This author is a Professor of English at Florida State University. More information about their work can be found elsewhere.
Definitive, comprehensive, and handsome edition presents every one of Shakespeare's great plays-the Comedies, Tragedies and Histories-plus his poems and, of course, the Sonnets. All in one beautifully illustrated volume. B&W illustrations throughout. 1248 pages.
Discusses changing interpretations of Shakespeare and his plays through the centuries, arguing that claims of his uniqueness reflect the characteristics of particular eras and critics more than Shakespeare.
Powerful tragedy of an aging king, betrayed by his daughters, robbed of his kingdom, descending into madness. Perhaps the bleakest of Shakespeare's tragic dramas, complete with explanatory footnotes.
The second edition of King Henry V with a new introductory section by Andrew Gurr.
While Tom is at work in London, his wife Marina is left bored and alone in the small village where they live. She wishes for someone to do the housework for her and a strange thing happens. Her wish comes true; the Ironing Man enters her life, and everything begins to change for both Marina and Tom.
A chilling, life-changing, supernatural thriller that keeps you on the edge of your seat.
Focusing on self-awareness and healing, the memoir explores the unspoken daily struggles many face, highlighting how society often normalizes stress without addressing its toll on mental and physical well-being. Drawing from over 11 years of experience in mental health, the author shares his personal journey toward resilience and peace, emphasizing the importance of prayer and introspection in overcoming life's challenges. This reflective narrative encourages readers to confront their own stressors and seek a path to tranquility.
A reference for the student or general reader, here are Shakespeare's complete works in one 1,032 page volume.
'Shakespearotik' nennt der amerikanische Literaturwissenschaftler Gary Taylor in seiner kultur- und sozialgeschichtlichen Studie die Bemühungen ungezählter Forschergenerationen, der geradezu proteischen Wandlungsfähigkeit ihres Protagonisten nachzuspüren. Diese Wirkungsgeschichte durch vier Jahrhunderte zeigt zugleich, wie sich die 'Shakespeare-Industrie' in einem geschlossenen Kreislauf am Leben erhält: "Am 16. April 1616 hörte (Shakespeare) auf, sich selbst zu erfinden... Seitdem sind wir es, die ihn täglich neu erfinden."
