around three metaphorical themes—bones, ghosts, and ink—this novel explores the lives of three generations of women. It begins in a small Chinese village at the turn of the twentieth century, where a skilled bonesetter defies tradition to teach his daughter. Intelligent and willful, she rejects the marriage proposal of a vulgar coffinmaker, triggering a tragic sequence of events that reverberates a century later in San Francisco. Here, a Chinese American woman reads her mother’s memoir. Although Ruth is a ghostwriter for self-help books, her advice hasn’t fostered genuine intimacy with her boyfriend or helped her cope with her argumentative mother, Luling, who is haunted by the ghost of Precious Auntie. Widowed since Ruth was a toddler, Luling, a calligraphy artist from China, struggles with Alzheimer’s. As Ruth returns home to care for her, she confronts painful childhood memories and uncovers the truth about Precious Auntie, the bonesetter’s daughter, who is her grandmother. Through the stories of these three strong women, Tan weaves vivid Chinese history, explores familial bonds, and celebrates the preservation of family history as an act of love and a path to forgiveness.

An unbearably moving, intensely passionate, deeply personal account of life as seen through the eyes of one of America’s best-loved novelists.‘When I began writing this history, I let go of my doubts. I trusted the ghosts of my imagination. They showed me the hundred secret senses. And what I wrote is what I discovered about the endurance of love.’So writes Amy Tan at the beginning of this remarkably candid insight into her life. Tan takes us on a journey from her childhood, as a sensitive but intelligent young Chinese-American, ashamed of her parents’ Chinese ways, to the present day and her position as one of the world's best-loved novelists.She describes the daily difficulties of being at once American and Chinese and yet feeling at times like she was truly neither. Most significantly, and heartbreakingly, she tells the history of her the grandmother who committed suicide as the only means of defiance open to her against a husband who ignored her wishes; her remarkable mother, whose first husband had her jailed when she tried to leave him; and the shocking deaths of both her father and husband when Amy was just 14.How this weight of history has brought itself to bear on the adult Amy looms large in her own story. Ghosts, chance and fate have played a part in her life, and ‘The Opposite of Fate’ is an insight into those ancestors, the women who ‘never let me forget why these stories need to be told’.

“The Bonesetter’s Daughter dramatically chronicles the tortured, devoted relationship between LuLing Young and her daughter Ruth. . . . A strong novel, filled with idiosyncratic, sympathetic characters, haunting images, historical complexity, significant contemporary themes, and suspenseful mystery.” –Los Angeles Times “TAN AT HER BEST . . . Rich and hauntingly forlorn . . . The writing is so exacting and unique in its detail.” –San Francisco Chronicle “For Tan, the true keeper of memory is language, and so the novel is layered with stories that have been written down–by mothers for their daughters, passing along secrets that cannot be said out loud but must not be forgotten.” –The New York Times Book Review “AMY TAN [HAS] DONE IT AGAIN. . . . The Bonesetter’s Daughter tells a compelling tale of family relationships; it layers and stirs themes of secrets, ambiguous meanings, cultural complexity and self-identity; and it resonates with metaphor and symbol.” –The Denver Post

A new novel from the internationally bestselling author of 'The Joy Luck Club'.

The best new memoir I've read in a decade is Amy Tan's breath-taking high-wire act of memory and imagination . . . [a] classic of the form . . . A must-read for the ages. Mary Karr