You Never Give Me Your Money
- 400 pages
- 14 hours of reading
When Paul McCartney told the world in 1970 that he had no plans to work with the Beatles again, it was widely viewed as a cultural tragedy by the media and public alike.
Peter Doggett has been chronicling popular music, the entertainment industry, and social and cultural history since 1980. A regular contributor to major music and lifestyle publications, his writing delves into the creation of seminal music albums and pioneers the study of genre collisions. He is known for his insightful explorations into the revolutionary spirit, the rise and fall of counter-culture movements, and the pivotal figures within them.






When Paul McCartney told the world in 1970 that he had no plans to work with the Beatles again, it was widely viewed as a cultural tragedy by the media and public alike.
From his childhood paintings to the song he recorded on the day he died, here is a complete catalogue of Lennon's work across many songwriting, performing, drawing, painting, film, poetry, prose and conceptual art.This magnificent book also contains detailed information about all of the Lennon recording sessions as part of the Beatles, as a solo artist and with Yoko Ono. Plus a complete UK and US discography, home demo recordings, composing tapes, studio out-takes, live recordings, collaborations, and interviews.Peter Doggett's fascinating book traces the story of a unique creative adventure that ended too soon but left behind an incalculable legacy of words, images and music from a giant of rock n roll who always searched for the truth beyond the limits of his frame.Beatles Historian Peter Doggett provides the definitive guide to the imaginative work of John Lennon. This comprehensive account details a man whose life and work were indivisible. Whether it was his amusing drawings to amuse classmates, recording million-selling hits with the Beatles or making avant-garde with Yoko Ono, John Lennon never stopped being a creator and Doggett explores his vivid imagination across many different Lennon projects spanning many years and creative forms.
The announcement of Paul McCartney's departure from the Beatles in 1970 marked not just an end but the beginning of an intriguing new chapter in the band's legacy. While the breakup was seen as a cultural loss, it opened the door to exploring the individual journeys and creative pursuits of each member, revealing the complexities and transformations that followed their iconic collaboration.
The rehabilitation of Crosby, Stills and Nash's reputation (and of Young's contributions here) is long overdue' - FRANK TURNERAt 3 a.m. on Monday, 18 August 1969, the final night of the Woodstock Music & Art Fair, four men armed only with acoustic guitars faced the gaping darkness of a vast open-air audience.
'An extraordinary book...Doggett emerges triumphant. Grab a copy - By Any Means Necessary.' (5 stars)-Mojo
From 'Space Oddity', his dark vision of mankind's voyage into the unknown terrain of space, to the Scary Monsters album, Doggett examines in detail Bowie's audacious creation of an 'alien' rock star, Ziggy Stardust, and his increasingly perilous explorations of the nature of identity and the meaning of fame.
David Bowie's artistry during the 1970s redefined music and performance, merging high-concept science fiction with classic rock elements. His journey began with "Space Oddity" and culminated in the LP "Scary Monsters (and Super Creeps)," showcasing a unique blend of haunting melodies and esoteric themes. Bowie's striking visuals, from skintight spandex to operatic alien makeup, complemented his innovative sound, creating a dark and fantastical vision that challenged the norms of the era and set the stage for the upcoming decade.
No era in recent history has been both more celebrated and vilified than the 1960s. And at the heart of all that controversy - the music, drugs, fashion, hopes, dreams and political movements - is sex. But were the 1960s really a great time of liberation, joyful experimentation and celebrations of youth? Growing Up takes an unflinching look at the dark underbelly of the sexual revolution. In this wide-ranging and eye-opening survey of the sexual landscape of the 1960s, Peter Doggett has assembled a dozen little-known stories that reveal how the sexual revolution transformed people's lives - for better or worse.
Featuring a comprehensive exploration of The Beatles' musical journey, this catalog details their evolution from the iconic 1962 single "Love Me Do" through to their latest remastered albums. Each entry includes insights into every song released, offering fans an in-depth look at the band's creative process and legacy across their extensive discography.
The first ever biography focused on the formative and highly influential early years of rock's first supergroup (Rolling Stone) Crosby, Stills, Nash, and Young--when they were the most successful, influential, and politically potent band in America--in honor of the fiftieth anniversary of Woodstock and the formation of the band itself. 1969 to 1974 were true golden years of rock n' roll, bookmarking an era of arguably unparalleled musical power and innovation. But even more than any of their eminent peers, David Crosby, Stephen Stills, Graham Nash, and Neil Young channeled and broadcast all the radical anger, romantic idealism, and generational angst of their time. Each of the members had already made their marks in huge bands (The Hollies, Buffalo Springfield, The Byrds), but together, their harmonies were transcendent. The vast emotional range of their music, from delicate acoustic confessionals to raucous counter-culture anthems, was mirrored in the turbulence of their personal lives. Their trademark may have been vocal harmony, but few--if any--of their contemporaries could match the recklessness of their hedonistic and often combative lifestyles, when the four tenacious, volatile, and prodigal songwriters pursued chemical and sexual pleasure to life-threatening extremes. Including full color photographs, CSNY chronicles these four iconic musicians and the movement they came to represent, concentrating on their prime as a collective unit and a cultural force: the years between 1969, when Woodstock telegraphed their arrival to the world, and 1974, when their arch-enemy Richard Nixon was driven from office, and the band (to quote Graham Nash himself) lost it on the highway. Even fifty years later, there are plenty of stories left to be told about Crosby, Stills, Nash, and Young--and music historian Peter Doggett is here to bring them to light in the meticulously researched CSNY, a quintessential and illuminative account of rock's first supergroup in their golden hour for die-hard fans, nostalgic flower-children, and music history aficionados alike