Sometimes I whisper it over to myself: Murderess. Murderess. It rustles, like a taffeta skirt along the floor.' Grace Marks. Female fiend? Femme fatale? Or weak and unwilling victim? Around the true story of one of the most enigmatic and notorious women of the 1840s, Margaret Atwood has created an extraordinarily potent tale of sexuality, cruelty and mystery.
'I thought I had made myself clear. I want something that conveys her majesty, her bloodline. Do you understand? She is no ordinary mortal. Treat her thus.'Florence, the 1560s. Lucrezia, third daughter of Cosimo de' Medici, is free to wander the palazzo at will, wondering at its treasures and observing its clandestine workings. But when her older sister dies on the eve of marriage to Alfonso d'Este, ruler of Ferrara, Modena and Reggio, Lucrezia is thrust unwittingly into the limelight: the duke is quick to request her hand in marriage, and her father to accept on her behalf.Having barely left girlhood, Lucrezia must now make her way in a troubled court whose customs are opaque and where her arrival is not universally welcomed. Perhaps most mystifying of all is her husband himself, Alfonso. Is he the playful sophisticate her appears before their wedding, the aesthete happiest in the company of artists and musicians, or the ruthless politician before whom even his formidable sisters seem to tremble?As Lucrezia sits in uncomfortable finery for the painting which is to preserve her image for centuries to come, one thing becomes worryingly clear. In the court's eyes, she has one duty: to provide the heir who will shore up the future of the Ferrarese dynasty. Until then, for all of her rank and nobility, her future hangs entirely in the balance.
Nine-year-old Oskar Schell is an inventor, amateur entomologist, Francophile, letter writer, pacifist, natural historian, percussionist, romantic, Great Explorer, jeweller, detective, vegan, and collector of butterflies. When his father is killed in the September 11th attacks on the World Trade Centre, Oskar sets out to solve the mystery of a key he discovers in his father's closet. It is a search which leads him into the lives of strangers, through the five boroughs of New York, into history, to the bombings of Dresden and Hiroshima, and on an inward journey which brings him ever closer to some kind of peace.
The Sea Cloak is a collection of 14 stories by the author, journalist, and women's rights campaigner, Nayrouz Qarmout. Drawing from her own experiences growing up in a Syrian refugee camp, as well as her current life in Gaza, these stories stitch together a patchwork of different perspectives into what it means to be a woman in Palestine today. Whether following the daily struggles of orphaned children fighting to survive in the rubble of recent bombardments, or mapping the complex, cultural tensions between different generations of refugees in wider Gazan society, these stories offer rare insights into one of the most talked about, but least understood cities in the Middle East. Taken together, the collection affords us a local perspective on a global story, and it does so thanks to a cast of (predominantly female) characters whose vantage point is rooted, firmly, in that most cherished of things, the home.
Alain de Botton pairs six philosophers - Socrates, Epicurus, Seneca, Montaigne, Schopenhauer and Nietzsche - with six everyday problems to which they are able to give the most helpful and fascinating answers.
Pi lives in Pondicherry, India, where his father owns the city's zoo. The family decides to emigrate to Canada, but tragedy strikes at sea. In the lifeboat are five survivors: Pi, a hyena, a zebra, a female orang-utan & a 450-pound Royal Bengal tiger.
Kurt Andersen's Millennium novel mirrors Tom Wolfe's "Bonfire of the Vanities," depicting a year in the life of a New York family while offering a satirical glimpse into America's potential future, focusing on media and big business.
By the author of The Handmaid's Tale and Alias Grace Zenia is beautiful, smart and greedy, by turns manipulative and vulnerable, needy and ruthless; a man's dream and a woman''s nightmare. She is also dead. Just to make sure Tony, Roz andd Charis are there for the funeral. But five years on, as the three women share an indulgent, sisterly lunch, the unthinkable happens; 'with waves of ill will flowing out of her like cosmic radiation', Zenia is back...
Een jonge, mysterieuze vrouw komt net na de Tweede Wereldoorlog in Montreal aan, in de verwachting te trouwen met Sol Kramer. Maar wanneer Sol haar ziet staan op het station, wijst hij haar af. Uit medelijden trouwt zijn broer Nathan met haar. Al snel wordt duidelijk dat Lily Azerov niet degene is die ze beweert te zijn. Ze verdwijnt spoorloos en laat haar man en pasgeboren dochtertje verbijsterd achter met slechts een dagboek en een grote ongeslepen diamant. Wie is Lily en wat is er gebeurd met de jonge vrouw wier identiteit ze heeft gestolen? Waarom is ze weggegaan en waarheen? Jaren later wil Ruth het antwoord op deze vragen weten en begint aan een zoektocht naar haar moeder.
