This author delves into the intricacies of human connection and profound existential questions through compelling and emotionally resonant narratives. His prose is lauded for its tenderness, pain, and cathartic power, often drawing comparisons to the visual style and literary depth of acclaimed creators. The works are characterized by layered narrative structures, immersing readers in spiraling, unforgettable experiences that prompt contemplation on the causes and consequences of human actions.
An elderly woman's reflections on her family's survival during the Nazi occupation of Holland reveal long-buried secrets that affect her descendants. Mieke Geborn's quiet life in New Jersey is disrupted when her grandson Will and his wife visit, prompting him to seek answers about their family history. As Mieke recounts her childhood experiences during the brutal Hunger Winter, the narrative unfolds across the landscapes of war-torn Europe, intertwining themes of survival, resilience, and the lingering impacts of trauma across generations.
What We Can Learn from the Lost, Unfinished, and Just Plain Bad Work of Great Writers
320 pages
12 hours of reading
Focusing on the discarded drafts and uncompleted works of renowned authors, this book challenges the notion of the solitary creative genius. It highlights the setbacks and failures that many writers face, providing valuable insights and lessons for aspiring authors. Through these examples, the narrative encourages a more realistic understanding of the writing process, emphasizing resilience and the importance of learning from one's missteps.
Praise for Why We Came to the City A tremendous accomplishment: an elegant and
deeply moving meditation on friendship and mortality, both fearless and finely
wrought. I believe this book will stay with me for a very long time. -Emily
St. John Mandel, author of Station Eleven Stunning . . . A beautiful,
sprawling, and generous book. Jansma is a brilliantly talented writer, but he
also has a unique insight into what friends mean to one another, and what it
means to be part of a city in which you never quite belong, but can't quite
bring yourself to leave. It's a heartfelt novel, tender and painful and
cathartic all at once, and even if the characters belong to New York, the
story belongs to us all. -Michael Schaub, NPR A brilliant stylist, Kristopher
Jansma draws readers into an intricate web of lives in the big city in his
astonishing new work. He writes with power and passion . . . and inhabits his
characters, thinking what they think and feeling what they feel so
compellingly that he pulls the reader into the story and won't let go. . . . A
wonderful, unforgettable novel. - Miami Herald Jansma's novel is a love letter
to Manhattan, the letter so many of us who moved here in our 20s have written.
. . . Like the rest of us, his characters learn that things don't always work
out the way we plan, but if we stick with our city, our city delivers. -Helen
Ellis, The New York Times Book Review Enticing . . . Much like a modern Great
Gatsby , this book is awash in the feeling of the city. -Melissa Ragsdale,
Bustle Fans of Bret Easton Ellis's stream-of-consciousness narratives will
enjoy Jasma's paean to New York City. - In Style Joyful and tragic, Jansma's
book will appeal to readers who loved Hanya Yanagihara's A Little Life . -
Men's Journal As the characters navigate the complexities of an untimely and
unexpected tragedy . . . Jansma artfully counters the heaviness of these
themes with a delightful, and at times laugh-out-loud hilarious, narrative.
Dialogues are smart, absurd, and addictive; and the author's insights border
on the philosophically expansive and profound. -Santa Cruz Sentinel Like A
Little Life and The Love Affairs of Nathaniel P. , Jansma's Why We Came to the
City shows us, with beauty and insight, what it's like to be young and smart
in this time, and in this place. It's a major achievement. -Darin Strauss,
author of Half a Life Why did we come to the city, anyway? And why on earth
would we ever leave? In Jansma's able hands, these are and are not metaphors.
We came because we are more ourselves as part of a collective. We came to
learn our limits. We came so that we might know when to leave. This is a
lively, addictive party of a book, and you're invited. -Elisa Albert, author
of After Birth Fantastic. This beautiful, boisterous novel is a paean to New
York, to the hubris of youthful optimism, and, especially, to the powerful
magnet of friendship. It's full of as much heartache and humor as the city
itself. And like the city, this story will break you apart in a dozen ways,
only to teach you, tenderly, how to put yourself back together. I wanted it
never to end, but when I read the last page, I loved it even more. Jansma is a
star. -Alena Graedon, author of The Word Exchange Kristopher Jansma's dazzling
Why We Came to the City is at once a tribute and a breakup letter to New York,
timeless as the elegant architectural details that jut ornately from older
buildings, yet timely as a phone freighted with an urgent missive. The
constellation of relationships he charts feels so vivid and visceral that we
not only see it but find ourselves caught, swaying in its gravitational tugs
and tilts. In page after page abounding with wit, candor, and compassion,
Jansma reveals the indelible nature of our connections and commitments to one
another, along with their gossamer fragility. -Tim Horvath, author of
Understories Lively and elegant .
F. Scott Fitzgerald meets Wes Anderson (The Village Voice) in this inventive
and witty debut about a young man s quest to become a writer and the
misadventures in life and love that take him around the globe from the author
of Why We Came to the City As early as he can remember, the narrator of this
remarkable novel has wanted to become a writer. From the jazz clubs of
Manhattan to the villages of Sri Lanka, Kristopher Jansma s hopelessly
unreliable yet hopelessly earnest narrator will be haunted by the success of
his greatest friend and literary rival, the brilliant Julian McGann, and
endlessly enamored with Evelyn, the green-eyed girl who got away. A profound
exploration of the nature of truth and storytelling, this delightful
picaresque tale heralds Jansma as a bold, new American voice.