Margaret Laurence delves into the complexities of human existence on the Canadian prairies through the fictional town of Manawaka. Her works explore the inner lives of characters with profound depth, examining themes of identity, memory, and resilience in the face of life's challenges. Laurence approaches her writing with keen psychological insight, deftly capturing the nuances of the human experience. Her prose is characterized by rich, evocative language and a commitment to psychological realism.
The book presents a lyrical exploration of growing up through eight interconnected stories centered around Vanessa MacLeod. Set against a backdrop of natural beauty, it delves into themes of family dynamics, love, and the complexities of transitioning into womanhood. Each finely crafted narrative contributes to a cohesive and emotionally resonant portrayal of a girl's journey, highlighting both the joys and struggles of her experiences. This work stands out for its poignant and compassionate storytelling.
Set against the backdrop of post-colonial Ghana, the ten stories explore the lives of both European and African characters grappling with the challenges of newfound freedom. Laurence vividly contrasts modernity with traditional tribal customs, creating a rich tapestry of cultural conflict. Her compassionate storytelling reveals the struggles and resilience of individuals navigating a rapidly changing world, showcasing her talent for capturing the complexities of human experience in a vibrant and often unsettling environment.
Set against the backdrop of Ghana's independence in 1957, the novel explores themes of self-betrayal, self-discovery, and political awakening. Through rich characterizations, it delves into the complexities of exile and community, reflecting the vibrant culture of the Gold Coast. This work not only stands out as Laurence's debut but also foreshadows the themes and depth found in her later Manawaka series, leaving a lasting impact on readers akin to the rhythmic sounds of Ghanaian drums.
Best known for her novels about the Canadian prairie, Margaret Laurence began her career writing about West Africa. Based on her experience living with her husband on the Gold Coast (now Ghana) in the years just before independence, This Side Jordan confronts issues of race relations, sexism, and colonial exploitation. This lyrical, vivid novel addresses all of the tensions of the time: the excitement, anticipation, and dread felt by both the Africans and the English as they confronted a new order. The book’s hero, a school teacher torn between duty to his tribe and aspirations for his country’s future in the modern world, names his son “Joshua” as a sign of hope that he will claim and enjoy his homeland. This Side Jordan anticipates many of the political and racial issues that were to plague Ghana over the next fifty years. Evocative and poignant, it is a subtle study of the effects of colonialism, culture clash, and the resilience of hope in new political identity. “Highly recommended as a good and timely read.”—Library Journal
"Ross' style is always beautifully matched to his material - spare, lean, honest, no gimmicks, and yet in its very simplicity setting up continuing echoes in the mind." - Margaret Laurence --Book Jacket.
Hagar Shipley, a proud and irascible nonagenarian, retreats in the face of her approaching death and the bitter squabbling of her son and his wife to reflect on her past - her childhood marriage to tough-talking Bram Shipley, her two sons, the harshness of farm life on the prairie, her own failures and the failures and betrayals of others. A bloody minded and independent woman to the end, she embarks on a final wild escapade.
" ... a compelling journey seen through the eyes of a woman nearing the end of her life. At ninety, Hagar Shipley speaks movingly of the perils of growing old and reflects with bitterness, humor, and a painful awareness of her own frailties on the life she has led. From her childhood as the daughter of a respected merchant, to her rebellious marriage, Hagar has fought a long and sometimes misguided battle for independence and respect. In the course of examining and trying to understand the shape her life has taken, her divided feelings about her husband, her passionate attachment to one son and her neglect of another, she is sometimes regretful, but rarely penitent. Asking forgiveness from neither God nor those around her, she must still wrestle with her own nature: 'Pride was my wilderness, and the demon that led me there was fear.' She has been afraid of being unrespectable, afraid of needing too much, afraid of giving too much, and her pride is both disturbing and inspiring."--500 Great Books by Women; review by Sonja Larsen.
