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Peter Fritzsche

    Hitler's First Hundred Days
    Rehearsals for fascism
    An iron wind
    Germans into Nazis
    The turbulent world of Franz Göll
    Life and death in the Third Reich
    • 2021

      The chilling story of the hundred days in the spring of 1933 in which the Nazis laid the foundations for their Third Reich.

      Hitler's First Hundred Days
    • 2016

      An iron wind

      • 356 pages
      • 13 hours of reading
      3.8(209)Add rating

      From a prize-winning historian, a vivid account of German-occupied Europe during World War II that reveals civilians’ struggle to understand

      An iron wind
    • 2011

      The turbulent world of Franz Göll

      • 260 pages
      • 10 hours of reading

      Franz Göll was a thoroughly typical Berliner. Fritzsche paints a deeply affecting portrait of a self-educated man seized by an untamable impulse to record, who stayed put for nearly 70 years as history thundered around him.

      The turbulent world of Franz Göll
    • 2008

      Life and death in the Third Reich

      • 378 pages
      • 14 hours of reading
      4.1(270)Add rating

      Fritzsche deciphers the puzzle of Nazism's ideological grip. Its basic appeal lay in the Volksgemeinschaft - a "people's community" that appealed to Germans to be part of a great project to redress the wrongs of the Versailles treaty, make the country strong and vital, and rid the body politic of unhealthy elements. Diaries and letters reveal Germans' fears, desires, and reservations, while showing how Nazi concepts saturated everyday life.

      Life and death in the Third Reich
    • 1999

      Why did ordinary Germans vote for Hitler? In this dramatically plotted book, organized around crucial turning points in 1914, 1918, and 1933, Peter Fritzsche explains why the Nazis were so popular and what was behind the political choice made by the German people. Rejecting the view that Germans voted for the Nazis simply because they hated the Jews, or had been humiliated in World War I, or had been ruined by the Great Depression, Fritzsche makes the controversial argument that Nazism was part of a larger process of democratization and political invigoration that began with the outbreak of the war

      Germans into Nazis
    • 1996

      The great cities at the turn of the century were mediated by words--newspapers, advertisements, signs, and schedules--by which the inhabitants lived, dreamed, and imagined their surroundings. In this original study of the classic text of urban modernism--the newspaper page--Peter Fritzsche analyzes how reading and writing dramatized Imperial Berlin and anticipated the modernist sensibility that celebrated discontinuity, instability, and transience. It is a sharp-edged story with cameo appearances by Georg Simmel, Walter Benjamin, and Alfred Döblin. This sumptuous history of a metropolis and its social and literary texts provides a rich evocation of a particularly exuberant and fleeting moment in history.

      Reading Berlin 1900
    • 1994

      After a brief introduction, with practical information and advice on getting around Vienna and adapting to the city's culture and customs, this guide presents four walks which all approach the city from different perspectives - the Vienna of the Habsburg monarchy, of Beethoven and of Freud.

      Berlinwalks
    • 1990

      In this compelling and ambitious study, Peter Fritzsche analyzes the dramatic transformation of bourgeois politics before the Nazi breakthrough in 1930. Examining the local texture of civic life--market square protests, small town patriotism, and social clubs--as well as political parties andinterest groups, Fritzsche provides a crucial perspective for understanding the fate of the Weimar republic, one which has been largely neglected by German historians. Even before the Great Depression the traditional bourgeois parties were eclipsed by a new breed of populist politicians who notonly resisted the left but also embraced public activism and attacked big business, German conservatism, and the Weimar state itself. It was this populist sentiment to which the Nazis appealed with such consummate skill, not so much seizing power as assuming the ambitions and prejudices of middleclass voters while transcending the limitations of the political organizations.

      Rehearsals for fascism