Robin Wood was a distinguished film critic and educator whose work delves deeply into the analysis of filmmakers and their oeuvres. His writing is characterized by a sharp insight into cinematic styles and themes, exploring the motivations behind creation and uncovering universal concerns within diverse filmic landscapes. Shaped by his academic and editorial contributions, Wood's approach has influenced generations of film scholars and enthusiasts. His legacy lies in his meticulous examination of the art of cinema and his ability to illuminate complex film theories for a broad audience.
Presenting an account of the history of the wooden bowl, this book details evidence of the turners craft dating back 4000 years, and also looks at the development of lathe technology, as well as the tools and timbers used. It also features photographs that show priceless, gold-adorned vessels buried with Saxon Kings.
The collection features essays by Robin Wood, a distinguished film critic, exploring various films and filmmakers while examining the essence of film criticism. Wood, a self-proclaimed "unreconstructed humanist," emphasizes the significance of art, creativity, and personal engagement in film analysis. His new introduction and additional essays enhance the original text, providing compelling arguments that highlight the value of subjective interpretation in understanding cinematic works.
The analysis delves into the intricate themes of Satyajit Ray's Apu Trilogy, showcasing Robin Wood's expertise in film critique. Wood's detailed examination highlights the humanistic qualities of the films, exploring their psychological and emotional depth through Ray's masterful use of performance, camerawork, and visual design. As the first English-language critic to provide substantial insights into Ray's work, Wood's monograph stands out for its unprecedented depth, especially in light of the renewed interest in Ray's films in North America.
Focusing on the classic western film 'Rio Bravo', the author presents an analysis that transcends political discourse, arguing for its enduring message about the value of life. The study delves into the film's themes and significance, highlighting its appeal and the reasons it resonates with audiences. Through this exploration, the author aims to uncover the deeper philosophical implications of the film, suggesting that it serves as a compelling reminder of the human experience and the will to live.
When Hitchcock's Films was first published, it quickly became known as a new kind of book on film and as a necessary text in the growing body of Hitchcock criticism. This revised edition of Hitchcock's Films Revisited includes a substantial new preface in which Wood reveals his personal history as a critic--including his coming out as a gay man, his views on his previous critical work, and how his writings, his love of film, and his personal life and have remained deeply intertwined through the years. This revised edition also includes a new chapter on Marnie.
A father and daughter seek revenge against the ruthless Vikings that destroyed their lives, discovering that their fierce purpose can mend the bonds of family. One thousand years ago, a murderous clan known as the Forty Swords burned a village to the ground, leaving just two people alive: a shattered father and his teenage daughter. Setting off on a revenge quest that will span the width of Viking Age Europe, they find the key to repairing their damaged relationship lies in the swords they carry. Created by Brian Wood (Northlanders, The Massive, DMZ) and Mack Chater (Briggs Land, Lazarus), Sword Daughter is a visually stunning, emotionally poignant story of parental guilt and acceptance of loss.
Focusing on the horror genre, this collection features over fifty years of critiques by Robin Wood, a leading cinema critic. His essays and reviews explore the significance of horror films, showcasing his unwavering dedication to this popular cinematic form. This compilation serves as a vital resource for anyone interested in understanding the evolution and impact of horror in film history, reflecting Wood's influential perspective and insights throughout his career.
This deck brings the Minor Arcana to life in a way that is easy to understand and interpret. It features nature imagery and energies to enchant and excite both pagans and non-pagans, experts and novices.
Brian Wood and artist Riccardo Burchielli's DMZ, one of Vertigo Comics' longest-running series, continues its blistering look at politically motivated war in DMZ Book Four. When Matty Roth first crash-landed in the DMZ, he was essentially handed a once-in-a-lifetime opportunity to document the city under siege with a classic journalist's objectivity. He now finds himself adrift, wandering around a forgotten corner of the city, grappling with the crushing guilt of his role in recent events. Unable to deal with the notion of rejoining society, he clings to a little toy radio and just tries to make it through each day. With the final battle about to begin, this is his last chance to do right by the residents of the city he's grown to love. Brian Wood and artist Riccardo Burchielli are joined by guest artists Cliff Chiang, David Lapham, Danijel Zezelj, Andrea Mutti and Nathan Fox to continue the unforgettable series in DMZ Book Four. Collects issues #45-59 in the penultimate chapter of this critically acclaimed series.
