McKenzie Wark Book order

A breathtaking memoir of transition, history, art, and memory

McKenzie Wark takes readers into the undisclosed locations of New York's thriving queer rave scene, showing how raving to techno is an art and technique at which queer and trans bodies might be particularly adept, but which is for anyone who lets the beat seduce them.

McKenzie Wark combines an autobiographical account of her relationship with Kathy Acker with her transgender reading of Acker's writing to outline Acker's philosophy of embodiment and its importance for theorizing the trans experience.

Exploring the intersection of design, politics, and environmentalism, this work examines influential thinkers and their ideas shaping a sustainable future amid the challenges of the Anthropocene. It delves into how design can address ecological crises and foster social change, highlighting innovative approaches that redefine our relationship with the environment. By analyzing contemporary practices and philosophies, the book offers insights into rebuilding a more sustainable world, making it essential reading for those interested in environmental design and policy.

Design, Politics, the Environment: a survey of the key thinkers and ideas that are rebuilding the world in the shadow of the anthropocene

McKenzie Wark invents a new genre for another gender: not a memoir but an auto-ethnography of the opacity of the self.

It's not capitalism, it's not neoliberalism-what if it's something worse?

What has happened to the public intellectuals that used to challenge and inform us? Who is the Sartre, de Beauvoir or Stuart Hall of the present age? In General Intellects, McKenzie Wark introduces us to 21 thinkers who are transforming the landscape of ideas in the 21st century, covering topics such as politics, culture, psychoanalysis, the anthropocene, and the 'nonhuman'.

Of all the 'liberation movements' of the twentieth century, the one that succeeded beyond anyone's wildest dreams did not liberate a class or a gender or a race. It liberated an element: carbon. Today, the 'carbon liberation front' threatens to crash the entire climate system. In Molecular Red, Wark looks for a way to understand, and perhaps even combat, this implacable force. He revisits the work of Alexander Bogdanov--Lenin's rival--and the great proletkult writer and engineer Andrei Platonov. In this reading, the Soviet experiment emerges from the past as an allegory for our time. Moving toward the present, Wark reads Donna Haraway's cyborg critique and science fiction writer Kim Stanley Robinson's Martian utopia as powerful resources for thinking what the carbon liberation front has wrought

Over fifty years after the Situationist International appeared, its legacy continues to inspire activists, artists and theorists around the world. Such a legend has accrued to this movement that the story of the SI now demands to be told in a contemporary voice capable of putting it into the context of twenty-first-century struggles. McKenzie Wark delves into the Situationists’ unacknowledged diversity, revealing a world as rich in practice as it is in theory. Tracing the group’s development from the bohemian Paris of the ’50s to the explosive days of May ’68, Wark’s take on the Situationists is biographically and historically rich, presenting the group as an ensemble creation, rather than the brainchild and dominion of its most famous member, Guy Debord. Roaming through Europe and the lives of those who made up the movement – including Constant, Asger Jorn, Michèle Bernstein, Alex Trocchi and Jacqueline De Jong – Wark uncovers an international movement riven with conflicting passions. Accessible to those who have only just discovered the Situationists and filled with new insights, The Beach Beneath the Street rereads the group’s history in the light of our contemporary experience of communications, architecture, and everyday life. The Situationists tried to escape the world of twentieth-century spectacle and failed in the attempt. Wark argues that they may still help us to escape the twenty-first century, while we still can.