1Q84: Book One and Book Two
- 623 pages
- 22 hours of reading
Vol. 2: book three translated from the Japanese by Philip Gabriel
Philip Gabriel stands as a primary translator of the works of Japanese novelist Haruki Murakami into English. His translation efforts bring Murakami's distinctive style and thematic concerns to a global readership. Gabriel's profound understanding of Japanese culture and literature ensures his translations faithfully capture the spirit of the original while remaining accessible to an English-speaking audience. His academic background further enriches his ability to interpret complex literary works.






Vol. 2: book three translated from the Japanese by Philip Gabriel
Readers love LONELY CASTLE IN THE MIRROR:***** 'This book has become one of my favourite Japanese literature reads of all time .
" ... A novel of metaphysical reality, it is powered by two remarkable characters: a teenage boy, Kafka Tamura, who runs away from home either to escape a gruesome oedipal prophecy or to search for his long-missing mother and sister; and an aging simpleton called Nakata, who never recovered from a wartime affliction and now is drawn toward Kafka for reasons that, like the most basic activities of daily life, he cannot fathom."--Publisher's description
The long-awaited magnum opus from Haruki Murakami, in which this revered and bestselling author gives us his hypnotically addictive, mind-bending ode to George Orwell's 1984.The year is 1984. Aomame is riding in a taxi on the expressway, in a hurry to carry out an assignment. Her work is not the kind that can be discussed in public. When they get tied up in traffic, the taxi driver, Tengo, suggests a bizarre 'proposal' to her. Having no other choice she agrees, but as a result of her actions she starts to feel as though she is gradually becoming detached from the real world. She has been on a top secret mission, and her next job leads her to encounter the superhuman founder of a religious cult. Meanwhile, Tengo is leading a nondescript life but wishes to become a writer. He inadvertently becomes involved in a strange disturbance that develops over a literary prize
Growing up in the suburbs in post-war Japan, it seemed to Hajime that everyone but him had brothers and sisters. His sole companion was Shimamoto, also an only child. Together they spent long afternoons listening to her father's record collection. But when his family moved away, the two lost touch. Now Hajime is in his thirties. After a decade of drifting he has found happiness with his loving wife and two daughters, and success running a jazz bar. Then Shimamoto reappears. She is beautiful, intense, enveloped in mystery. Hajime is catapulted into the past, putting at risk all he has in the present. 'A story of love in a cool climate, intensely romantic and weepily beautiful...it is startlingly different: a true original' Guardian 'Casablanca remade Japanese style...It is dream-like writing, laden with scenes which have the radiance of a poem' The Times 'This wise and beautiful book is full of hidden truths' New York Times 'This book aches...an eloquent treatise on the vertiginous, irrational powers of love and desire' Independent on Sunday 'A beautiful, atmospheric novel sustained by Murakami's flair for philosophical mediation at its most human' Irish Times
The epic new novel from the internationally acclaimed and best-selling author of 1Q84 In Killing Commendatore, a thirty-something portrait painter in Tokyo is abandoned by his wife and finds himself holed up in the mountain home of a famous artist, Tomohiko Amada. When he discovers a previously unseen painting in the attic, he unintentionally opens a circle of mysterious circumstances. To close it, he must complete a journey that involves a mysterious ringing bell, a two-foot-high physical manifestation of an Idea, a dapper businessman who lives across the valley, a precocious thirteen-year-old girl, a Nazi assassination attempt during World War II in Vienna, a pit in the woods behind the artist's home, and an underworld haunted by Double Metaphors. A tour de force of love and loneliness, war and art--as well as a loving homage to The Great Gatsby -- Killing Commendatore is a stunning work of imagination from one of our greatest writers.
Part romance, part detective story, Sputnik Sweetheart tells the story of a tangled triangle of uniquely unrequited love. Now with a new introduction from the author. K is madly in love with his best friend, Sumire, but her devotion to a writerly life precludes her from any personal commitments. At least, that is, until she meets an older woman to whom she finds herself irresistibly drawn. When Sumire disappears from an island off the coast of Greece, K is solicited to join the search party—and finds himself drawn back into her world and beset by ominous visions. Subtle and haunting, Sputnik Sweetheart is a profound meditation on human longing.
A young man accompanies his cousin to the hospital to check an unusual hearing complaint and recalls a story of a woman put to sleep by tiny flies crawling inside her ear;Blind Willow, Sleeping Woman is Murakami's most eclectic collection of stories yet, and spans five years of his writing.
An intimate look at writing, running, and the incredible way they intersect, from the incomparable, bestselling author Haruki Murakami. While simply training for the New York City Marathon would be enough for most people, Haruki Murakami decided to write about it as well. The result is a beautiful memoir about his intertwined obsessions with running and writing, full of vivid memories and insights, including the eureka moment when he decided to become a writer. By turns funny and sobering, playful and phulosophical, What I Talk About When I Talk About Running is rich and revelatory, both for fans of this masterful yet guardedly private writer and for the exploding population of athletes who find similar satisfaction in athletic pursuit.
Tsukuru Tazaki had four best friends at school. By chance all of their names contained a colour. The two boys were called Akamatsu, meaning 'red pine', and Oumi, 'blue sea', while the girls' names were Shirane, 'white root', and Kurono, 'black field'. Tazaki was the only last name with no colour in it.