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Paul Werstine

    Paul Werstine is a distinguished Shakespearean scholar whose work delves into the printing and editing of his plays. He meticulously examines early modern playhouse manuscripts, exploring their impact on the final form of Shakespeare's dramatic works. His deep insights into textual traditions and editorial practices illuminate the complexities of Shakespeare's literary legacy.

    New Folger Library Shakespeare: The Taming of the Shrew
    Richard III
    Othello
    The Merchant of Venice. Der Kaufmann von Venedig
    Much Ado about Nothing
    • 2018

      Richard III

      • 288 pages
      • 11 hours of reading
      3.9(44164)Add rating

      'Now is the winter of our discontent Made glorious summer by this sun of York' Shakespeare's final drama of the Wars of the Roses cycle begins as the dust settles on England after bloody civil war, and the bitter hunchback Richard, brother of the king, secretly plots to seize the throne. Charming and duplicitous, powerfully eloquent and viciously cruel, he is prepared to go to any lengths to achieve his goal. Richard III shows a man who, in his skilful manipulation of events and people, is a chilling incarnation of the temptations of power in a land shocked by war. Used and Recommended by the National Theatre General Editor Stanley Wells Edited by E. A. J. Honigmann Introduction by Michael Taylor

      Richard III
    • 1995

      Much Ado about Nothing

      • 120 pages
      • 5 hours of reading
      4.4(66)Add rating

      120p paperback, very good, this copy published in the year 1991 in the series entitled York Notes

      Much Ado about Nothing
    • 1993

      Othello

      • 192 pages
      • 7 hours of reading
      4.2(3711)Add rating

      Dramatic and powerful in its scope, 'Othello' explores the perils of suspicion and jealousy and the ensuing breakdown of relationships and disaster that can arise from such emotions. Othello secretly marries Desdemona, but is led to believe that she has been unfaithful to him by his ensign, Iago, leading to tragic events.

      Othello
    • 1992

      Der Kaufmann von Venedig zählt zwar - wegen des glücklichen Endes - zu Shakespeares Komödien, aber die dominierende Figur des Juden Shylock trägt offenbar Züge, die das Stück durchaus der Tragödie annähern. Venedig und Belmont bilden zudem zwei faszinierende Gegenwelten, aus denen das „Problemstück“ seine dramatische Spannung bezieht.

      The Merchant of Venice. Der Kaufmann von Venedig