After her own father's death from dementia, the writer and campaigner Nicci Gerrard set out to explore the illness that now touches millions of us, yet which we still struggle to speak about. What is it to be oneself, and what is it to lose one's self. Who are we when we are not ourselves, and where do we go? This is book is an attempt to understand thorough a touching exploration of dementia, structured around the stages of the disease from the outside and, as far as possible, from the inside as well. Full of people's stories, both sad and optimistic, it is a journey into the dusk and then the darkness - and then out on to the other side, where, once someone is dead, a life can be seen whole again.
Now that all the others have run out of air, it's my turn to do a little story-making.In Homer's account in The Odyssey, Penelope—wife of Odysseus and cousin of the beautiful Helen of Troy—is portrayed as the quintessential faithful wife, her story a salutary lesson through the ages. Left alone for twenty years when Odysseus goes off to fight in the Trojan War after the abduction of Helen, Penelope manages, in the face of scandalous rumors, to maintain the kingdom of Ithaca, bring up her wayward son, and keep over a hundred suitors at bay, simultaneously. When Odysseus finally comes home after enduring hardships, overcoming monsters, and sleeping with goddesses, he kills her suitors and—curiously—twelve of her maids.In a splendid contemporary twist to the ancient story, Margaret Atwood has chosen to give the telling of it to Penelope and to her twelve hanged maids, asking: "What led to the hanging of the maids, and what was Penelope really up to?" In Atwood's dazzling, playful retelling, the story becomes as wise and compassionate as it is haunting, and as wildly entertaining as it is disturbing. With wit and verve, drawing on the story-telling and poetic talent for which she herself is renowned, she gives Penelope new life and reality—and sets out to provide an answer to an ancient mystery.
Set in 1960s Northern California, "The Girls" follows Evie Boyd, a lonely teenager captivated by a group of free-spirited girls and their charismatic leader. As she becomes entwined in their world, Evie is drawn toward danger and violence, unaware of the dark path ahead. A spellbinding and intense coming-of-age tale.
"Hodgkinson's portrait of the primal bond between mother and child . . . leaves an indelible impression." --"The New York Times Book Review" Debuting its first week on the "New York Times" bestseller list and earning comparisons to "Sophie's Choice" and "Sarah's Key," "22 Britannia Road" is an astonishing first novel that powerfully chronicles one family's struggle to create a home in the aftermath of war. With World War II finally over, Silvana and her seven-year-old son, Aurek, board the ship that will take them to England, where Silvana's husband, Janusz--determined to forget his ghosts--has rented a little house at 22 Britannia Road. But after years spent hiding in the forests of Poland, Aurek is wild, almost feral. And for Silvana, who cannot escape the painful memory of a shattering wartime act, forgetting is not a possibility.
From one of our boldest, most celebrated new literary voices, a novel about a young woman’s efforts to duck the ills of the world by embarking on an extended hibernation with the help of one of the worst psychiatrists in the annals of literature and the battery of medicines she prescribes. Our narrator should be happy, shouldn’t she? She’s young, thin, pretty, a recent Columbia graduate, works an easy job at a hip art gallery, lives in an apartment on the Upper East Side of Manhattan paid for, like the rest of her needs, by her inheritance. But there is a dark and vacuous hole in her heart, and it isn’t just the loss of her parents, or the way her Wall Street boyfriend treats her, or her sadomasochistic relationship with her best friend, Reva. It’s the year 2000 in a city aglitter with wealth and possibility; what could be so terribly wrong? My Year of Rest and Relaxation is a powerful answer to that question. Through the story of a year spent under the influence of a truly mad combination of drugs designed to heal our heroine from her alienation from this world, Moshfegh shows us how reasonable, even necessary, alienation can be. Both tender and blackly funny, merciless and compassionate, it is a showcase for the gifts of one of our major writers working at the height of her powers.
Tooly Zylberberg, the American owner of an isolated bookshop in the Welsh countryside, conducts a life full of reading, but with few human beings. Books are safer than people, who might ask awkward questions about her life. She prefers never to mention the strange events of her youth, which mystify and worry her still. Taken from home as a girl, Tooly found herself spirited away by a group of seductive outsiders, implicated in capers from Asia to Europe to the United States.
