Eefje Bosch Books

WINNER OF THE 2015 PULITZER PRIZE FOR FICTION NATIONAL BOOK AWARD FINALIST NEW YORK TIMES BESTSELLER WINNER OF THE CARNEGIE MEDAL FOR FICTION A beautiful, stunningly ambitious novel about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II When Marie Laure goes blind, aged six, her father builds her a model of their Paris neighborhood, so she can memorize it with her fingers and then navigate the real streets. But when the Germans occupy Paris, father and daughter flee to Saint-Malo on the Brittany coast, where Marie-Laure's agoraphobic great uncle lives in a tall, narrow house by the sea wall. In another world in Germany, an orphan boy, Werner, is enchanted by a crude radio. He becomes a master at building and fixing radios, a talent ultimately makes him a highly specialized tracker of the Resistance. Werner travels through the heart of Hitler Youth to the far-flung outskirts of Russia, and finally into Saint-Malo, where his path converges with Marie-Laure. Deftly interweaving the lives of Marie-Laure and Werner, Doerr illuminates the ways, against all odds, people try to be good to one another. Ten years in the writing, ALL THE LIGHT WE CANNOT SEE is his most ambitious and dazzling work.

De jonge Marie-Laure is blind. Ze woont met haar vader in Parijs naast het natuurhistorisch museum waar hij werkt als curator. Als ze twaalf is bezetten de nazi's Parijs en vader en dochter vluchten naar het Bretonse Saint-Malo. Ze hebben de grootste en meest waardevolle schat van het museum meegenomen. In een mijnstadje in Duitsland groeit Werner Pfennig samen met zijn jongere zusje Jutta op in een weeshuis. Werner belandt bij de Hitlerjeugd en wordt vervolgens naar het front gestuurd. Via Rusland komt hij ten slotte in Saint-Malo terecht, waar zijn verhaal en dat van Marie-Laure samenkomen.

Chemist Elizabeth Zott is not your average woman. In fact, Elizabeth Zott would be the first to point out that there is no such thing. But it's the early 1960s and her all-male team at Hastings Research Institute take a very unscientific view of equality. Except for one: Calvin Evans, the lonely, brilliant, Nobel-prize nominated grudge-holder who falls in love with - of all things - her mind. True chemistry results. Like science, life is unpredictable. Which is why a few years later, Elizabeth Zott finds herself not only a single mother, but the reluctant star of America's most beloved cooking show, Supper at Six. Elizabeth's unusual approach to cooking ('combine one tablespoon acetic acid with a pinch of sodium chloride') proves revolutionary. But as her following grows, not everyone is happy. Because as it turns out, Elizabeth Zott isn't just teaching women to cook. She's daring them to change the status quo.

Beatrice Kizza, a woman in flight from a homeland that condemned her for daring to love, flees to London. There, she shields her sorrow from the indifference of her adopted city, and navigates a night-time world of shift-work and bedsits. Howard Pink is a self-made millionaire who has risen from Petticoat Lane to the mansions of Kensington on a tide of determination and bluster. Yet self-doubt still snaps at his heels and his life is shadowed by the terrible loss that has shaken him to his foundations. Carol Hetherington, recently widowed, is living the quiet life in Wandsworth with her cat and The Jeremy Kyle Show for company. As she tries to come to terms with the absence her husband has left on the other side of the bed, she frets over her daughter's prospects and wonders if she'll ever be happy again. Esme Reade is a young journalist learning to muck-rake and doorstep in pursuit of the elusive scoop, even as she longs to find some greater meaning and leave her imprint on the world. Four strangers, each inhabitants of the same city, where the gulf between those who have too much and those who will never have enough is impossibly vast. But when the glass that separates Howard's and Beatrice's worlds is shattered by an inexcusable act, they discover that the capital has connected them in ways they could never have imagined.

As the train pressed on, I realised that my life was in the process of taking a different direction, plotted according to a new constellation. Because, although I didn't know it yet, I was about to meet Ben and nothing would ever be the same again.' Martin Gilmour is an outsider. When he wins a scholarship to Burtonbury School, he doesn't wear the right clothes or speak with the right kind of accent. But then he meets the dazzling, popular and wealthy Ben Fitzmaurice, and gains admission to an exclusive world. Soon Martin is enjoying tennis parties and Easter egg hunts at the Fitzmaurice family's estate, as Ben becomes the brother he never had. But Martin has a secret. He knows something about Ben, something he will never tell. It is a secret that will bind the two of them together for the best part of 25 years. At Ben's 40th birthday party, the great and the good of British society are gathering to celebrate in a haze of champagne, drugs and glamour. Amid the hundreds of guests - the politicians, the celebrities, the old-money and newly rich - Martin once again feels that disturbing pang of not-quite belonging. His wife, Lucy, has her reservations too. There is disquiet in the air. But Ben wouldn't do anything to damage their friendship. Would he?

'He did kill. Kill and kill and kill.' Tess's number one priority has always been her three-year-old daughter Poppy. But splitting up with Poppy's father Jason means that she cannot always be there to keep her daughter safe. When she finds a disturbing drawing, dark and menacing, among her daughter's brightly coloured paintings, Tess is convinced that Poppy has witnessed something terrible. Something that her young mind is struggling to put into words. But no one will listen. It's only a child's drawing, isn't it? Tess will protect Poppy, whatever the price. But when she doesn't know what, or who, she is protecting her from, how can she possibly know who to trust . . . ?