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Barbara A. Mowat

    The Taming of the Shrew
    King Richard III.
    Othello
    Folger Shakespeare Library: Hamlet
    • Folger Shakespeare Library: Hamlet

      Updated Edition - With Detailed Notes From The World's Leading Center For Shakespeare Studies

      • 287 pages
      • 11 hours of reading

      This updated edition includes: *Newly re-edited play text and revised commentary notes *Scene-by-scene plot summaries *A key to the play's famous lines and phrases *An introduction to reading Shakespeare's language *An essay by a leading Shakespeare scholar providing a modern perspective on the play *Fresh images from the Folger Shakespeare Library's vast holdings of rare books *An up-to-date annotated guide to further reading

      Folger Shakespeare Library: Hamlet
      4.1
    • Othello

      • 304 pages
      • 11 hours of reading

      Aimed specifically at students making the transition from GCSE to AS and A level, this edition of Shakepseare's classic play includes an introductory section to provide a social and historical context, exam-style questions, suggestions, and extracts from critical works on the play.

      Othello
      4.0
    • Part of "The New Penguin Shakespeare" series, this text looks at "King Richard III" with an introduction, a list of further reading, commentary and a short account of the textual problems of the play. The series is used and recommended by the Royal Shakespeare Company.

      King Richard III.
      3.9
    • The Taming of the Shrew

      • 194 pages
      • 7 hours of reading

      John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.

      The Taming of the Shrew
      3.8