Ronald Firbank Books

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Odette d'Antrevernes, a sheltered and enthusiastic young girl, lives with her widowed mother, her Creole nurse and their aged butler in an old grey chateau by the Loire. She receives regular visits from the old CurE of Bois-Fleuri, who tells her thrilling stories of Bernadette and her vision of the Holy Virgin in the mountains. One day Odette decides that she too must seek the Holy Virgin. With the house deadly quiet in the middle of the night, she steals secretly out into the garden, but events do not run as she expects. By morning, what has happened there will have changed her life forever...

They were in the dogs’ cemetery.Lady Castleyard tapped a little crooked cross.“One fears,” she said, “that Georgia must have poisoned them all for the sake of their epitaphs.”Welcome to one of the most distinctive styles in English literature. Ronald Firbank was an acute observer; his famous way of taking down extraordinary snatches of conversation, or pithy single sayings, on slips of paper, and then including them in his novels when an opportunity arose, anticipated modern experimental cut-up techniques by half a century. His was also a rare wit:Lady Barrow lolled languidly in her mouse-eaten library, a volume of mediaeval Tortures (with plates) propped up against her knee. In fancy, her husband was well pinned down and imploring for mercy at Figure 3.How eagerly, now, he proffered her the moon! How he decked her out with the stars! How he overdressed her!Coldly she considered his case.“Release you? Certainly not! Why should I?” she murmured comfortably, transferring him to the acuter pangs of 9.In this amazing first novel, published in 1915, well-connected Mrs Shamefoot is searching for some sort of immortality, and has decided that she requires a dedicatory stained-glass window to be designed and built into a cathedral of which she approves. Engendering consternation all around at her daring, one-eyed pursuit of her aim, and casting wide her net, she finally settles on the church in Ashringford, and events conspire with her: in a storm, some scissors are left on the scaffolding around it, the lightning catches them, and a great part of the wall comes crashing down. She does not miss the opportunity.With a huge cast of astonishingly overdrawn characters, utterings and situations, Firbank comedically depicts a social world made largely of women and their talk: ladies both voluble and shy; daughters both wild and domesticated; spinsters and widows with obsessions, or the cutting tongues made to spike them; servants whose opinions are as strong as their mistresses’. These all swirl around Mrs Shamefoot, approving, disapproving, commenting on each other and her in a turmoil of zesty snippets. The results are like nothing else.Ronald Firbank was born in London in 1886, the son of a wealthy MP and landowner. He attended Trinity Hall in Cambridge but left without completing his degree. His first book, containing two stories, was published in 1905, after which he published eight full-length novels, and more stories and plays. Ill with lung disease for most of his life, he died in Rome in 1926, at the age of 40.

Valmouth is one of Firbank's most dazzling novels. Set in an English seaside health resort where the air promotes extraordinary longevity, Valmouth is dominated by the exotic and manipulative black masseuse, Mrs Yajnavalkya. Unhampered by class or creed, the ubiquitous Yajnavalkya moves between the strata of Valmouth society, bringing relief that is not without elements of eroticism..

The book is a classical work deemed significant throughout history, now preserved in a modern format by Alpha Editions. It has been carefully reformatted and retyped to ensure clarity and readability, moving away from traditional scanned copies. This effort aims to keep the work accessible for present and future generations, highlighting its enduring importance.

The book is a reproduction of a historical work, specifically designed in large print to enhance readability for individuals with impaired vision. Published by Megali, a house dedicated to making historical texts accessible, it aims to preserve the original content while catering to those who benefit from larger text formats.

Valmouth, a southern English coastal resort, has a generous supply of well-furnished and well-connected relics of society. Hare-Hatch House, inhabited by good friends Eulalia Hurstpierpoint and Elizabeth Thoroughfare, is one of the great centres of local social attention. Coming on a visit, Lady Parvula de Panzoust encounters members of several castes there, ranging from the Tooke family who are in service, through the omnipresent exotic masseuse-cum-herbalist Mrs Yajñavalkya, to those of her own status who buzz around the house gossiping and defaming, hinting and declaiming, each other's secret business and hidden predilections always the tasty subject. Indeed, Parvula herself is on something of a private mission of an amatory nature! As the season progresses, the question of who will marry Mrs Thoroughfare's son Dick, just returned from the sea, becomes an absorbing question. Will young Thetis Tooke, single-minded and passionate, recapture his attention permanently? Or will Mrs Yajñavalkya's protégé Niri-Esther steal his favour? The already agitated currents begin to stir forcefully... Valmouth, Ronald Firbank's celebrated fourth novel, was first published in 1919. Its waves of exclamatory dialogue, eccentric description and outrageous characters confirmed his unique position as high-camp chronicler of his age in all its hilarious, sharp-tongued erraticism.

Sarah Sinquier, living with her father and mother, a cathedral canon and his wife, in a town bursting with churches, is champing at the bit. She has a dream: the stage. Her dramatic sense is certainly acute. Shall she simply recite, as her father suggests? Or does life hold more? Throwing off caution, and a few choice treasures into the folds of her cloak for succour, she slips out one misty night for London, City of Love. Thence follow the struggles of an ingénue to gain the notice of the denizens of the theatre, who are themselves vulnerable votaries of fame. Gossip, parties, the Café Royal - the right connection may raise its head at any time. Finally the boards heed her call, and Sarah's caprice is made good. Surely her name is now destined to be known? But the hand of fate moves unexpectedly. . . Caprice, first published in 1917, was Ronald Firbank's third novel. His much-vaunted eccentric concision is here at a high point, as is his exotic treatment of character and breathless conversational camp. These thespian exploits which delight in suggestions of scandal and expose them with audacious wit are the perfect Firbank concern.