Trained as a theologian, David perpetually contemplates the divine. In his multifaceted roles as a father, grandfather, college instructor, Sunday school teacher, poet, and writer, he endeavors to envision God in ways that are both helpful and hopeful. This work distills insights from his theological studies into a narrative that is deceptively simple yet profoundly insightful.
An artist's book by the renowned Swiss duo dedicated to the questions that everyone asks themselves once in a Can something be unbelievable? Should I get drunk? Could I be Japanese? Is the freedom of birds overrated? Am I a farmer in winter? Does unease grow by itself? Should I crawl into my bed and stop producing things all the time?
You could say that Little Mirror is a book-length conversation with an inanimate object. Or you could say it's a monologue in forty-seven fragments told to a different kind of fragment--a piece of mirrored glass. Or it's a confession made to a listener who cannot hear. Or a cri de coeur to a fellow traveler who cannot feel. Or a series of meditations on failure and grace and how to live, addressed to a companion who can reflect but not reflect on. This is a book whose plain talk with a thing of little value becomes a refiner's fire to burn away self-deception and dishonesty and replace it with clarity.
This new collection showcases David Weiss's poetic voice, building on the themes and styles established in his previous work, Per Diem. Readers can expect a blend of introspective reflections and vivid imagery, exploring the nuances of everyday life and the complexities of human experience. Weiss's unique perspective invites readers to engage deeply with each poem, revealing layers of meaning and emotion.
Curating Experience: An Exhibition Curated by Graduating Students on the Curating Contemporary Art MA.
Naked Came I portrays Rodin as driven to be an artist because his temperament would allow him to be nothing else. It shows him as a friend with other Parisian artists such as Edgar Degas, Auguste Renoir, Édouard Manet, and those of the Second French Empire associated with the Salon des Refusés: they were generally outside the Paris art establishment, and had been refused admission to the École des Beaux Arts.
Der Venezianer - Ein Tizian Roman - bk297; Droemer Knaur Verlag; David Weiss; pocket_book; 1980
