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Donald Barthelme

    April 7, 1931 – July 23, 1989

    Donald Barthelme was a distinctive voice in postmodern literature, known for his experimental narratives and a unique blend of the absurd and the profound. His work often explores themes of alienation, the fragmentation of modern life, and the search for meaning in a chaotic world. Barthelme's distinctive style is characterized by its innovative use of language, playful yet often melancholic tone, and a masterful deconstruction of traditional storytelling. His influence on contemporary fiction is undeniable, inviting readers to reconsider the very nature of reality and narrative.

    Donald Barthelme
    Sadness
    Snow White
    Modern Short Stories
    The King
    Sixty Stories
    Donald Barthelme: Collected Stories (Loa #343)
    • This collection showcases the work of a twentieth-century master who transformed the short story genre with his innovative narratives. Each tale reflects his unique style and creativity, offering readers a glimpse into the unforgettable characters and themes that define his literary legacy. The compilation serves as both a tribute to his influence and a comprehensive exploration of his contributions to storytelling, making it essential for fans of the genre.

      Donald Barthelme: Collected Stories (Loa #343)
    • Sixty Stories

      • 480 pages
      • 17 hours of reading
      4.2(462)Add rating

      Audacious and murderously witty, this collection features sixty stories that blend American culture with urban upheavals, transforming them into frontier myths. The narratives include surreal travelogues reminiscent of Kafka, alongside cryptic dialogues that explore deep human emotions and existential concerns. Barthelme's mastery of language and perception creates an unsettling yet irresistible reading experience, showcasing his unique ability to capture the complexities of contemporary life.

      Sixty Stories
    • The King

      • 160 pages
      • 6 hours of reading

      An alternative history in fiction form which explores such concepts as the function of myth in history and the role of royalty in the modern world. King Arthur is rediscovered doing battle with the Nazis, and the grail to end all wars appears to be a bomb.

      The King
    • Modern Short Stories

      • 219 pages
      • 8 hours of reading
      3.5(56)Add rating

      This collection is a companion to the long-established and highly successful Modern Short Stories One and its essential aims are the same: to offer stories of high literary quality which, though written for adults, can be enjoyed and appreciated by adolescents. The fifteen stories included are by distinguished writers from Africa, America, Australia, India, Ireland, Italy and Great Britain; and within their artistic context several of them deal with the special personal and social concerns of society today.The collection includes stories by the likes of Dorothy Parker, Maeve Binchy, Garrison Keillor, Peter Carey, Flannery O'Connor and Nadine Gordimer.

      Modern Short Stories
    • Donald Barthelme is a puckish player with language, a writer of short but endlessly rewarding comic gems, a thinker and an experimenter. In these nine short stories, whether writing about a hairy, donkeyish king or a touching, private gesture of city-sized proportions, his is a surreal, deadpan genius.

      Some of Us Had Been Threatening Our Friend Colby
    • Forty Stories

      • 256 pages
      • 9 hours of reading

      This collection of pithy, brilliantly acerbic pieces is a companion to Sixty Stories, Barthelme's earlier retrospective volume. Barthelme spotlights the idiosyncratic, haughty, sometimes downright ludicrous behavior of human beings, but it is style rather than content which takes precedence.

      Forty Stories
    • Paradise

      • 208 pages
      • 8 hours of reading

      Simon, a middle-aged architect separated from his wife, is given the chance to live out a stereotypical male fantasy: freed from the travails of married life, he ends up living with three nubile lingerie models who use him as a sexual object.Set in the 1980s, there's a further tension between Simon's desire to exploit this stereotypical fantasy and his (as well as the author's) desire to treat the women as human beings, despite the women's claims that Simon can't distinguish between their personalities.Employing a variety of forms, Barthelme gracefully plays with this setup, creating a story that's not just funny—although it's definitely that—but actually quite melancholy, as Simon knows that the women's departure is inevitable, that this "paradise" will come to an end, and that he'll be left with only an empty house, booze, and regrets about chances not taken.

      Paradise