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Frank Wedekind

    July 24, 1864 – March 9, 1918

    Frank Wedekind was a German playwright whose works sharply criticized bourgeois attitudes, particularly concerning sexuality. His writing, considered to anticipate expressionism, was a major influence on the development of epic theatre. His plays are known for their provocative and often naturalistic portrayals of human psychology and societal taboos. Wedekind challenged traditional morality and exposed the hypocrisy of his era.

    Frank Wedekind
    Fruhlings Erwachen
    Spring Awakening: A Play
    Wedekind: Plays One
    Lulu Plays and Other Sex Tragedies
    Erdgeist (Earth-Spirit)
    The Awakening Of Spring
    • The Awakening Of Spring

      A Tragedy Of Childhood (1912)

      • 172 pages
      • 7 hours of reading

      Exploring the tumultuous journey of adolescence, this 1912 play delves into the sexual awakening of teenagers amidst a repressive society. It follows a group of classmates grappling with desire and societal norms, highlighting themes of censorship and the psychological impact of sexual repression. Controversial at its release, the work faced bans in various countries due to its candid depiction of youth sexuality. Its enduring relevance makes it a thought-provoking piece that continues to resonate today.

      The Awakening Of Spring
    • Erdgeist (Earth-Spirit)

      A Tragedy in Four Acts

      • 76 pages
      • 3 hours of reading

      The book has significant historical importance, prompting Alpha Editions to preserve it for future generations through modern republishing. It has been carefully reformatted, re-typed, and redesigned to ensure clarity and readability, avoiding the use of scanned copies. This effort highlights the commitment to maintaining the work's legacy in an accessible format.

      Erdgeist (Earth-Spirit)
    • Wedekind: Plays One

      • 256 pages
      • 9 hours of reading
      4.0(35)Add rating

      A moralist who wore the mask of an immoralist, Wedekind was the terror of the German bourgeoisie.

      Wedekind: Plays One
    • Spring Awakening: A Play

      • 112 pages
      • 4 hours of reading
      3.9(542)Add rating

      Jonathan Franzen offers a compelling translation of Frank Wedekind's influential modern play, Spring Awakening, known for its exploration of adolescence, sexuality, and the struggles against societal constraints. The play delves into the tumultuous journey of young characters grappling with their desires and the oppressive norms of their environment. Franzen's sharp insights and contemporary sensibility breathe new life into Wedekind's classic, making it accessible for a modern audience while retaining its powerful themes.

      Spring Awakening: A Play
    • In these intimate journals, Frank Wedekind shows himself to have been in life what he is in his plays, a subversive artist and merciless critic of bourgeois morality. He lived and worked in Wilhelmine, Germany in the 1890's, that period of economic unstability, fin de siecle decadence and artistic ferment; among the contemporaries who pass through these pages are playwright Gerhard Hauptmann and revolutionary Alexander Herzen. Wedekind shot to fame in 1895 with the first of the Lulu plays, and compounded his renown with "Spring Awakening". His plays have been claimed as typical of the Jugendstil art movement, which included Parisian art nouveau and related activity in Vienna and Glasgow, and their visionary eroticism has clear links with these diaries. This ediction includes the thirty pages of Wedekins's Paris diaries which were omitted from the German version, and numerous corrections and additions as a result of returning to the handwritten original.

      Diary of an erotic life
    • Lulu is the personification of the spirit of unbridled nature. Each of the first four acts of the play sees her married to a different man, each one of whom dies at the end. In the fifth act, Lulu has become a prostitute in late- Victorian London where she encounters Jack the Ripper. schovat popis

      Lulu
    • `Mine-Haha is a fairy tale that morphs into something far more grotesque-a psycho-sexual Expressionist fable. It's so perversely erotic and freaky and anti-society, and that's probably why it's never been translated into English until now. This new version by Philip Ward is long overdue and very welcome.' Marianne Faithfull --Book Jacket.

      Mine-Haha: Or on the Bodily Education of Young Girls