James Kelman's distinctive literary voice emerges directly from his own background and community. He is celebrated for his use of first-person internal monologues, rendered in a pared-down prose that authentically captures the cadences and speech patterns of Glaswegian vernacular. This commitment to writing from within his socio-cultural experience has profoundly influenced subsequent generations of Scottish novelists. Kelman's innovative style and dedication to representing his own people have cemented his significance in contemporary literature.
A collection of essays in which the author deals with a wide range of issues literary, artistic, political and philosophical - Russian writers who influenced him, the lives of the Impressionists, Chomsky's key role in 20th- century thinking, the Caribbean Artists' Movement, and the struggling Scottish steel industry.
Incendiary and heartrending, the sixteen essays in The State is Your Enemy lay bare government brutality against the working class, immigrants, asylum-seekers, ethnic minorities, and all who are deemed of “a lower order.” Drawing parallels between atrocities committed against the Kurds by the Turkish State, and the racist police brutality, and government sanctioned murders in the UK, James Kelman shatters the myth of Western exceptionalism, revealing the universality of terror campaigns levied against the most vulnerable, and calling on a global citizenship to stand in solidarity with victims of oppression. Kelman’s case against the Turkish and British governments is not just a litany of murders, or an impassioned plea—it is a cool-headed take down of the State and an essential primer for revolutionaries.
The world is full of information. What do we do when we get the information, when we have digested the information, what do we do then? Is there a point where ye say, yes, stop, now I shall move on.' James Kelman here offers something of why a book such of this is in front of the public. The State relies on our suffocation, that we cannot hope to learn 'the truth.' But whether we can or not is beside 'the point.' Finally, there is no 'point.' We must grasp the nettle, we assume control and go forward. Kelman says, 'I wanted to convey some of that sensibility with the idea of being in conversation with Noam Chomsky, of being in his presence, a sort of seminar. It is not influence. I dont see it as 'being influenced' by Chomsky. He belongs to the great tradition of teaching, of learning. We learn from him through what he does.' At its core, this exhilarating collection of essays, interviews, and correspondence - spanning the years 1988 through 2018, and reaching back a decade or more previous - is about the simple concept that ideas matter. And not only that ideas matter. But that ideasin this case, through the lens of two engaged intellectualsmutate, inform, inspire, and ultimately provide more fuel for thought, the actions that follow such thought, and for carrying on, and doing the work
Tammas, a 20-year-old Glaswegian, is a loner and a compulsive gambler. Betting gives him as good a chance as any of discovering what he really seeks from life, since society offers him no prospect of a better alternative. James Kelman won the 1994 Booker Prize for "How Late it Was, How Late".
James Kelman's inimitable voice brings the stories of lost men to light in these twenty one tales of down on their luck antiheroes who wander, drink, hatch plans, ponder existence, and survive in an unwelcoming and often comic world. Keep Moving and No Questions is a collection of the finest examples of Kelman's facility with dialog, stream of conscious narrative, and sharp cultural observation. Class is always central in these brief glimpses of men abiding the hands they've been dealt. An ideal introduction to Kelman's work and a wonderful edition for fans and Kelman completionists, this lovely vollume will make clear why James Kelman is known as the greatest living modernist writer.
Passionate, exhilarating and darkly humorous, "The Burn" is an extraordinary collection of short stories by a master of paranoia and an unsurpassed prose stylist.
Jack Proctor, a celebrated older writer and curmudgeon, goes off to residency where he is to be an honored part of teaching and giving public readings, he soon finds the atmosphere of the literary world has changed since his last foray into the public sphere. Unknown to most, unable to work on his own writing, surrounded by a host of odd characters, would-be writers, antagonists, handlers, and members of the elite House of Art and Aesthetics, Proctor finds himself driven to distraction (literally in a very very tiny car). This is a story of a man attempting not to go mad when forced to stop his own writing in order to coach others to write. Proctor's tour of rural places, pubs, theaters, fancy parties, where he is to be headlining as a Banker-Prize-Winning-Author reads like a literary version of Spinal Tap. Uproariously funny, brilliantly philosophical, gorgeously written this is James Kelman at his best.
