Geoffrey Wall is a distinguished literary biographer and translator, with a particular focus on French authors like Flaubert and George Sand. His work is characterized by a profound engagement with their lives and writings, exploring themes, style, and literary legacy. Wall's interest in oral history further enriches his contribution, connecting past and present to illuminate the creative processes of significant literary figures.
Complex psychological portrait of one woman's relentless search for the rapture of being alive. Emma Bovary, one of literature's first modern heroines, seeks escape in disastrous affairs. Flaubert, who brought watchmaker-like craftsmanship to writing, spent five years on this masterpiece.
'Oh, why, dear God, did I marry him?' Emma Bovary is beautiful and bored, trapped in her marriage to a mediocre doctor and stifled by the banality of provincial life. An ardent devourer of sentimental novels, she longs for passion and seeks escape in fantasies of high romance, in voracious spending and, eventually, in adultery. But even her affairs bring her disappointment, and when real life continues to fail to live up to her romantic expectations, the consequences are devastating. Flaubert's erotically charged and psychologically acute portrayal of Emma Bovary caused a moral outcry on its publication in 1857. It was deemed so lifelike that many women claimed they were the model for his heroine; but Flaubert insisted: 'Madame Bovary, c'est moi.' This modern translation by Flaubert's biographer, Geoffrey Wall, retains all the delicacy and precision of the French original. The edition also contains a preface by the novelist Michèle Roberts.