Jean Rhys, a novelist from the Caribbean, gained prominence in the mid-20th century for her evocative fiction. Her early works from the 1920s and 1930s foreshadowed her later impact. It was not until the publication of Wide Sargasso Sea in 1966, a novel often considered a "prequel" to Charlotte Brontë's Jane Eyre, that she emerged as a significant literary figure. Rhys's writing compellingly explores themes of patriarchal societies and feelings of displacement, drawing from her own experiences of navigating identity and belonging.
So there's a good time coming for the ladies, is there?-a good time coming for the girls? About time too' Stories of women adrift in seedy bars and down-at-heel hotels, from a master of the short story form.
Includes some of the best British short stories of the last century ... You
hear her voice speaking directly to you; her reality is your reality.
(Guardian)
A brilliant companion piece to Wide Sargasso Sea, this is Jean Rhys's beautifully written, bitter-sweet autobiography, covering her chequered early years in Dominica, England and Paris. Jean Rhys wrote this autobiography in her old age, now the celebrated author of Wide Sargasso Sea but still haunted by memories of her troubled past: her precarious jobs on chorus lines and relationships with unsuitable men, her enduring sense of isolation and her decision at last to become a writer. From the early days on Dominica to the bleak time in England, living in bedsits on gin and little else, to Paris with her first husband, this is a lasting memorial to a unique artist. Includes an introduction by Diana Athill.
Contains such stories as: "La Grosse Fifi", "Vienne", "Tea with an Artist", and "Mixing Cocktails". They are all taken from a selection from The Left Bank in Penguin's edition of "Tigers Are Better Looking".
Prequel to Jane Eyre by Charlotte Bronte. Born into an oppressive, colonialist society, Creole heiress Antoinette Cosway meets a young Englishman who is drawn to her innocent sensuality and beauty, but soon after their marriage, rumors of madness in her family poison his mind against her. He forces Antoinette to conform to his rigid Victorian ideals.
'A wonderful bitter-sweet book, written with disarming simplicity' Esther Freud 'It was as if a curtain had fallen, hiding everything I had ever known,' says Anna Morgan, eighteen years old and catapulted to England from the West Indies after the death of her beloved father. Working as a chorus girl, Anna drifts into the demi-monde of Edwardian London. But there, dismayed by the unfamiliar cold and greyness, she is absolutely alone and unconsciously floating from innocence to harsh experience. Her childish dreams have been replaced by harsh reality. Voyage in the Dark was first published in 1934, but it could have been written today. It is the story of an unhappy love affair, a portrait of a hypocritical society, and an exploration of exile and breakdown; all written in Jean Rhys's hauntingly simple and beautiful style.
In interwar Paris, Marya is trying to make something of of her life. Alone, her Polish husband in prison, she has been taken up by an English couple who slowly overwhelm her with their passions. The novel was originally published in 1928, under the title Postures.
Julia Martin is at the end of her rope in Paris. Once beautiful, she was taken care of by men. Now after leaving her lover, she is running out of luck. A visit to London to see her ailing mother and distrustful sister bring her stark life into full focus.
Tigers are Better-Looking incorporates selections from Jean Rhys's first book of stories, The Left Bank, published in 1927, and later stories written after 1939. In them Rhys encompasses within a few pages both the gaiety and charm of youth and love, and an awareness of all that threatens them. Writing in The New York Times, A. Alvarez has called these stories "extraordinary." The early stories have added value in that they illuminate Jean Rhys's development as a writer. Those written later, when her art was mature, are on the level of her novels and demonstrate that she is one of the most distinguished writers of our time, "the best living English novelist," again to quote Alvarez. The title of this collection comes from the opinion which many of Jean Rhys's characters share, that respectable people are as alarming as tigers, but "tigers are better-looking, aren't they?" It also reflects the astringent humor in her work; an explanation that however sad or even sordid her subject, she is never depressing. --From the book jacket