Published to coincide with the major release of HBO's upcoming film Hemingway and Gellhorn, starring Nicole Kidman and Clive Owen. číst celé
Michael Reynolds Books






Hemingway - The Homecoming
- 264 pages
- 10 hours of reading
The 1920s in Paris are the pivotal years in Hemingway's apprenticeship as a writer, whether sitting in cafes or at the feet of Gertrude Stein.
Set against the tumultuous backdrop of Cuban revolutions and the Spanish Civil War, the book delves into Ernest Hemingway's evolution as a writer during a pivotal period. It explores his experimentation with both fiction and nonfiction, highlighting significant works like Death in the Afternoon and Green Hills of Africa. The narrative offers an intimate portrayal of Hemingway, capturing his essence and the influences that shaped his literary journey, making readers feel as if they are experiencing his world firsthand.
Hemingway - The Final Years
- 416 pages
- 15 hours of reading
Hemingway's triumphs as a writer during the 1940s and 1950s accompanied a life of risk and danger.
The autobiography of an outstanding post-war soldier.
Hemingway - The Paris Years
- 402 pages
- 15 hours of reading
These are the heady times of the Nick Adams short stories, Fitzgerald's The Great Gatsby, and the writing of The Sun Also Rises. These are also the years of Hemingway's first marriage to Hadley Richardson, the birth of his first son, and his discovery of the bullfights at Pamplona.
The Young Hemingway
- 291 pages
- 11 hours of reading
The Young Hemingway will entertain and surprise. Not only is it a significant contribution to Hemingway critical biography, but it should rank as one of the best nonfiction books of the year.-Los Angeles Times
Navigating grief can feel overwhelming, leaving hope seemingly out of reach. This book offers reassurance that even during the darkest times, there is a promise of brighter days ahead. It emphasizes resilience and the possibility of healing, encouraging readers to believe in their ability to overcome life's challenges.
The book provides a detailed exploration of the creation of Der Rosenkavalier between 1909 and 1910, highlighting its origins in the 1907 French opérette, L'Ingenu libertin. It delves into the artistic influences and transformations that shaped the operatic masterpiece, offering insights into the creative process and the cultural context of the time. This account serves as a valuable resource for understanding the connections between these two works and the evolution of operatic storytelling.
