Sarah Dunant is an award-winning thriller writer whose novels are set in Renaissance Italy. She explores women’s lives through the lenses of art, sex, and religion, uncovering their hidden worlds. Her incisive commentary on history and culture brings the past to life with compelling vividness and intellectual depth. Dunant offers a unique and accessible lens into a pivotal era of European history.
Sarah Dunant's sparkling novel, In the Name of the Family, is girded by a keen political intelligence and a stunning feel for Italy in the years around 1500 Lauro Martines, Emeritus Professor off European history at University of California and one of world's foremost authorities on the Italian Renaissance
The two-and-a-half centuries after 1066 were momentous ones in the history of Britain. In 1066 England was conquered for the last time. The Anglo-Saxon ruling class was destroyed and the English became a subject race dominated by a Norman-French dynasty and aristocracy. This book shows how the English domination of the kingdom was by no means a foregone conclusion.
By the end of the fifteenth century, the beauty and creativity of Italy is matched only by its brutality and corruption. When Cardinal Rodrigo Borgia buys his way into the papacy, he is defined not just by his wealth, charisma and power, but by his blood: a Spanish Pope in a city run by Italians. If he is to succeed, he must use his Machiavellian son and innocent daughter. Stripping away the myths around the Borgias, Blood & Beauty breathes life into the astonishing family of Alexander VI and celebrates the raw power of history itself: compelling, complex, and relentless.
The BP Portrait Award, now in its nineteenth year, is a popular fixture on the summer calendar, and is the leading showcase for artists specializing in portraiture. The competition is open to all artists aged eighteen and over from around the world. The 2008 award received 1,600 entrants, all competing for the main prize of GBP25,000 and a possible commission.
1570 in the Italian city of Ferrara. Sixteen-year-old Serafina is fipped by her family from an illicit love affair and forced into the convent of Santa Caterina, renowned for its superb music. Serafina's one weapon is her glorious voice, but she refuses to sing. Madonna Chiara, an abbess as fluent in politics as she is in prayer, finds her new charge has unleased a power play - rebellion, ecstasies and hysterias - within the convent. However, watching over Serafina is Zuana, the sister in charge of the infirmary, who understands and might even challenge her incarceration. 'The reader is never allowed to forget the importance of this one girl's destiny, nor is the sense of suspense ever allowed to slacken. Will she escape back into a world where pleasure is not viewed as a sin? . . . Sacred Hearts masterfully creates a world' Donna Leon, Guardian 'It's a battle of wits, feminine duplicity and politics . . . a resonant narrative tension is set up between youth and age, science and superstition, love and chastity . . . A novel that is as intelligent as it is enjoyable' Amanda Craig, Daily Telegraph
1527. While the Papal city of Rome burns - brutally sacked by an invading army including Protestant heretics - two of her most interesting and wily citizens slip away, their stomachs churning on the jewels they have swallowed as the enemy breaks down their doors. Though almost as damaged as their beloved city, Fiammetta Bianchini and Bucino Teodoldi - a fabulous courtesan and her dwarf companion - are already planning their future. They head for the shimmering beauty of Venice, a honey pot of wealth and trade where they start to rebuild their business. As a partnership they are invincible: Bucino, clever with a sharp eye and a wicked tongue and Fiammetta, beautiful and shrewd, trained from birth to charm, entertain and satisfy men who have the money to support her. Venice, however, is a city which holds its own temptations. From the admiring Turk in search of human novelties for his Sultan's court, to the searing passion of a young lover who wants more than his allotted nights. But the greatest challenge comes from a young blind woman, a purveyor of health and beauty, who insinuates her way into their lives with devastating consequences for them all.
Recognized for her exceptional writing, Sarah Dunant's Fatlands introduces readers to Hannah Wolfe, a compelling detective navigating a complex mystery. Set against a backdrop that foreshadows the author's later success, this novel showcases Dunant's skill in crafting intricate plots and engaging characters, earning her the Silver Dagger award.
Alessandra is not quite fifteen when her prosperous merchant father brings a young painter back with him from Holland to adorn the walls of the new family chapel. She is fascinated by his talents and envious of his abilities and opportunities to paint to the glory of God. Soon her love of art and her lively independence are luring her into closer involvement with all sorts of taboo areas of life. On excursions into the streets of night-time Florence she observes a terrible evil stalking the city and witnesses the rise of the fiery young priest, Savanarola, who has set out to rid the city of vice, richness, even art itself. Alessandra must make crucial decisions about the shape of her adult life, as Florence itself must choose between the old ways of the luxury-loving Medicis and the asceticism of Savanorola. And through it all, there is the painter, whose love will change everything.
Hannah Wolfe, eine Londoner Detektivin, wird auf eine Schönheitsfarm geschickt, um Sabotageakte aufzuklären. Doch bald wird die Situation ernst, als ein Toter gefunden wird.
