Alfred Kazin Books

A classic interpretation of literature from America's golden age-including the work of Howells, Wharton, Lewis, Cather, Fitzgerald, Hemingway, and Faulkner. New Preface by the Author; Index.

“Alfred Kazin chose America as his subject, and his intellectual awakening is itself something of an American legend. . . . Ted Solotaroff’s selection of his work is a fitting tribute, a book that will be a starting point for further reading, both of Kazin and of the native writers to whom he devoted himself” — The New Yorker Over the course of 60 years, Alfred Kazin’s writings confronted virtually all of our major imaginative writers, from Ralph Waldo Emerson and Emily Dickinson to James Wright and Joyce Carol Oates and including such unexpected figures as Abraham Lincoln, William James and Thorstein Veblen. It is fair to say that he succeeded Edmund Wilson as the secretary of American letters. At the same time this son of immigrant Russian Jews wrote out of the tensions of the outsider and the astute, outspoken leftist. Editor Ted Solotaroff has selected material from Kazin’s three classic memoirs to accompany these critical writings. The excerpts include sharply etched portraits of the Brownsville, Greenwich Village, Upper West Side, and Cape Cod literary milieus and of such figures as Saul Bellow, Lionel Trilling, Edmund Wilson, and Hannah Arendt. Alfred Kazin's America provides an ongoing example of the spiritual freedom, individualism, and democratic contentiousness that he regarded as his heritage and endeavored to pass on.

Presents a selection of fifteen short fiction stories by nineteenth-century American author Nathaniel Hawthorne.

When Henry Roth published his debut novel Call It Sleep in 1934, it was greeted with considerable critical acclaim though, in those troubled times, lackluster sales. Only with its paperback publication thirty years later did this novel receive the recognition it deserves --and still enjoys. Having sold-to-date millions of copies worldwide," Call It Sleep" is the magnificent story of David Schearl, the " dangerously imaginative" child coming of age in the slums of New York.

This edition also includes the short stories The Veteran and The Open Book.The Red Badge of Courage is one of the greatest war novels of all time. It reports on the American Civil War through the eyes of Henry Fleming, an ordinary farm boy turned soldier. It evokes the chaos and the dull clatter of war: the acrid smoke, the incessant rumours of coming battles, the filth and cold, the numbing monotony, the unworldly wailing of the dying. Like an impressionist painter, Crane also captures the strange beauty of war: the brilliant red flags against a blue sky, steel bayonets flashing in the morning sun as soldiers step off into battle. In the midst of this chaotic outer world, he creates an intricate inner world as he takes us inside the head of Henry Fleming.

Theodore Dreiser's first and perhaps most accessible novel, Sister Carrie is an epic of urban life - the story of an innocent heroine adrift in an indifferent city. When small-town girl Carrie Meeber sets out for Chicago, she is equipped with nothing but a few dollars, a certain unspoiled beauty and charm, and a pitiful lack of preparation for the complex moral choices she will face.

Un niño, hijo de modestos trabajadores emigrantes ruso-judíos, camina por las calles de su barrio. Ésas son las señas de identidad del caminante que está a punto de atravesar el puente de Brooklyn para adentrarse en la Nueva York de los años veinte, y esos paseos serán su primer viaje que, como todo viaje digno de tal nombre –y el de Alfred Kazin en Un paseante en Nueva York lo es–, se convertirá sobre todo en un pasaje hacia el conocimiento en un tiempo vital, el de los años de la infancia y la adolescencia, propicio para los grandes descubrimientos. Kazin, crítico literario, historiador de la cultura, observa la pérdida paulatina de una voz narrativa propia del patrimonio literario judío, que en palabras de su amigo, el político socialista Yaron Ezrahi, «cultiva la soledad, la lírica personal del individuo, la autobiografía, la voz de la primera persona del singular, el reflejo del yo. Del yo individual que narra, pero no como un soldado o como el misionero de un colectivo». Kazin retoma esa tradición y nos enseña su barrio, Brownsville, nos adentra en las calles de la gran ciudad. Un camino que el niño tuvo que recorrer en solitario, el camino del conocimiento elemental: los libros, la lengua y la literatura, la música, la metafísica y la política, la ciudad, el campo y el mundo. Carson McCullers decía de Un paseante en Nueva York, que «era consciente de haber leído una obra maestra». Alfred Kazin, (Brooklyn, 1915-Nueva York, 1998) era hijo de judíos emigrantes procedentes de Rusia. Kazin estudió en el City College de Nueva York y en la Universidad de Columbia, y su vida profesional estuvo repartida entre las clases en Harvard y Berkeley, sus numerosos artículos para diferentes revistas, como The New York Review of Books, sus libros de crítica literaria y obras autobiográficas como Un paseante en Nueva York (1951). Se le asocia al denominado New York Intellectuals, que reunió en la década de 1930 a un grupo muy activo de escritores y críticos como Edmund Wilson, Sydney Hook o James T. Farrel. Mantuvo una larga amistad con la filósofa Hannah Arendt. Escribió, tras cinco años de investigación en la famosa sala de lectura de la Biblioteca Pública de Nueva York, On Native Grounds, el primer estudio serio de la literatura americana de 1890 a 1940. Otra obras de Kazin son: Starting Out in the Thirties (1965), Bright Book of Life (1973), The Portable Blake (1976), New York Jew (1978), An American Procession (1984), A Writer’s America (1988), Writing Was Everything (1995), A Lifetime Burning in Every Moment (1996) y God and the American Writer (1997). En 1996 le concedieron el premio Truman Capote por su labor como crítico literario.