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Igor Strawinsky

    June 18, 1882 – April 6, 1971

    Igor Stravinsky stands as a titan of 20th-century music, widely recognized as one of its most significant and influential composers. His work possessed a quintessentially cosmopolitan spirit that resonated globally. Beyond his groundbreaking compositions, Stravinsky also garnered renown as a formidable pianist and conductor, often taking the podium for the premieres of his own pieces. Intriguingly, he once posited that music, by its very nature, is powerless to express anything at all.

    Igor Strawinsky
    Le sacre du printemps
    Stravinsky, Bartok and More, Volume 8: Bassoon
    Agon: Ballet for Twelve Dancers
    Igor Strawinsky, Trois pièces pour quatuor à cordes
    Chronicle of My Life
    The Stravinsky Piano Collection: 14 Pieces
    • This collection showcases 14 piano pieces by Igor Stravinsky, catering to both intermediate and advanced pianists. It features a variety of works, including "Chant du Rossignol," "Four Etudes," and "Sonata," alongside pieces inspired by other composers, like "Fragment des symphonies pour instruments a vent a la memoire de Achille-Claude Debussy." The anthology encompasses diverse styles, from the playful "Piano Rag-Music" to the evocative "Trois mouvements de Petrouchka," making it a versatile addition to any pianist's repertoire.

      The Stravinsky Piano Collection: 14 Pieces
    • Von Igor Strawinskys «Trois pièces pour quatuor à cordes» erschien im Druck bisher nur die zweite Fassung von 1918 und eine aus den Jahren 1928/29 stammende Bearbeitung im Rahmen der «Quatre études für Orchester». Die auf das Jahr 1914 zurückgehende erste Fassung der Quartettstücke hingegen blieb ebenso unveröffentlicht wie eine im selben Jahr entstandene «Réduction pour piano à quatre mains». Beide werden hier erstmals zusammen mit sämtlichen bekannten Skizzen zu diesem Werk zugänglich gemacht und in sieben Essays kommentiert.

      Igor Strawinsky, Trois pièces pour quatuor à cordes
    • Build your own personal library of orchestral repertoire at an incredibly low price. The Orchestra Musician's CD-ROM Library(TM) is a compilation of printed parts, by instrument, of orchestral masterworks by the music world's most celebrated composers. This volume includes 50 orchestral works by Bartok, John Alden Carpenter, Ernst von Dohnanyi, Georges Enesco, Manuel de Falla, Alexander Glazunov, Leos Janaek, Darius Milhaud, Sergei Prokofiev, Sergei Rachmaninoff, Ottorino Respighi, Igor Stravinsky, and R. Vaughan Williams. CDs are available for Violin, Viola, Cello, Bass, Flute and Piccolo, Clarinet, Oboe, Horn, Bassoon, Trumpet and Cornet, Low Brass (which includes Trombone and Tuba), Timpani/Percussion, and Othe Instruments (harp, organ, piano, celesta, saxophone, mandolin, guitar, etc.). It's simple. Use the CD-ROM drive in your PC or Mac to view or print clear letter-sized copies. The Orchestra Musician's CD-ROM Library(TM) installs easily and quickly. Adobe Acrobat Reader technology is utilized (free download included on each CD), so no special access codes or software are required. Go to www.orchmusiclibrary.com for a complete listing of the contents of Volume 8.

      Stravinsky, Bartok and More, Volume 8: Bassoon
    • This collection features a comprehensive selection of Igor Stravinsky's chamber music, showcasing his collaborations with violinist Samuel Dushkin. It includes opera and ballet arrangements, an unaccompanied violin piece, and the Duo concertante, Stravinsky's sole original work for violin and piano. The volume comprises various pieces such as Ballad, Chanson russe, and Suite italienne, highlighting Stravinsky's innovative style and versatility across different musical forms.

      The Stravinsky Violin Collection: 9 Pieces for Violin and Piano
    • The Rake's Progress

      Opera in three acts. HPS 739. Soli, Chor und Orchester. Studienpartitur.

      • 368 pages
      • 13 hours of reading

      The narrative follows the tragic and ironic journey of a wealthy heir, who descends into debt, madness, and ultimately death, inspired by a 1947 exhibition of William Hogarth's prints. The libretto by W. H. Auden and C. Kallman weaves together elements from classical pastoral, the Faust legend, fairy tales, circus, and biblical stories. Igor Stravinsky's music brilliantly integrates influences from the operatic canon, creating a unique work that transcends parody or imitation. This opera remains a significant piece of the 20th-century repertoire.

      The Rake's Progress