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Guy Debord

    December 28, 1931 – November 30, 1994

    Guy Debord was a French Marxist theorist whose work explored the spiritual decline of modern life driven by economic forces. He conceptualized the 'spectacle' as social relations mediated by images, which he argued leads to alienation. This alienation, Debord posited, is not merely a psychological state but a consequence of social organization reaching its apex in capitalism. His writings delve into how the pervasive influence of images and consumer culture erodes genuine human connection.

    Guy Debord
    Panegyrikus. Hrsg. v. Klaus Bittermann
    Panegyric
    Society of the Spectacle
    Correspondence
    The Real Split in the International: Theses on the Situationist International and Its Time, 1972
    Comments on the Society of the Spectacle
    • 2011

      First published in 1967, Guy Debord’s stinging revolutionary critique ofcontemporary society, The Society of the Spectacle has since acquired acult status. Credited by many as being the inspiration for the ideasgenerated by the events of May 1968 in France, Debord’s pitiless attackon commodity fetishism and its incrustation in the practices of everydaylife continues to burn brightly in today’s age of satellite televisionand the soundbite. In Comments on the Society of the Spectacle, publishedtwenty years later, Debord returned to the themes of his previousanalysis and demonstrated how they were all the more relevant in aperiod when the “integrated spectacle” was dominant. Resolutely refusingto be reconciled to the system, Debord trenchantly slices through thedoxa and mystification offered tip by journalists and pundits to showhow aspects of reality as diverse as terrorism and the environment, theMafia and the media, were caught up in the logic of the spectacularsociety. Pointing the finger clearly at those who benefit from the logicof domination, Debord’s Comments convey the revolutionary impulse atthe heart of situationism.

      Comments on the Society of the Spectacle
    • 2009

      Guy Debord’s silver-tongue-in-cheek autobiography mixes precision and pastiche in a whirlwind account of philosophy, exploit, and inebriation. From the stark professions of Volume I to the illustrated sequences of Volume 2, Panegyric confronts us with a figure who strategically, demonically tried to wrest life from the disabling modern ‘spectacle.’

      Panegyric
    • 2008

      Letters by writer, filmmaker, and cultural revolutionary Guy Debord conjure a vivid picture of the dynamic first years of the Situationist International movement.

      Correspondence
    • 2003

      This official English translation presents a seminal work by the French Situationists, highlighting the influential ideas of Guy Debord. The text delves into the critique of contemporary society, exploring themes such as spectacle, alienation, and the commodification of everyday life. It offers a unique perspective on modernity and challenges conventional thought, making it an essential read for those interested in philosophy and social theory.

      The Real Split in the International: Theses on the Situationist International and Its Time, 1972
    • 1984

      The Das Kapital of the 20th century. An essential text, and the main theoretical work of the situationists. Few works of political and cultural theory have been as enduringly provocative. From its publication amid the social upheavals of the 1960's up to the present, the volatile theses of this book have decisively transformed debates on the shape of modernity, capitalism, and everyday life in the late 20th century. This new edition is the Ken Knabb translation. Certainly it has the most "modern" design of all three editions, as well as a short new introduction from the translator.

      Society of the Spectacle