Not Not While the Giro is James Kelman's first major collection of short stories originally published by Polygon in 1983. The reader follows the lives of young men, social misfits, whose lives are spent waiting waiting for their next giro or menial job in the pub, the dole office, the snooker table and the greyhound track. This collection, written with irony and great tenderness, confirmed James Kelman's status as one of the most significant writers in the UK, and remains as powerful, relevant and truthful as it was in the early 1980s. -- Amazon.com
Each selection of stories is preceded by a detailed portrait, drawn by Gray, above a reproduction of the writer's signature. The collection ends, as do so many of Gray's books, with a chapter detailing how the book got written. Postscript is a detailed memoir of Gray and Kelman, among others, attending Philip Hobsbaum's writing group in the 70s and their friendship with Agnes Owens. Gray had agreed to produce another collection of short stories, but didn't have enough written to fill a book on his own. So he used his position to help friends that he thoughts deserved the boost of publication by a major London-based publishing house. His decision has since been vindicated and the collection is seen as an early display of three talents that would be of great importance to the boom in Scottish writing in the late-80s/early-90s. Owens has since had several well-received novels published and Kelman has won the Booker prize.
From the Booker Prize-winning James Kelman, 'Dirt Road is about coming of age, grief and the folk music of the American deep south' Daily Telegraph
Featuring 35 short stories, this collection showcases works that evoke comparisons to literary giants like James Joyce and Kafka. Most of these stories are published in the U.S. for the first time, offering readers fresh perspectives and rich narratives that explore complex themes and human experiences. The blend of unique storytelling and profound insights makes this anthology a significant addition to contemporary literature.
Patrick Doyle, a Glasgow schoolteacher drowning in despair, can no longer control his students or his life and retreats into the world of corrugated cardboard pipes--a musical sanctuary of his own invention.
Jeremiah Brown, a 34-year-old Scot, gambler and drifter, has lived in the USA for several years, fathering a child by a now defunct relationship. He is about to make his first trip home in years when he recalls a time with his ex-girlfriend, and the memories then keep rolling.
Winner of the 1994 Booker Prize, this witty, controversial, and brilliant bestselling novel has been compared to the works of Joyce, Beckett, and many other masters.A raw, wry vision of human survival in a bureaucratic world, "How Late It Was, How Late" opens one Sunday morning in Glasgow, Scotland, as Sammy, an ex-convict with a penchant for shoplifting, awakens in a lane and tries to remember the two-day drinking binge that landed him there. Then, things only get worse. Sammy gets in a fight with some soldiers, lands in jail, and discovers that he is completely blind. His girlfriend disappears, the police probe him endlessly, and his stab at Disability Compensation embroils him in the Kafkaesque red tape of the welfare system. A masterpiece of black humor, subtle political parody, and Scottish lower-class vernacular "How Late It Was, How Late" is a classic-to-be from one of today's most talented novelists. "A work of marvelous vibrance and richness of character...It convinces, it charms, it entertains, it informs and it has life."-- "New York Times Book Review" "Witty, irreverent and thoroughly engrossing...Kelman is a major talent, and this is a bold, highly accomplished novel."-- "San Francisco Sunday Examiner and Chronicle"
Sammy's week takes a turn for the worse as he loses his wallet and shoes, gets arrested and beaten by the police, and ends up blind. He recalls a fight with his girlfriend, but she has vanished, and his troubles are just starting.
Kelman is on another level to most of the living writers in the UK Guardian
Robert Hines wünscht sich nichts sehnlicher, als vom Busschaffner zum Busfahrer aufzusteigen. In den Augen seiner Vorgesetzten jedoch findet er wenig Gnade, denn er tut sich schwer mit den Dienstvorschriften der Glasgower Verkehrsbetriebe. Mit dem Verkauf der Fahrkarten nimmt er es nicht so genau, oft tritt er seinen Dienst mit Verspätung an, und mit seinen Vorgesetzten streitet er sich tagtäglich herum ... Die komischen und traurigen Episoden im Leben des Busschaffners Hines erzählen von einer Welt, an der das Glück vorüberzugehen scheint ...
Tato chytrá knížka by neměla chybět v knihovničce malého sportovce. Přehledným způsobem vysvětluje základní pravidla fotbalu, seznamuje čtenáře s fotbalovým hřištěm, hráči, rozhodčími a popisuje důležité momenty hry. Text je doprovázen množstvím názorných ilustrací a pohyblivých 3D obrázků, kartiček a výsuvných vysvětlivek. Dítě tak zábavnou formou pozná zákonitosti a tajemství nejpopulárnějšího sportu na světě.
