Michael Ondaatje Book order (chronological)

With A Year of Last Things, acclaimed novelist Michael Ondaatje returns to poetry, looking back on a life of displacement and discovery'My life always stops for a new book by him' JHUMPA LAHIRI, author of The Namesake'Timeless... Remarkable, incomparable' TERRANCE HAYES, author of So to SpeakBorn in Sri Lanka during the Second World War, Ondaatje was sent as a child to school in London, and later moved to Canada. While he has lived there since, these poems reflect the life of a writer, traveller and watcher of the world - describing himself as a 'mongrel', someone born out of diverse cultures.Here, rediscovering the influence of every border crossed, he moves back and forth in time, from a childhood in Sri Lanka to Moliere's chair during his last stage performance, from icons in Bulgarian churches to the Californian coast and loved Canadian rivers, merging memory with the present, looking back on a life of displacement and discovery, love and loss. As he writes in the opening poem:Reading the lines he loveshe slips them into a pocket,wishes to die with his clothesfull of torn-free stanzasand the telephone numbersof his children in far citiesPoetry - where language is made to work hardest and burns with a gem-like flame - is what Ondaatje has returned to in this intimate history.

From the internationally acclaimed, best-selling author of The English Patient: a mesmerizing new novel that tells a dramatic story set in the decade after World War II through the lives of a small group of unexpected characters and two teenagers whose lives are indelibly shaped by their unwitting involvement. In a narrative as beguiling and mysterious as memory itself-- shadowed and luminous at once--we read the story of fourteen-year-old Nathaniel, and his older sister, Rachel. In 1945, just after World War II, they stay behind in London when their parents move to Singapore, leaving them in the care of a mysterious figure named The Moth. They suspect he might be a criminal, and they grow both more convinced and less concerned as they come to know his eccentric crew of friends: men and women joined by a shared history of unspecified service during the war, all of whom seem, in some way, determined now to protect, and educate (in rather unusual ways) Rachel and Nathaniel. But are they really what and who they claim to be? And what does it mean when the siblings' mother returns after months of silence without their father, explaining nothing, excusing nothing? A dozen years later, Nathaniel begins to uncover all that he didn't know and understand in that time, and it is this journey--through facts, recollection, and imagination--that he narrates in this masterwork from one of the great writers of our time.

"The Palestine Festival of Literature was established in 2008. Bringiong together writers from all corners of the globe, it aims to help Palestinians break the cultural siege imposed by the Isreali military occupation, to strengthen their artistic links with the the rest of the world."--Book flap

Die Harenberg Bild-Tageskalender zeigen mehr als nur das Datum: An allen Tagen des Jahres exzellente Fotos auf den Vorderseiten und dazu informative Texte auf den Rückseiten - so lautet das bewährte Erfolgskonzept. Der Harenberg Bild-Tageskalender "Literatur" öffnet die Tür ins Reich der Bücher: Autorenporträts, Buch-Umschläge und -Illustrationen, Dokumente und Szenenfotos zeigen, wer oder was Rang und Namen in der Literatur hat.§Auf den Vorderseiten: täglich faszinierende Bilder; klares Kalendarium; kurze Bilderklärungen. Auf den Rückseiten: Hintergrundinformationen zum Bild des Tages; Sternzeichen und Namenspatrone; Auf- und Untergangszeiten von Sonne und Mond. Der Serviceteil im Anhang: Register mit allen Einzelthemen des jeweiligen Kalenders; Übersichten; Schulferien für Deutschland und Österreich.§

In the early 1950s, an eleven-year-old boy in Colombo boards a ship bound for England. At mealtimes he is seated at the 'cat's table' - as far from the Captain's Table as can be - with a ragtag group of 'insignificant' adults and two other boys, Cassius and Ramadhin. As the ship makes its way across the Indian Ocean, through the Suez Canal, into the Mediterranean, the boys tumble from one adventure to another, bursting all over the place like freed mercury. But there are other diversions as well: one man talks with them about jazz and women, another opens the door to the world of literature. The narrator's elusive, beautiful cousin Emily becomes his confidante, allowing him to see himself - with a distant eye - for the first time, and to feel the first stirring of desire. Another Cat's Table denizen, the shadowy Miss Lasqueti, is perhaps more than what she seems. And very late every night, the boys spy on a shackled prisoner, his crime and his fate a galvanizing mystery that will haunt them forever. As the narrative moves between the decks and holds of the ship and the boy's adult years, it tells a spellbinding story - by turns poignant and electrifyin - about the magical, often forbidden, discoveries of childhood and a lifelong journey that begins unexpectedly with a spectacular sea voyage.

In the early 1950s, an eleven-year-old boy boards a huge liner bound for England – a ‘castle that was to cross the sea’. At mealtimes, he is placed at the lowly ‘Cat's Table’ with an eccentric group of grown-ups and two other boys, Cassius and Ramadhin. As the ship makes its way across the Indian Ocean, through the Suez Canal, into the Mediterranean, the boys become involved in the worlds and stories of the adults around them, tumbling from one adventure and delicious discovery to another, ‘bursting all over the place like freed mercury’. And at night, the boys spy on a shackled prisoner – his crime and fate a galvanizing mystery that will haunt them forever. As the narrative moves from the decks and holds of the ship and the boy’s adult years, it tells a spellbinding story about the difference between the magical openness of childhood and the burdens of earned understanding – about a life-long journey that began unexpectedly with a spectacular sea voyage, when all on board were ‘free of the realities of the earth’. With the ocean liner a brilliant microcosm for the floating dream of childhood, The Cat’s Table is a vivid, poignant and thrilling book, full of Ondaatje’s trademark set-pieces and breathtaking images: a story told with a child’s sense of wonder by a novelist at the very height of his powers.

A spellbinding story about the magical and often forbidden discoveries of childhood unfolds during an unexpected sea voyage in the early 1950s. An eleven-year-old boy in Colombo boards a ship to England, seated at the "cat's table" with a motley group of "insignificant" adults and two other boys, Cassius and Ramadhin. As they journey across the Indian Ocean, through the Suez Canal, and into the Mediterranean, the boys embark on a series of adventures, bursting with energy and curiosity. They engage with diverse characters: one shares insights on jazz and women, another introduces them to literature. The boy's captivating cousin Emily becomes a confidante, helping him see himself "with a distant eye" and experience the first stirrings of desire. Another intriguing figure, the enigmatic Miss Lasqueti, hints at deeper mysteries. Late at night, the boys spy on a shackled prisoner, whose crime and fate become a haunting enigma. The narrative weaves between the ship's decks and the boy's adult years, creating a poignant and electrifying tale of childhood's magical discoveries and the lifelong journey that begins with this extraordinary voyage.

Certain special places move us at a profound level with a kind of inner beauty that puts us in direct touch with the spirit. It might be a temple, a church, a commemorative monument, a wayside shrine or a landscape feature that is saturated in the ambience of ancient sacred traditions. Such places are worth taking the trouble to visit. They add meaning to our lives, awakening a sense of awe, beauty or tranquillity. Accompanying the superb photographs are evocative descriptions of each place, many of them from esteemed writers who share with us their personal responses in their inimitable style