John Berger was an English author whose work spanned art criticism, novels, and painting. His writing frequently explores the tension between modernity and memory, loss and presence. Berger often meditated on the lives of peasants and their transformation when moving to urban settings. His texts are known for their deep insight into the human condition and a critical perspective on society.
Honore Daumier (1808-1879) is perhaps best known for his political and social caricatures, precise and witty observations of life in nineteenth-century France. This study offers an assessment of his entire oeuvre, bringing together his paintings, sculptures, watercolours, drawings and lithographs, all of which were greatly admired in his lifetime.
1997 erhält John Berger von John Christie ein rot bemaltes Papier. Berger antwortet, er gibt der Farbe rot eine eigene 'Lebensgeschichte': das unberührte Rot der Kindheit, das Schwarz, in das es sich verwandelt im Älterwerden, das Weiß, das es war, als es jung war, bis er zu seinem Lieblingsrot, dem Caravaggio-Rot kommt. Später schreiben sich Berger und Christie über das Matisse-Blau, das Yves Klein-Blau, sie kommen von Klein zu Le Corbusier, von Perlmutt zu Courbet, von Gelb zu Gold, von Kandinsky zu Paul Klee. Die Publikation dieser faszinierenden Korrespondenz ist eine Schatzkammer für alle diejenigen, die sich für Farben, Gestaltung, Malerei, Kunstgeschichte und Design interessieren. Die phantasievoll und sehr künstlerisch gestalteten Briefe werden alle im Faksimile und in Übersetzung wiedergegeben.
Why does the Western world look to migrant laborers to perform the most menial tasks? What compels people to leave their homes and accept this humiliating situation? In A Seventh Man, John Berger and Jean Mohr come to grips with what it is to be a migrant worker—the material circumstances and the inner experience—and, in doing so, reveal how the migrant is not so much on the margins of modern life, but absolutely central to it. First published in 1975, this finely wrought exploration remains as urgent as ever, presenting a mode of living that pervades the countries of the West and yet is excluded from much of its culture.
One of the most eloquent accounts of photography written in collaboration with the Swiss photographer Jean Mohr and illustrated by both Jean Mohr's work and notable examples of photography throughout the Twentieth Century. This publication ties in with the BBC's televising of a four part series.
Once in Europa was first published by John Berger in 1987. Bloomsbury's reissue of this moving love story has been given a new and poignant twist with the addition of award-winning photographer Patricia Macdonald's remarkable colour images which punctuate Berger's lyrical tale of stoical romance in the midst of agrarian collapse and the depredations of heavy industry in Central Europe in the 1950s. Odile lives with her ageing father as he fights to retain his smallholding amidst the encroachment of the local steel works. She recounts that "the first sounds I remember are the factory siren and the noise of the river", and her idyllic childhood is increasingly eroded and replaced by the environmental destruction which the factory visits upon both its surroundings and those who work there: "the furnaces throbbed, the river flowed, the smoke, sometimes white, sometimes grey, sometimes yellow, thrust upwards into the sky, men worked night and day for generations, sweating, retching, pissing, coughing". Odile's promising school career is cut short as she falls in love with the communist steelworker Stepan. His sudden death at the factory, and the company's indifference to the pregnant Odile leave her destitute, ultimately finding solace in another victim of the factory's malign practices, the crippled Michel. The tragic impact of industrialisation upon a rural community is wonderfully judged by Berger, and there are passages of exquisite lyricism and stoicism as Odile attempts to eke out an existence for herself and her children. Macdonald's photographs beautifully complement the tone and atmosphere of Berger's text, especially her astonishing aerial photographs of urban and rural wildernesses. This is a sober snapshot of late 20th-century Europa. -- Jerry Brotton
"Since 'Thriller' and the widely acclaimed 'Orlando', writer-director Sally Potter has been known as a pioneer filmmaker. [... YES is] easily her masterpiece to date. The central action, set in contemporary London, involves a successful scientist locked in a passionless marriage and conducting an intensely sexual affair with a Lebanese immigrant worker. But this sturdy dramatic situation is only the beginning."--Publisher's description. Includes both the finished screenplay and the original short film script it was based on, as well as photos, credits, and a question-and-answer session with Sally Potter and actress Joan Allen
New edition: A Personal History of Art from the author of Ways of Seeing
When he stands before Giorgione's La Tempesta , Booker Prize-winning author John Berger sees not only the painting but our whole notion of time, sweeping us away from a lost Eden. A photograph of a gravely joyful crowd gathered on a Prague street in November 1989 provokes reflection on the meaning of democracy and the reunion of a people with long-banished hopes and dreams.With the luminous essays in Keeping a Rendezvous , we are given to see the world as Berger sees it -- to explore themes suggested by the work of Jackson Pollock or J. M. W. Turner, to contemplate the wonder of Paris. Rendezvous are between critic and art, artist and subject, subject and the unknown. But most significant are the rendezvous between author and reader, as we discover our perceptions informed by Berger's eloquence and courageous moral imagination.
A dream-like meditation on memory, food, paintings, a fond uncle and the improbable beauty of Bologna
