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Peter Friedl

    Peter Friedl
    Der Fluch des Leguans
    Secret modernity
    Peter Friedl - Rehousing
    Theory of justice, 1992-2006
    Playgrounds
    • 2019

      Peter Friedl - Rehousing

      • 192 pages
      • 7 hours of reading

      Authors respond to the architectural true-to-scale models of Peter Friedl's Rehousing series.Rehousing is the title of a series of works by Peter Friedl which comprises a selection of individual, intricate, and true-to-scale models of houses. Collectively, these structures materialize as constructed environments that reflect the recent past, different biographies, and ideologies in diverse ways; they are "case studies for the mental geography of an alternative modernity"Rehousing is also the title of this publication, which revisits and reconceives the series through the juxtaposition of images of the individual models with a diverse collection of short stories and poems. Imagined as an anthology, as well as an artist book, it constitutes a reframing of the houses by the contributing authors who expand on the separate history of the buildings, draw on them to realize alternative fictions, or depart entirely from the origins of the related house altogether. Rehousing furthermore signals a change of a literal and metaphorical move to another type of accommodation, space, place, shelter, or home.ContributorsHanif Abdurraqib, Ibrahim Al-Koni, Hala Alyan, Attila Bartis, Dionne Brand, Amina Cain, Ann Cotten, Achmat Dangor, Mark Z. Danielewski, Renee Gladman, Nalo Hopkinson, Annemarie Jacir, Davide Longo, Sabrina Orah Mark, Mohale Mashigo, Céline Minard, Karen Pinkus, Mark Von Schlegell, Madeleine Thien, Mike Wilson

      Peter Friedl - Rehousing
    • 2010
    • 2008

      Over the last dozen years, Peter Friedl has been photographing play yards around the world and compiling the images alphabetically by place name. Playgrounds is less a comprehensive typology than a narrative study in which the few places shown--at once as specific as their chipped paint and representative of all those that cannot be included--describe the world through the space it allots to children. Roger M. Buergel writes that "Peter Friedl adopts a comparative approach, reminiscent of the anthropological projects of the first half of the twentieth century the quest for meaning at the intersection of repetition (image on image) and differentiation (the differences between the pictures)." Friedl was born in 1960 in Austria, where he still lives and works. His photography has appeared in numerous solo and group shows around the world including Documenta X (1997), the forty-eighth Venice Biennale (1999), and the third Berlin Biennial (2004). In 2006 the Museum of Contemporary Art in Barcelona opened a retrospective called Peter Work 1964-2006, which will travel to Miami and Marseille.

      Playgrounds
    • 2001