Baltasar Gracián Books

The remarkable best-seller -- a long-lost, 300-year-old book of wisdom on how to live successfully yet responsibly in a society governed by self-interest -- as acute as Machiavelli yet as humanistic and scrupulously moral as Marcus Aurelius.

A Pocket Mirror for Heroes is a mirror because it reflects "the person you are or the one you ought to be." It is a pocket mirror because its author took the time to be brief. And it is a mirror for heroes because it provides a vivid image of ethical and moral perfection to which all can aspire. The Art of Worldly Wisdom by Baltasar Gracian was all but forgotten for three hundred years, until its republication in 1992 turned this lost classic into a New York Times bestseller. Now Gracian, the Spanish Jesuit considered Machiavelli's better in strategy and insight, sets a new standard on the art of living and the practice of achieving. That new standard is the art of heroism--how to be "the consummate person, ripe and perfect: accurate in judgment, mature in taste, attentive in listening, wise in sayings, shrewd in deeds, the center of all perfection." Gracian teaches the reader to be "a giant"--"the greatest person possible, a miracle of perfection, a king." Wit, wisdom, courage, elegance, grace, humility, spontaneity--these are the qualities needed to reach heroism in any occupation. But it is not enough to be wise or graceful: one must learn as well how to manage that talent, how to distinguish a quality fiom its shadow. A Pocket Mirror for Heroes provides "a politics for governing oneself, a compass for sailing toward excellence, an art for reaching distinction with just a few rules of discretion," and it will be wise and witty company for anyone who recognizes--and relishes--the challenges of daily life.

A seventeenth-century Spanish priest's shrewd maxims on using guile and pragmatism to succeed in a dangerous world.

"This jewel of a man is very gifted; I assure you that he contains great things." -- King Philip IV of Spain Almost four hundred years ago, in Zaragoza, Spain, Baltasar Gracián began to write what many modern-day scholars consider to be the most prolific and mysterious of his seven works, El Discreto: The Complete Man (1646). It is a treatise that describes the qualities that are needed for a man to become the center of perfection, as he experiences life and its spacious fields of time. Through his mystifying, divinized, and sacred style, he explores the themes of moral and political philosophy, literature, criticism, human nature, morality, and the complexity of social relationships. It is a discourse full of fables, metaphors, allegories, and wordplay that requires the reader to measure himself against the greatness of its matter in order to understand and benefit from its wisdom. Chained to a linguistic barrier for centuries, with its complexity making it nearly impossible to translate into English, this Spanish masterpiece has remained largely unavailable to modern readers until now. This fascinating book, which Friedrich Nietzsche referred to as "the finest and most complicated work to ever come out of Europe," contains all that is needed to become a Master or Matters and a Master of Men.

Graciáns epochemachende Schrift wurde seit 1832 (seit Schopenhauers übersetzerischer Großtat, die ein eigenes Original schuf) nicht mehr in die deutsche Sprache übertragen. Die gefeierte Neuübersetzung von Hans Ulrich Gumbrecht erschließt das Werk neu. Scharfsinnige wie pragmatische Ansichten bündelte Gracián in Maximen, die zum Selbstdenken und zur Selbstüberprüfung herausfordern und einen Leitfaden für ein besseres Leben bilden: Wie erlangt man breites Wissen, einen guten Geschmack? Wie geht man klug mit seinem Umfeld und seinen eigenen Leidenschaften um? »Sagen wir es unumwunden: Die neue Übersetzung des ›Handorakels‹ ist ein Glücksfall sondergleichen, in jedem einzelnen Paragrafen.« (Peter Sloterdijk, DIE ZEIT)

Arte de Ingenio intenta estructurar el fenómeno poético con mayor y más sensible precisión, darle una nomenclatura original, destacar sus cualidades, en especial por lo que se refiere a la sutileza del decir o a la concentrada profundidad del pensamiento.A Gracián le preocupan esencialmente dos formas particulares de la expresió la agudeza y el concepto.Se declara conceptista, entendiendo por concepto el pensamiento artificiosa e ingeniosamente expresado; pero se esfuerza por mostrar sus gustos eclécticos.Es una obra de entusiamo juvenil en la que Gracián trata de mostrar todos sus saberes poéticos y retóricos, sus humanidades y sus numerosas lecturas. Alienta en el breve tratado un afán de novedad, una total ruptura contra las presceptivas clásicas, a las que trata de superar en el estudio y denominación de los fenómenos estilísticos, empleados por los escritores clásicos o de su tiempo, que sobresalieron por la agudeza de expresión o por la profundidad y novedad de sus conceptos.