Someplace to be flying
- 384 pages
- 14 hours of reading
Now in trade paperback, one of the classics of Charles de Lint's "Newford" sequence
Charles de Lint is a celebrated author renowned for his unique blend of folklore, myth, and urban legend, often weaving magic into the fabric of reality. His masterful storytelling draws readers into worlds that feel more real than life itself, exploring themes of compassion, hope, and human potential. De Lint's distinctive voice and his ability to find the extraordinary within the ordinary have earned him a devoted following. He is a true modern master of urban fantasy, reminding us of the beauty lurking just beneath the surface of everyday life.







Now in trade paperback, one of the classics of Charles de Lint's "Newford" sequence
Welcome to Newford... Welcome to the music clubs, the waterfront, the alleyways where ancient myths and magic spill into the modern world. Come meet Jilly, painting wonders in the rough city streets; and Geordie, playing fiddle while he dreams of a ghost; and the Angel of Grasso Street gathering the fey and wild and the poor and the lost. Gemmins live in abandoned cars and skells traverse the tunnels below, while mermaids swim in the grey harbor waters and fill the cold night with their song. Like Mark Helprin's A Winter's Tale and John Crowley's Little, Big, Dreams Underfoot is a must-read book not only for fans of urban fantasy, but for all who seek magic in everyday life. Contents: Uncle Dobbin's Parrot Fair (1987) The Stone Drum (1989) Timeskip (1989) Freewheeling (1990) That Explains Poland (1988) Romano Drom (1989) The Sacred Fire (1989) Winter Was Hard (1991) Pity the Monsters (1991) Ghosts of Wind and Shadow (1990) The Conjure Man (1992) Small Deaths (1993) The Moon Is Drowning While I Sleep (1993) In the House of My Enemy (1993) But for the Grace Go I (1991) Bridges (1992) Our Lady of the Harbour (1991) Paperjack (1991) Tallulah (1991)
In the Old Country, the Gentry are ancient, magical spirits of the land, amoral and dangerous. When the Irish emigrated to North America, some Gentry followed but found the New World inhabited by its own spirits, known as manitou among Native tribes. Generations later, the Irish have settled, yet the Gentry remain homeless, lurking in city shadows, dreaming of power. As their ambitions grow darker, they manifest as men in black to those who can see them. Bettina, part Indian and part Mexican, has been raised by her grandmother to understand the spirit world. Living in Kellygnow, an arts colony in Newford, she often observes these dark figures, whom she calls los lobos, until one night, one follows her into the woods. Ellie, an independent sculptor with magic in her blood, also sees the dark men but refuses to acknowledge it. Summoned to Kellygnow by a strange old woman, she must create a mask based on an ancient Celtic artifact—the mythic Summer King—despite her disbelief. Her former lover, Donal, knows the truth of the old myths and aims to exploit the mask and the Gentry. Meanwhile, Donal's sister Miki, a punk accordion player, realizes that more than her brother's soul is at stake, as the very fabric of Newford is threatened. Charles de Lint masterfully intertwines diverse mythic traditions, folklore, and memorable characters in a contemporary urban setting.
In novel after novel, and story after story, Charles de Lint has brought an entire imaginary North American city to vivid life. Newford: where magic lights dark streets; where myths walk clothed in modern shapes; where a broad cast of extraordinary and affecting people work to keep the whole world turning. At the center of all the entwined lives in Newford stands a young artist named Jilly Coppercorn, with her tangled hair, her paint-splattered jeans, a smile perpetually on her lips--Jilly, whose paintings capture the hidden beings that dwell in the city's shadows. Now, at last, de Lint tells Jilly's own story...for behind the painter's fey charm lies a dark secret and a past she's labored to forget. And that past is coming to claim her now. "I'm the onion girl," Jilly Coppercorn says. "Pull back the layers of my life, and you won't find anything at the core. Just a broken child. A hollow girl." She's very, very good at running. But life has just forced Jilly to stop.
"When Sara and Jamie discoverd the seemingly ordinary artifacts, they sensed the pull of a dim and distant place. A world of mists and forests, of ancient magics ... - and restless evil. Now, with their friends and enemies alike ... [they] are drawn intothis enchanted land through the portals of Tamson House; the sprawling downtown edifice that straddles two worlds. Sweeping from ancient Wales to the streets of Ottawa today ... a tale of music, and motorcycles, and fey folk beyond the shadows of the moon"--Publisher's description
The third edition of this accessible and interdisciplinary textbook has been thoroughly updated to incorporate the latest research and developments, including the rise of Big Data, AI, and the Internet of Things. Digital Media Ethics will continue to be the go-to textbook for anyone getting to grips with this important topic--
Accepting a gift of a magical harp from Jacky Lantern's fey kin, Angharad follows the wandering ways of bardic life, using her music to awaken the Summerblood magic throughout the Kingdom of the Green Isles. Reprint.
World Fantasy Award winner Charles de Lint conjures a thrilling, otherworldly tale of magic and family bonds.A young woman locked in rage yet seeking magic, Ash is drawn into a wondrous Otherworld of totems and dryads, living tarots and mystic charms. At the same time, Ash's cousin Nina is stalked by an Otherworld demon—a manitou who can force her mind and soul into the bodies of beasts. Ash must find the strength to overcome her own anger, learn the full power of magic, and save Nina before she becomes the manitou's weapon, turning the faerie realm into an arctic wasteland. De Lint fans will relish this urban and otherworldly fantasy, partially set in the author's trademark Newford."A compelling fantasy that combines elements of Native American and Celtic mythology to create a fluid and unexpected otherworld, open to all with the ability to enter and traverse it."— School Library Journal