Tjadine Stheeman Books

After her own father's death from dementia, the writer and campaigner Nicci Gerrard set out to explore the illness that now touches millions of us, yet which we still struggle to speak about. What is it to be oneself, and what is it to lose one's self. Who are we when we are not ourselves, and where do we go? This is book is an attempt to understand thorough a touching exploration of dementia, structured around the stages of the disease from the outside and, as far as possible, from the inside as well. Full of people's stories, both sad and optimistic, it is a journey into the dusk and then the darkness - and then out on to the other side, where, once someone is dead, a life can be seen whole again.

The instant Sunday Times bestseller from the acclaimed author of Hamnet, The Marriage Portrait is a dazzling evocation of the Italian Renaissance in all its beauty and brutality. Winter, 1561. Lucrezia, Duchess of Ferrara, is taken on an unexpected visit to a country villa by her husband, Alfonso. As they sit down to dinner it occurs to Lucrezia that Alfonso has a sinister purpose in bringing her here. He intends to kill her. Lucrezia is sixteen years old, and has led a sheltered life locked away inside Florence's grandest palazzo. Here, in this remote villa, she is entirely at the mercy of her increasingly erratic husband. What is Lucrezia to do with this sudden knowledge? What chance does she have against Alfonso, ruler of a province, and a trained soldier? How can she ensure her survival. The Marriage Portrait is an unforgettable reimagining of the life of a young woman whose proximity to power places her in mortal danger.

Nine-year-old Oskar Schell is an inventor, amateur entomologist, Francophile, letter writer, pacifist, natural historian, percussionist, romantic, Great Explorer, jeweller, detective, vegan, and collector of butterflies. When his father is killed in the September 11th attacks on the World Trade Centre, Oskar sets out to solve the mystery of a key he disovers in his father's closet. It is a search which leads him into the lives of strangers, through the five boroughs of New York, into history, to the bombings of Dresden and Hiroshima, and on an inward journey which brings him ever closer to some kind of peace.

One boy, one boat, one tiger . . .After the tragic sinking of a cargo ship, a solitary lifeboat remains bobbing on the wild, blue Pacific. The only survivors from the wreck are a sixteen year-old boy named Pi, a hyena, a zebra (with a broken leg), a female orang-utan -- and a 450-pound Royal Bengal tiger. The scene is set for one of the most extraordinary and best-loved works of fiction in recent years.

This sharp and tender revision of the myths surrounding Penelope and Odysseus offers a fresh perspective on their story. In Homer’s The Odyssey, Penelope is depicted as the faithful wife who, after twenty years apart, manages to fend off numerous suitors while raising her son and maintaining her kingdom. Upon Odysseus's return, he kills her suitors and, notably, twelve of her maids, a brutal act that Homer mentions only briefly. Atwood, haunted by these deaths, begins her narrative with two questions: what led to the maids' hanging, and what was Penelope truly doing during Odysseus's absence? Told from Hades, Penelope narrates her story with wry humor, while her maids serve as a chorus, providing commentary through poems, songs, and even a trial. The narrative explores themes of sexual violence and gender prejudice, interrogating Homer’s original tale and introducing counter-narratives that challenge its assumptions. The maids’ voices add emotional depth, bringing marginalized perspectives to the forefront. Penelope emerges as a complex figure, offering scathing insights that reshape our understanding of her character and our own society. Atwood’s storytelling is both haunting and entertaining, weaving together themes of murder, memory, guilt, and deceit in a way that resonates powerfully today.

In war we sometimes lose ourselves . . . It is 1946 and Silvana and eight-year-old Aurek board a ship that will take them from Poland to England. Silvana has not seen her husband Janusz in six years, but, they are assured, he has made them a home in Ipswich. However, after living wild in the forests for years, carrying a terrible secret, all Silvana knows is that she and Aurek are survivors. Everything else is lost. While Janusz, a Polish soldier who has criss-crossed Europe during the war, hopes his family will help put his own dark past behind him. But the war and the years apart will always haunt each of them unless they together confront what they were compelled to do to survive.

In New York a woman spends a night with a young Chilean poet before he departs, leaving her his desk. Later, he is arrested by Pinochet's secret police ... In north london, a man caring for his dying wife discovers a lock of hair that unravels a terrible secret ... In Jerusalem, an antiques dealer reassembles his father's study, plundered by the Nazis. One item remains missing ... Spanning continets and decades, weaving an intricate web of its characters' lives, Great House tells a soaring story of love, loss and survival against the odds.

Een jonge, mysterieuze vrouw komt net na de Tweede Wereldoorlog in Montreal aan, in de verwachting te trouwen met Sol Kramer. Maar wanneer Sol haar ziet staan op het station, wijst hij haar af. Uit medelijden trouwt zijn broer Nathan met haar. Al snel wordt duidelijk dat Lily Azerov niet degene is die ze beweert te zijn. Ze verdwijnt spoorloos en laat haar man en pasgeboren dochtertje verbijsterd achter met slechts een dagboek en een grote ongeslepen diamant. Wie is Lily en wat is er gebeurd met de jonge vrouw wier identiteit ze heeft gestolen? Waarom is ze weggegaan en waarheen? Jaren later wil Ruth het antwoord op deze vragen weten en begint aan een zoektocht naar haar moeder.

Voor De zeemantel & andere verhalen heeft Nayrouz Qarmout zich laten inspireren door haar eigen ervaringen als opgroeiend meisje in een Syrisch vluchtelingenkamp en als jonge vrouw in ‘de grootste gevangenis ter wereld’, Gaza. Met haar verhalen creëert zij een adembenemend mozaïek dat laat zien wat het betekent om Palestijn te zijn. Of ze nu schrijft over de dagelijkse strijd van dakloze weeskinderen om te overleven tussen de brokstukken van een gebombardeerde stad, of de culturele spanningen tussen verschillende generaties vluchtelingen in Gaza laat zien, Qarmout biedt een intieme inkijk in een van de meest veelbesproken en tegelijkertijd meest onbegrepen steden in het Midden-Oosten. Hiermee geeft ze ons een lokaal perspectief op een globaal verhaal: de zoektocht naar de eigen wortels, naar de meest geliefde plek van allemaal: een thuis.