From the author of the global sensation Cat Person comes You Know You Want This, a compulsive short story collection about sex, dating and modern life that will thrill you before it chills you. You Know You Want This is about the ways in which women are horrifying as much as it is about the horrors that are done to them. There's a couple who becomes obsessed with their friend hearing them have sex, then seeing them have sex... until they can't have sex without him; a woman who finds a book of spells half hidden at the library and summons her heart's desire: a nameless, naked man; a ten-year-old whose birthday party takes a sinister turn when she wishes for "something mean"; and a self-proclaimed "biter" who dreams of sneaking up behind and sinking her teeth into a green-eyed, long-haired, pink-cheeked coworker. Though the stories span a range of genres--covering territory from the mundane to the murderous and supernatural--they are all, in the end, horror stories. They are stories about sex and punishment, guilt and anger, the pleasure and terror of inflicting and experiencing pain. They fascinate and repel, revolt and arouse, scare and delight in equal measure. And, as a collection, they point a finger at the reader, daring them to feel uncomfortable... or, worse, understood, as if to say, "You want this, right? You know you want this."
'How to tell a shattered story? By slowly becoming everybody. No. By slowly becoming everything.'In a city graveyard, a resident unrolls a threadbare Persian carpet between two graves. On a concrete sidewalk, a baby appears quite suddenly, a little after midnight, in a crib of litter. In a snowy valley,a father writes to his five-year-old daughter about the number of people that attended her funeral.And in the Jannat Guest House, two people who've known each other all their lives sleep with their arms wrapped around one another as though they have only just met. Here is a cast of unforgettable characters caught up in the tide of history. Told with a whisper, with a shout, with tears and with laughter, it is a love story and a provocation. Its heroes, present and departed, human and animal, have been broken by the world we live in and then mended by love -- and for this reason, they will never surrender.
In New York a woman spends a night with a young Chilean poet before he departs, leaving her his desk. Later, he is arrested by Pinochet's secret police ... In north london, a man caring for his dying wife discovers a lock of hair that unravels a terrible secret ... In Jerusalem, an antiques dealer reassembles his father's study, plundered by the Nazis. One item remains missing ... Spanning continets and decades, weaving an intricate web of its characters' lives, Great House tells a soaring story of love, loss and survival against the odds.
The Garretts take their first and last family vacation in the summer of 1959. They hardly ever venture beyond Baltimore, but in some ways they have never been farther apart. Mercy has trouble resisting the siren call of her aspirations to be a painter, which means less time keeping house for her husband, Robin. Their teenage daughters, steady Alice and boy-crazy Lily, could not have less in common. Their youngest, David, is already intent on escaping his familys orbit, for reasons none of them understand. Yet, as these lives advance across decades, the Garretts influences on one another ripple ineffably but unmistakably through each generation. Full of heartbreak and hilarity, French Braid is classic Anne Tyler: a stirring, uncannily insightful novel of tremendous warmth and humor that illuminates the kindnesses and cruelties of our daily lives, the impossibility of breaking free from those who love us, and how closeyet how unknowableevery family is to itself
Julia Robertson en Cassie Burnes zijn als sinds de kleuterklas bevriend; een vriendschap waarin ze alles met elkaar delen, ook de wens om te vertrekken uit hun geboortestad Royston, Massachusetts. Naarmate de meisjes ouder worden, tekenen de verschillen zich af. Julia lijkt voorbestemd een typische middenklasseburger te worden: ze doet haar best op school en omringt zich met verstandige vriendinnen. Cassie heeft echter een steeds turbulentere relatie met haar alleenstaande moeder, Bev, en wordt beschouwd als de rotte appel. Wanneer Bev een nieuwe man ontmoet, wordt de toekomst van Cassie ongewisser, terwijl Julia’s pad steeds duidelijkere contouren krijgt. Ze kan niet anders dan toekijken hoe Cassie, die ze ooit beter kende dan wie ook, steeds verder van haar verwijderd raakt.
Six years after her successful debut, Melissa Bank returns with a refreshingly honest exploration of a young woman's journey into adulthood. The story follows Sophie Applebaum from her comfortable yet awkward childhood in suburban Pennsylvania to the challenges of love and career in Manhattan. Bank avoids the self-indulgent pitfalls often found in the Chick Lit genre she helped popularize. We first meet the Applebaum family en route to cousin Rebecca's bat mitzvah, where Sophie sneaks cigarettes with a charming eighth grader. This minor rebellion highlights her role as an innocent observer rather than an instigator. Key moments in Sophie's life unfold through her relationships: a mythical college roommate named Venice, her charismatic older brother, her brilliant younger brother, her enigmatic father, and her hilarious grandmother, who is determined to save her "Sophila" from "impending spinsterhood." Sophie encounters a series of commitment-phobic men, reflecting her struggle to find comfort in herself. As she realizes during a seventh-grade skating party, "I felt sure that everyone was looking at me and then realized that no one was," capturing the essence of her insecurities. Clever, occasionally hilarious, and often poignant, this narrative captivates readers, inviting them to embrace Sophie's indecisive and self-destructive tendencies while appreciating her sincerity.
