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Steven Heller

    July 7, 1950

    Steven Heller is a distinguished author and critic whose work delves into the rich landscape of graphic design, illustration, and political art. He rigorously examines the historical currents, theoretical underpinnings, and practical applications that shape visual communication. Heller's writing is distinguished by its insightful analysis of how design influences society and culture, connecting artistic movements to their broader contexts. His prolific output offers readers a profound understanding of the complexities and power of the visual world.

    Paul Rand
    Merz to Emigré and Beyond
    Milton Glaser, POP
    Iron Fists
    60s All-American Ads
    Born modern : the life and work of Alvin Lustig
    • Alvin Lustig was modern before it was cool. But there has never been a monograph devoted to his work—until now. A genius best known for his book covers and interior design, his theories on design education were precursors to the curricula of some of the most renowned design schools today. Lustig lent his imaginative vision and talent to a wide range of legendary projects, from the groundbreaking architecture of 1940s Los Angeles to magazine covers that have become collector's items. Spanning the breadth of Lustig's tragically brief but prolific career, Born Modern is a must-have for any student or practitioner of design, as well as anyone interested in the history of American visual culture.

      Born modern : the life and work of Alvin Lustig
    • 60s All-American Ads

      • 960 pages
      • 34 hours of reading
      4.4(98)Add rating

      This text offers a colourful plethora of American advertisements and newspaper articles from the swinging 60's for just about anything the dollar could buy.

      60s All-American Ads
    • Iron Fists

      • 224 pages
      • 8 hours of reading
      4.5(18)Add rating

      An illustrated history of propaganda art and design from Nazi Germany, Fascist Italy, the USSR, and Communist China.

      Iron Fists
    • Milton Glaser, POP

      • 288 pages
      • 11 hours of reading
      4.5(12)Add rating

      An overview of the work of illustrator and designer Milton Glaser during the 1960s and 70s From 1954, when he co-founded the legendary Push Pin Studios, to the late '70s, Milton Glaser was one of the most celebrated graphic designers of his day, whose work graced countless book and album covers, posters, magazine covers, and advertisements, both famous and little-known. Glaser largely defined the international visual style for illustration, advertising, and typeface design and interest in his legacy continues unabated, with modern creatives acknowledging his influence; for example, in 2014 Mad Men creator Matthew Weiner enlisted Glaser to design the ad campaign and branding for the show's final season. His renowned work garnered solo exhibitions at the Centre Georges Pompidou in Paris and the Museum of Modern Art in New York. Creator of the iconic 'I love NY' logo (featuring a heart symbol in place of the word 'love') and cofounder of New York magazine, Glaser received numerous accolades and lifetime achievement awards. Across thousands of works across all print media, he invented a graphic language of bright, flat color, drawing and collage, imbued with wit. This collection of work from Glaser's Pop period features hundreds of examples of his design that have not been seen since their original publication, demonstrating the graphic revolution that transformed design and popular culture.

      Milton Glaser, POP
    • Merz to Emigré and Beyond

      Avant-Garde Magazine Design of the Twentieth Century

      • 240 pages
      • 9 hours of reading
      4.4(31)Add rating

      Exploring the life of the artist and writer Kurt Schwitters, this book delves into his innovative contributions to the Dada movement and the evolution of his work from Merz to his later emigration. It highlights Schwitters' unique artistic techniques, his response to political upheaval, and the impact of his experiences as a refugee on his creativity. The narrative offers insights into his relationships with other artists and the broader cultural landscape of his time, making it a compelling study of resilience and artistic expression.

      Merz to Emigré and Beyond
    • A definitive study of a pioneering figure in American graphic design. schovat popis

      Paul Rand
    • New Modernist Type

      • 272 pages
      • 10 hours of reading
      4.4(20)Add rating

      Classic modern design never goes out of style: it is merely retired or subtly adapted to its given place and time. This collection reveals how a graphic language of simplicity and economy has impacted contemporary design.

      New Modernist Type
    • The Moderns

      • 336 pages
      • 12 hours of reading
      4.3(18)Add rating

      The first comprehensive survey of Midcentury Modern graphic design in America

      The Moderns
    • 20s : all-American ads

      • 640 pages
      • 23 hours of reading
      4.3(48)Add rating

      Amerika: Wiege der Konsumgesellschaft & Brutstätte der “roaring twenties”, eine wilde Zeit, eingezwängt zwischen zwei Weltkriegen, bei der das Land mit Pauken und Trompeten in die große Depression hineinrast. Die Werbung in den 20ern wähnt sich in der Rolle eines modernen Dampfschiffs im Fahrwasser des Fortschritts. Hinter sich: eine antiquierte Welt – am Horizont: die Zukunft. Die Avantgarde bandelt mit dem Mainstream an: es folgt eine äußerst kreative und künstlerisch wertvolle Phase in der Geschichte der Werbung!

      20s : all-American ads